SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Gard"/1) | (@(roleclean,performerclean) "Mr Gard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4237 matches on Event Comments, 1140 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Womans Oratory 1

Afterpiece Title: Old Womans Oratory 2

Afterpiece Title: Old Womans Oratory 3

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Taste

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Taste

Song: III: Haughty Strephon by Dr Arne-Master Vernon

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

Performances

Mainpiece Title: Lady Jane Gray

Cast
Role: Gardiner Actor: Havard

Afterpiece Title: Queen Mab

Dance: As17520204

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Drummer

Cast
Role: Gardner Actor: Cushing

Afterpiece Title: Harlequin Sorcerer with the Loves of Pluto and Proserpine With Alterations

Event Comment: Benefit for ye Author (Cross). Tickets to be had of the Author at his lodgings the Angel in King's Street, Covent Garden; A Millar, over-against Catharine Street, in the Strand; and at the Stage Door of the theatre, where places may be taken (playbill). We hear Mr Ross is to perform the part of Romeo in the Play Romeo and Juliet for his benefit, which is to be on Thursday, the 31st of March (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: The Old Womans Oratory

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Dance: GGrand Comic Ballet, as17511216

Performances

Mainpiece Title: The Old Womans Oratory

Event Comment: This day is publish'd Judas Macchabaeus: a Sacred Drama as it is performed at Covent Garden. Set by Mr Handel. Printed for J. Watts. This day Publish'd The Oracle, a Comedy of one act as it is perform'd at Covent Garden, at 1s. By Mrs Cibber printed for R. Dosdley in Pall Mall, &c

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit for Bencraft and Mrs Vincent. Mainpiece: Containing the Memorable Battle of Agincourtv; with the total overthrow of the French Armyv; and many other historical passages. Tickets to be had of Mrs Vincent at the Cock and Turk's Head, in Bedford St., Covent Garden; of Bencraft at the corner of the Piazzas; and of Mr Page at the Stage Door of the Theatre

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Miller Outwitted or Harlequin Statue

Dance: GGrand Dutch Dance, as17511021

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Lethe

Dance: GGrand Provincial Dance, as17520204

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Shepherds Lottery

Dance: III: A Hornpipe-; The Little Swiss; End: The Grand Provincial Dance, as17520204

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The What Dye Call It

Dance: GGrand Comic Ballet, as17511216; Grand Dutch Dance, as17511021

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Shepherds Lottery

Dance: Sg Piettro, Mad Janeton Auretti, Master Piettro

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Oracle

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King-Sowdon; Wolsey-Mossop, 1st time; Buckingham-Ross, 1st time; Norfolk-Palmer; Suffolk-Blakes; Surrey-Lee; Cranmer-Havard; Gardiner-Taswell; Sandys-Shuter; Lord Chamberlain-Winstone; Anne Bullen-Mrs Mills; Queen-Mrs Pritchard; Cornwell-Mozeen; Patience (with a proper song)-Miss Norris. Exact representation of the Coronation.
Cast
Role: Gardiner Actor: Taswell

Afterpiece Title: Don Quixote

Performances

Mainpiece Title: Siege Of Damascus

Afterpiece Title: Royal Chace

Dance: I: Two Pierrots-Dennison, Settree (Scholars of LaLauze); II: Shepherd's Dance-Settree; III: Pigmalion, as17510925; IV: Le je ne scay quois-Dennison, Madem Camargo, Settree; V: "By Desire"Louvre, Minuet-Settree, Miss Hillyard

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: A Duke and no Duke

Dance: II: A Peasant Dance-Master Piettro; III: A Comic Dance-Sg Piettro, Janeton Auretti; IV: a Hornpipe-the Little Swiss; V: L'Entree de Flore, as17511015; a Peasant Dance, as17511015

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Lethe

Dance: IV: A Hornpipe-the Little Swiss

Song: I: Master Vernon