SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Enter"/1) | (@(roleclean,performerclean) "Mr Enter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4344 matches on Event Comments, 1150 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Music: The Vocal part-Mrs Arne; late Miss Cecilia Young. With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Contrivances

Song: Miss Medina, Mrs Jones

Dance: HHornpipe-Yates

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: The Judgment of Paris

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

Dance: TThe Grand Scotch Dance, as17491031; Venetian Gardeners, as17491031

Performances

Mainpiece Title: The Old Womans Oratory

Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter or Love and Magic

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Spanish Fryar Or The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton or Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Event Comment: Received from Mr Cator for a Renter's Share #220; 18 Feb. 1787: Paid Mr Cator, Renter, #18 13s. 6d. (Account-Book). Receipts: #152 8s. (147.15.6; 4.12.6)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: Constantine The Great

Performances

Mainpiece Title: Cuckolds haven Or An Alderman No Conjurer

Performances

Mainpiece Title: A Commonwealth Of Women

Performances

Mainpiece Title: The Widow Ranter Or The History Of Bacon In Virginia

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performances

Mainpiece Title: Pausanius The Betrayer Of His Country

Performances

Mainpiece Title: The Spanish Wives