SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Enter"/1) | (@(roleclean,performerclean) "Mr Enter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4342 matches on Event Comments, 1150 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Citizen

Performances

Mainpiece Title: No Performance

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performance Comment: Parts by Bannister, Waldron, Dibdin, Davies, Wrighten, Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard, Mrs Scott, Mrs Love, and a Young Gentlewoman. Steady-Bannister; Lubin(?)-Dibdin; Solomon(?)-Waldron; Easy-Wrighten; Countrymen-Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard; Floretta(?)-Mrs Scott; Cicely-Mrs Love; Gillian-A Young Gentlewoman (Miss Wilde) first appearance on this stage (Genest, V, 452).
Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Performance Comment: Henry-Vernon; Russet-Bannister; Simpkin-Fawcett; Soldiers-Legg, Kear, Griffith, Carpenter; Skirmish-Parsons; Flint-Wright; Jenny-Mrs Wrighten; Margaret-Mrs Love; Louisa-Mrs Smith.
Cast
Role: Soldiers Actor: Legg, Kear, Griffith, Carpenter

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Benefit for Bannister. Afrerpiece: Never performed there, a Musical Entertainment, which went off with great Applause the New Scene of the Regatta was properly introduc'd in the Farce (Hopkins Diary). Rec'd Stopages #10 4s. 6d.; Mr Burges one quarter's rent (land tax deducted) #4 4s.; Paid Mr Grist by order of Mr Garrick #10; Mr Johnston's Music bill #14 3s. 6d.; Mr Burges (bricklayer) #52 2s. 6d. Receipts: #82 3s. 6d. Charges: #66 18s. Profits to Bannister: #15 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes (1st time [at this theatre])-Henderson; Mr Johnson-Palmer; Mr Smith-Aickin; The other Characters-Baddeley, Moody, Parsons, Burton, Hurst, R. Palmer, Waldron, Lamash, Chambers, Holcroft, Chaplin, Carpenter, Griffiths, Norris, Wrighten, Wright, Legg, Master Pulley, Mrs Colles, Miss Collett, Mrs Davies. With an Additional Reinforcement of Mr Bayes's New Raised Troops [These were "hobby-horses and other novelties' (Davies, III, 303).]. [Edition of 1777 (John Bell) specifies: Gentleman Usher-Baddeley; Physician-Moody; Cordelio-Burton; Prince Prettyman-Hurst; 1st King of Brentford-Waldron; Fisherman-Griffiths; Thunder-Wrighten; Earth-Legg; Lightning-Master Pulley; Cloris-Mrs Colles; Parthenope-Miss Collett; Amaryllis-Mrs Davies; Pallas-Mr Parsons. [It assigns the remaining characters-2nd King of Brentford, Prince Volscius, Drawcansir, Lieut. General, Tom Thimble, Sun, Moon-to actors of previous season.

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion