SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Gallini"/1) | (@(roleclean,performerclean) "Mr Gallini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4235 matches on Event Comments, 1151 matches on Performance Comments, 544 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17571026, but Townly-Barry; and in which will be introduced the Masquerade Scene with Dancing by Gallini and Miss Hilliard; including The Sicilian Peasants, as17571217. and in which will be introduced the Masquerade Scene with Dancing by Gallini and Miss Hilliard; including The Sicilian Peasants, as17571217.

Afterpiece Title: The Knights

Ballet: III: The Judgment of Paris. As17571217

Cast
Role: Paris Actor: Gallini

Song: new Occasional Song-Mrs Chambers

Performances

Mainpiece Title: Orione, O Sia Diana Vendicata

Performance Comment: Several vocal and instrumental performers are engaged for the performance of this opera which will be decorated with new Scenes, Cloaths, and new Dances. Enopian-Gaetano Quilici; Orion-Domenico Ciardini; Retrea-Livia Segantini; Candiope-Anna Lucia d'Amicis; Argia-Giovanni Carrignani; Nice-Clementina Cremonini; Thirsis-Giuseppe Giustinelli; Diana-Marianna Valsecchi; Mercury-Giovan Battista Zingoni; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti (Libretto of 1763).

Performances

Mainpiece Title: The Miser

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Performance Comment: As17640116, but concluding with a New Masque-; Colin-Beard; Phillis-Miss Hallam; Thyrsus-Duquesney; Daphne-Sga Manesiere; Cupid-Mas. Rogers; The Graces-Miss Wilford, Miss Valois, Miss Pitt; Hymen-Gallini. [New Cloaths and Scenes. [See17640119 for Pastoral Dialogue.]New Cloaths and Scenes. [See17640119 for Pastoral Dialogue.]
Cast
Role: Hymen Actor: Gallini.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; Others-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Castle, Rooker, Watkins, Mrs Bennet, Mrs Hippisley, Miss Mills, Miss Rogers; With proper Dances-; Songs-; an Additional Reinforcement of Mr Bayes's New Raised Troops-; The whole to conclude with a Dance-Master Roger, Miss Capitani (Scholars to Gallini).
Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Performances

Mainpiece Title: Alexander's Feast

Music: As17620226; Handel's Coronation Anthem-

Event Comment: Benefit for Gallini, who submits himself to the Generosity and Protection of the Subscribers, whose tickets will be admitted, if they please to make us of them

Performances

Mainpiece Title: Demetrio

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: "The [new] Dance, if such it can be called, was like the movements of heavy Cavalry. It was hissed very abundantly. Gallini has the excuse of not having been able to get better dancers" (World, 2 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End I: New Divertissement, as17890110; End Opera: an entire new ballet (never performed), Les Fetes Provencales (composed by Noverre)-Didelot, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: The last Time of Performing this Season. cg Account-Book, 13 July: Received from Gallini for use of the Theatre #200

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: New Divertissement, as17890310at king's%, but _Saulnier; End Opera: Les Fetes Provencales, as17890630 but _Saulnier

Event Comment: The last Time of performing this Season. cg Account-Book, 19 July: Received of Gallini for 8 Nights Opera Charge #400

Performances

Mainpiece Title: L'usurpator Innocente

Dance: End I: Divertisement, as17900515 at hay; End Opera: La Bergere des Alpes, as17900107 at hay; after which a variety of new Dances-

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Performances

Mainpiece Title: The World In The Moon

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist