SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Fitzgerald"/1) | (@(roleclean,performerclean) "Mr Fitzgerald")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1159 matches on Performance Comments, 570 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .
Cast
Role: Fainwell Actor: Fitzgerald

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performances

Mainpiece Title: Every Body Mistaken

Afterpiece Title: Presumptuous Love

Performance Comment: Edition of 1716 lists: Jupiter-Cook; Mercury-Mrs Cross; Momus-Reading; Ixion-Randal; Damon-Leveridge; Deiopeia-Mrs Fitzgerald; Mopsa-Mrs Hunt.
Cast
Role: Deiopeia Actor: Mrs Fitzgerald

Performances

Mainpiece Title: Hunter; Or, The Beggar's Wedding

Performance Comment: Hunter-Charke; Chaunter-Hulet; Tippet-Mrs Egleton; Phebe-Mrs Roberts; other parts-Smith, Mountfort, R. Williams, W. Williams, Boman, Mrs Shireburn, Mrs Goodshaw, Mrs Fitzgerald, Mrs Frances.

Song: CChimes of the Times, The Contented Farmer-Mrs Mountfort

Dance: HHarlequin, Pierrot-St.Luce , from Paris; Dusty Miller, French Peasant-Fisher@Tench Charke

Music: A good Band of Instruments-; accompany'd by a Chamber Organ-

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17300930, but Angelica-Mrs Fitzgerald, from Drury Lane, being the first Time of her appearing on this Stage.

Dance: new %Highland Dance-Eaton, Miss Sandham

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17300921, but Aimwell-W. Giffard; Dorinda-Mrs Fitzgerald; Cherry-Miss Smith; Gypsy-Mrs Thomas.
Cast
Role: Dorinda Actor: Mrs Fitzgerald

Dance:

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifi'd; With The Comical Humours Of Captain Bluster And His Man Diddimo

Afterpiece Title: The Fall of Phaeton

Performance Comment: Jupiter-Hewet; Apollo-Hulett; Phaeton-Aston; Epaphus-Nichols; Lybia-Mrs Spiller; Phathusa-Mrs Williamson; Lanperia-Mrs Cantrell; Phebe-Mrs Spellman; Clymena-Mrs Fitzgerald.
Cast
Role: Clymena Actor: Mrs Fitzgerald.

Performances

Mainpiece Title: Cymon

Performance Comment: As17710408 but Urganda-Mrs Baddeley; Sylvia-Mrs Fitzgerald (nee Radley); Shepherdesses-Mrs _Jeffries, Mrs Johnston.
Cast
Role: Sylvia Actor: Mrs Fitzgerald

Afterpiece Title: The Register Office

Entertainment: End: Burlesque Cantata, as17710504

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Performance Comment: As17710410 but Leonora-Mrs Fitzgerald.
Cast
Role: Leonora Actor: Mrs Fitzgerald.

Dance: II: The Allemande-Miss Ross, Miss Armstrong (Scholars of Daigville); End: A New Dance call'd The Shepherds Frolic, as17710406

Performances

Mainpiece Title: The Committee

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17710507, but Rhodope-Mrs Fitzgerald; Miss Fuz-Mrs Millidge; Lady Fuz-Mrs Hopkins.
Cast
Role: Rhodope Actor: Mrs Fitzgerald

Dance: V: The Shepherds Frolic, as17710406

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Linco-King; Merlin-Bannister; Dorus-Parsons; Demon of Revenge-Champness; Fatima-Mrs Abington; Shepherdesses-Mrs Davies, Miss Ambrose; Urganda-Mrs Scott; Dorcas-Mrs Bradshaw; Sylvia-Mrs Fitzgerald; In which will be introduced a Grand Procession of the different Orders of the Knights of Chivalry-with proper Dances and Decorations.
Cast
Role: Sylvia Actor: Mrs Fitzgerald

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Don Quixote in England; or, The Humours of Sancho Pancha

Performance Comment: Don Quixote-Johnson; Guzzle-Rogers; Sir T. Loveland-Knapp; Mayor-Buxton; Squire Badger-Holland; Fairlove-Thompson; Brief-Eden; Dr Drench-Bateman; Drawer-Henry; Sancho Pancha-Fitzgerald; Mrs Guzzle-Mrs Fowler; Jezabel-Mrs Liddel; Dorothea-Miss Williams .
Cast
Role: Sancho Pancha Actor: Fitzgerald

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Performance Comment: Characters by Palmer, Barrymore, Fawcett, Aickin, Suett, C. Kemble, Johnstone, Parsons / / Mrs Gibbs, Mrs Kemble, Mrs Harlowe, Miss De Camp, Miss Heard, Mrs Hopkins. [Cast from European Magazine, Aug. 1794, p. 139, and Larpent MS: Seagrove-Palmer; Young Manley-Barrymore; Jack Scamper-Fawcett; Sir Charles Manley-Aiclcin; Sir John Marlow-Suett; Young Marlow-C. Kemble; Fitzgerald-Johnstone; Simon-Parsons// Julia-Mrs Gibbs; Miss Harcourt-Mrs Kemble; Mrs Scamper-Mrs Harlowe; Miss Furnish-Miss De Camp; Betsey-Miss Heard; Mrs Furnish-Mrs Hopkins.] Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations . Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations .
Cast
Role: Fitzgerald Actor: Johnstone
Event Comment: Journal of the Earl of Anglesey, 25 Jan. 1671@2: At eight of the clock The King's playhouse took fire, and most of that side of Russell Street and many other houses thereabout were burnt down, and we in Drury Lane and all about in great danger; but the Lord had mercy, and by great industry and blowing up houses the fire was overcome: I had no rest, but sat up almost all night, even till six in the morning. The Lord pardon sin, which brings judgements (HMC, 13th Report, Part VI [London, 1893], p. 270. The Bulstrode Papers (I, 217): About 8 hapened a sad and violent fire, which begun in the King's Theater, and in a few howers burnt down that...severall were hurt and killed, amongst which was Mr Bell, one of the actors in that house. For a poem, On the Unhappy Conflagration of the Theatre Royal, January 25th, 1672, see Fitzgerald, A New History of the English Stage, I, 137

Performances

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

Event Comment: On this date the officers of the Duke's Company and the King's Company entered into agreements to merge the two companies. For details, see Hotson, Commonwealth and Restoration Stage, p. 271; Fitzgerald, A New History, I, 154-58; and Nicoll, Restoration Drama, pp. 296-97. See also Langhans, New Restoration Theatre Accounts, p. 122, for evidence that the union had been effectively made by 13 May 1682. See page 123 for evidence that the company probably acted continuously to 7 August 1682, then closed until early October. But see 10 August 1682

Performances

Mainpiece Title: Omment

Event Comment: Betterton's Company. A playbill for this performance was once in the possession of Thomas Hailes Lacy (1809-73); Fitzgerald, A New History, I, 389, refers to it; the playbill seems no longer to be extant

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Benefit Mrs Fitzgerald

Performances

Mainpiece Title: Love Makes A Man

Song: As17170102

Dance: Dupre, Boval, Dupre Jr, Prince, Birkhead, Mrs Bicknell, Mrs Willis

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Man of Quality

Afterpiece Title: The Two Misers

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton