SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gard"/1) | (@(roleclean,performerclean) "Mr Gard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4235 matches on Event Comments, 1140 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

Event Comment: Benefit for Johnstone. Morning Chronicle, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Step-mother

Event Comment: Flora's Figarys appears in Herbert, Dramatic Records, p. 148, under this date. As Flora's Vagaries, it had been acted at Christ Church, Oxford, on 8 Jan. 1663. The play was not published before 1670, and the entry in Herbert's list has sometimes been regarded as the date of licensing, sometimes as the date of a performance in London. Nicoll, Restoration Drama, p. 427, assigned it to ca. January 1662@3 at Vere St, presumably because "Mr Bird" in the cast in the quarto of 1670 referred to Theophilus Bird, who died before 3 Nov. 1663. But the cast in the edition of 1670 is presumably that for 5 Oct. 1667, when Pepys saw the play and referred to Nell Gwyn and Mrs Knepp as acting in it; they, too, are listed in the quarto of 1670 but could hardly have played in it in 1663. If the cast in the 1670 edition is not that for 3 Nov. 1663 and if the "Mr Bird" is Theophilus Bird Jr, then the obstacles to consiuering 3 Nov. 1663 as the date of a performance rather than of licensing are less formidable. [I am indebted to professor John Harold Wilson for much of this argument.

Performances

Mainpiece Title: Flora's Vagaries

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Alcibiades