Event Comment: Afterpiece: By Desire. Benefit for Mr Blakes who spoke ye Ep: upon the Ass (Cross). Tickets at Blakes's House, Duke's Court, Bow St., Covent Garden, and at stage door. Receipts; #170 (Cross)

Event Comment: Benefit for Mr Scrase & Mathews (Cross). Tickets of Scrase at Tauranac's Wine Vault, in James St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Event Comment: Tomorrow a Comedy (not acted these 02 years) call'd The Gamester with Dancing by Mr Gardiner, being his first time of appearing on that stage, Mrs Vernon, &c. Receipts: #170 (Cross)

Event Comment: Comedy [Mrs Centlivre] not acted in twelve years [see 17 Oct. 1745]. Acted but once (Genest, IV, 474). The Ballets composed by Mr Gardiner. Receipts: #70 (Cross)

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)