SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Edward Shepherd"/1) | (@(roleclean,performerclean) "Mr Edward Shepherd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 1949 matches on Performance Comments, 997 matches on Performance Title, 957 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Cast
Role: Page Actor: Miss Edwards

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

Performance Comment: Written by Congreve, New Set by Mr Arne; Paris-Beard; Mercury-Lowe; Venus-Mrs Arne; Pallas-Mrs Clive; Juno-Mrs Edwards.
Cast
Role: Juno Actor: Mrs Edwards.

Performances

Mainpiece Title: The She Gallant; Or, Once A Lover And Always A Lover

Performance Comment: Sir John Airy-Macklin; Sir Toby Tickle-Yates; Vaunter-Neale; Monsieur-Blakes; Lady Dorimen-Mrs Macklin; Lucinda-Mrs Clive; Constantia with a New occasional Epilogue, in men's Clothes-Mrs Woffington; Miranda-Miss Edwards; Bellamour-Havard; Philabel-Mills; Frederick-Winstone; Courtall-Usher; Mons. Frisure-Blakes; Angelica-Mrs Bennet; Diana-Miss Minors; Melissa-Miss Pitt; Dorinda-Miss Cole; Placket-Mrs Cross; Mrs Japan-Mrs King; Mrs Lawn-Miss Royer.
Cast
Role: Miranda Actor: Miss Edwards

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Warwick-Reddish; King Edward-Clinch; Pembroke-J. Aickin; Buckingham-Fawcett; Messenger-Griffith; Lady Elizabeth-Mrs Baddeley, first appearance here in 3 years; Lady Clifford-Miss Sherry; Margaret of Anjou-Miss Younge; Suffolk-Packer; Original Epilogue-Miss Younge.
Cast
Role: King Edward Actor: Clinch

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Performance Comment: King Edward-Aickin; Genius of England-Reddish; Sir Dingle (court fool)-King; Nat Needle-Parsons; Roger-Weston; Spirits-Miss Hayward, Mrs Morland, Miss Rogers, Mrs Simson; Edward the Black Prince-Miss Hopkins; Chief Druid-Inchbald; Squallini-Mrs Wrighten; Queen Philippa-Mrs Johnston (Genest's News Clippings).

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Rosamond

Performance Comment: King Henry-Beard; Sir Trusty-Rheinhold; Page-Miss Edwards; Queen-Mrs Arne; Rosamond-Mrs Clive; Grideline-Mrs Jones.
Cast
Role: Page Actor: Miss Edwards

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Institution of the Garter

Performance Comment: King Edward-Aickin; Genius of England-Reddish; Sir Dingle-King; Nat Needle-Parsons; Roger-Weston (Winston MS 10). The playbill lists the play, noting accompaniment of "proper Music, Habits, Scenes, Machines, and Decorations."
Cast
Role: King Edward Actor: Aickin

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Performance Comment: Principal Characters by Palmer, Baddeley, Williamson, R. Palmer, Kemble, Wewitzer, Burton, Johnson, Phillimore, Lyons, Painter, Farley, Abbot, Bannister Jun., Mrs Kemble, Mrs Lefevre, Mrs Poussin, Mrs Edwin, Miss Brangin, Miss Francis, Miss Farren. [Cast from text (J. Debrett, 1789), and European Magazine, Aug. 1788, p. 100: Lieutenant Dormer-Palmer; Resident-Baddeley; Mr Edwards-Williamson; Supple-R. Palmer; Mr David Northcote-Kemble; Mazinghi Dowza-Wewitzer; Caesar-Burton; Gentlemen-Johnson, Lyons, Painter, Abbot; Jefferys-Bannister Jun.; Miss Louisa Moreton-Mrs Kemble; Mrs Tartar-Mrs Lefevre; Mrs Garnish-Mrs Poussin; Mrs Gobble-Mrs Edwin; Miss Bronze-Miss Brangin; Ladies-Miss Francis, Miss Palmer, Mrs Gaudry; Miss Eliza Moreton-Miss Farren; unassigned-Phillimore, Farley; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mr Edwards Actor: Williamson

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Performance Comment: Principal Characters by Bannister Jun., Williamson, R. Palmer, Kemble, Iliff, Johnson, Abbott, Chapman, Burton, Baddeley, Mrs Kemble, Mrs Whitfield, Mrs Poussin, Miss Branghn, Mrs Rivers (1st appearance on this stage). Cast adjusted from text (J. Debrett, 1789): Jeffreys-Bannister Jun.; Mr Edwards-Williamson; Supple-R. Palmer; Mr David Northcote-Kemble; Lieutenant Dormer-Iliff; Gentlemen-Johnson, Abbott; Mazinghi Dowza-Chapman; Caesar-Burton; Resident-Baddeley; Miss Louisa Moreton-Mrs Kemble; Mrs Tartar-Mrs Whitfield; Mrs Garnish-Mrs Poussin; Miss Bronze-Miss Brangin; Miss Eliza Moreton-Mrs Rivers.
Cast
Role: Mr Edwards Actor: Williamson

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Acis and Galatea

Performance Comment: A New Grand Entertainment. Acis-Sig Campioni 1st appearance that stage; Galatea-Mad Auretti; Polypheme-Grandchamps; Savages-Matthews, Mrs Addison; Shepherds-Macneale, Pelling, Shawford, Simons, G. Yates, Master Shawford; Shepherdesses-Miss Baker, Mlle Mariet, Mlle Memi, Miss Cole, Mrs L'Font, Miss Shawford.
Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Cast
Role: Ghita Actor: Mrs Edwards.
Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: Love and Friendship

Performance Comment: Camillo-Lowe; Aegeon-Bibby; Clorinda-Miss Edwards; Philander-Mrs Clive.
Cast
Role: Clorinda Actor: Miss Edwards

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Havard; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Collet; Buckingham-Jefferson; Tressel-Cautherley; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Caresby-Packer; Ratcliffe-Strange; Lieut.-Moody; Lady Anne-Mrs W. Barry; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Prince Edward Actor: Miss Rogers

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-F. Gentleman; Henry-Bannister; Richmond-Davis; Buckingham-Gardner; Prince Edward-Master Cape; Duke of York-Miss Rose; Tressel-A Young Gentleman, first appearance; Lady Anne-Miss Ogilvie, first time; Duchess of York-Mrs Painter; Queen-Mrs Wright from Dublin; Stanley-Bailey; Catesby-Farrell; Ratcliff-Dancer; Lord Mayor-Sharpless; Lieut.-Lings (Hogan).
Cast
Role: Prince Edward Actor: Master Cape

Afterpiece Title: The Apprentice

Entertainment: SScrub's Trip to the Jubilee (a New Occasional Prologue)-Weston

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751212, but Richard-Garrick, first time in 5 years; Catesby-Packer; King Henry-Reddish; Lady Anne-Mrs Siddons, first time; Prince Edward-Miss P. Hopkins.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Silvius-Bland; William-Burton; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Edwards.
Cast
Role: Audrey Actor: Mrs Edwards.

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Performance Comment: Parts by Mahoon, Bannister, Vandermere, Mrs Barthelemon, Mrs Saunders, Miss Ogilvie, Miss Edwards. Paris-Mahoon; Mercury-Bannister; Palaemon-Vandermere; Oenone-Mrs Barthelemon; Venus-Miss Edwards; Pallas, Discord-Mrs Saunders; Juno-Miss Ogilvie (Edition of 1768).
Cast
Role: Venus Actor: Miss Edwards

Dance: As17680530

Performances

Mainpiece Title: Eliza An English Opera

Performance Comment: Britannia-Sga Frazi; Peace-Miss Isabella Young; Liberty-Miss Brent; Genius of England-Mrs Vernon; Neptune-Champnes; 1st Shepherdess-Miss Elizabeth Young; 2nd Shepherdess-Miss Bricklayer; First Shepherd, First Sailor-Beard.

Performances

Mainpiece Title: Comus

Performance Comment: As17600118, but Lycidas (Shepherd)-Lowe; The Dances-Miles.
Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: See17071106, but Sir William-Penkethman; Sir Edward-Keene; Belfond Sr-Bullock; Belfond Jr-Wilks; Trueman-Mills; Scrapeall-Norris; Isabella-Mrs Rogers; Teresia-Mrs Oldfield; Mrs Termagent-Mrs Knight; Ruth-Mrs Powell.
Cast
Role: Sir Edward Actor: Keene