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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr George Powell"/1) | (@(roleclean,performerclean) "Mr George Powell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10948 results for: Keyword - Mr George Powell
We found 4994 matches on Event Comments, 4217 matches on Author, 2577 matches on Performance Comments, 711 matches on Performance Title, and 0 matches on Roles/Actors.

8151
21 March 1794 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

8152
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

8153
28 March 1794 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307o conclude with God save Great George our King and Rule Britannia .

Music: End of Part II Eighth concerto of Corelli

8154
02 April 1794 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ARTS I, II. As17940321o conclude with God save Great George our King and Rule Britannia .

Music: End of Part II 1st concerto, Op. 3, composed by Geminiani, by G. Ashley

8155
20 August 1794 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. 3rd piece [1st time; MF 1, by Robert Benson; music by Dr Arnold]: The Piece to conclude with a representation of the late Grand Naval Review [held at Portsmouth, in honor of George III's visit to that place, 28 June]. The Machinery, &c., entirely new for the occasion. Books of the Entertainment to be had at the Theatre. Morning Herald, 21 Aug. 1794: This Day is published BRITAIN's GLORY (price not listed). Morning Chronicle, 18 Aug.: Tickets to be had of Mrs Kemble, No. 24, Haymarket

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

Related Works
Related Work: A Trip to Portsmouth Author(s): George A. Stevens

8156
17 September 1794 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Lord Chamberlain. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 54 , Drury-lane. 3rd piece: By permission of George Colman, Esq

Performances

Mainpiece Title: The Sultan; Or, A Peep Into The Seraglio

Afterpiece Title: A BOLD STROKE FOR A WIFE

Afterpiece Title: THE PURSE

Song: In the course of the Evening Dibdin's Lucky Escape; or, the Ploughboy's Return from Sea, in character, by Mrs Harlowe

8157
30 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Hicks, J. Shade. Kemble Mem.: BT. the box-keepers. Receipts: #573 19s. (50.5.0; 39.14.0; 9.18.6; tickets: 474.1.6) (charge: #211 12s. 6d.)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Olivia Actor: Mrs Powell

Afterpiece Title: The Quaker

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

8158
22 February 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miller. [Afterpiece: Prologue by the elder George Colman]. The Doors to be opened at 5:00. To begin at 6:15

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bon Ton

Song: End: The Soldier Tired-Miss Crow

Entertainment: Monologue Previous: an Occasional Address-Miller

8159
13 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

8160
06 June 1796 @ Drury Lane Theatre

Event Comment: [Afterpiece: Prologue by the elder George Colman.] Receipts: #226 7s. (161.8.6; 62.8.0; 2.10.6)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Bon Ton

8161
23 July 1796 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

8162
17 October 1796 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 15 Oct. Afterpiece: Prologue by George Colman, elder.] Receipts: #291 19s. (229.12.0; 56.18.6; 5.8.6)

Performances

Mainpiece Title: The Gamester

Cast
Role: Charlotte Actor: Mrs Powell

Afterpiece Title: Bon Ton

8163
15 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Fairy Festival

Cast
Role: Lady Helen Actor: Mrs Powell

Afterpiece Title: The Wandering Jew; or, Love's Masquerade

Performance Comment: Characters by Suett, Bannister Jun., R. Palmer, Wewitzer, Russell, Hollingsworth, Wathen, Webb, Evans, Phillimore, Miss Pope, Miss DeCamp, Miss Heard, Miss Tidswell, Miss Stuart. Cast from text (George Cawthorn, 1797): Sir Solomon Swallow-Suett; Major Atall-Bannister Jun.; Captain Marall-R. Palmer; Cook-Hollingsworth; Toby-Wathen; Servants-Webb, Evans; Porter-Phillimore; Lady Swallow-Miss Pope; Camilia-Miss DeCamp; Lydia-Miss Heard; Susan-Miss Tidswell; unassigned-Wewitzer, Russell, Miss Stuart; Prologue-R. Palmer.

Dance: As17970513

8164
06 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. 2nd piece: Never performed here. True Briton, 2 June: Tickets to be had of Sedgwick, No. 22, corner of George-street, Adelphi. Receipts: #409 1s. (91.8.6; 67.5.6; 2.10.6; tickets: 247.16.6) (charge: #211 19s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

8165
14 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Woollams, Massingham [box-keepers]. In consequence of the Indisposition of two Principal Performers The Fairy Festival [advertised on playbill of 13 June] cannot be performed this Evening. Receipts: #567 17s. 6d. (31.0.6; 30.19.0; 2.14.0; tickets: 503.4.0) (charge: #213 16s.)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Mrs Strickland Actor: Mrs Powell

Afterpiece Title: The Sultan

Ballet: End afterpiece: The Scotch Ghost. As17961221

8166
06 October 1797 @ Covent Garden

Event Comment: [This was Mrs Abington's 1st appearance on the stage since 12 Feb. 1790, except for 14 June 1797, when she spoke an epilogue at a charity benefit.] "Her former Beatrice was a chaste, animated, unaffected and captivating performance; but her Beatrice of this night was, for the greater part, languid and unattractive. Her deportment, however, is easy and graceful; but her person is too big and heavy to give any effect to the more gay and sprightly scenes. We conceive it to be the height of folly and imprudence in her to come forward in the present advanced period of her existence; and that too, with a person so ill calculated for the department, and attempt characters which demand all the vigour and activity of youth" (Monthly Visitor, Oct. 1797, p. 352). [Address by George Colman, ynger (London Chronicle, 7 Oct.).] Receipts: #348 2s. (336.18; 11.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Diamond Cut Diamond

Dance: II: Masquerade Dance- incident to the Play

Entertainment: Monologue.Preceding: a new Occasional Address-Murray

8167
20 November 1797 @ Drury Lane Theatre

Event Comment: [2nd piece: Prologue by George Colman, elder.] Receipts: #190 19s. (138.13.6; 49.16.6; 2.9.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Bon Ton

Afterpiece Title: A Trip to the Nore

8168
15 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Stevenson, Percey. George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #41 10s. 6d. (21.3.6; 20.7.0; 0.0.0; tickets: none listed) (charge: #201 8s. 8d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

8169
21 July 1798 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro-Britons

8170
09 November 1798 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of George Barnwell, advertised on playbill of 8 Nov.] Receipts: #250 7s. (165.7; 81.10; 3.10)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

8171
06 April 1799 @ King's Theatre

Event Comment: Mme Allegranti continuing so seriously indisposed, as in opinion of Sir George Baker, to render her immediate appearance [in Il Matrimonio Segreto, advertised in Morning Chronicle, 5 Apr.] extremely dangerous [see 9 Apr.]

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

8172
09 April 1799 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

8173
15 May 1799 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

8174
12 June 1799 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: the birthday of George III] Actor: Master Parker

8175
31 October 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser