Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Mr Tate, late Poet Laureat. Afterpiece: The Words by Mr Motteux, and set to Musick by Mr Eccles. With Scenes, Machines, Dances, and all proper Decorations

Event Comment: First Piece; [Author unknown. Apparently not published.] A New Farce of Two Acts. Second Piece: Written by Aaron Hill, Esq. Third Piece: The Words by Mr Motteux, and set to Musick by Mr Eccles

Event Comment: Mainpiece: [By Francis Hawling. The Preface gives a long account of the unhappy preliminaries to the performance and the extremely poor acting by the company.] Afterpiece. The Words by Mr Motteux, and Set to Musick by Mr Eccles

Event Comment: Mainpiece: With all the Scenes, Machines and Decorations proper to the Play. Afterpiece: The Words set to Musick by Mr Eccles. Receipts: #40 11s. 6d

Event Comment: Benefit Rob. Williams, Mrs Whitherilt [Mrs Wetherilt], Mrs Boman, Miss Davison. Afterpiece: Set to Musick by Mr Eccles

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 18-21 Dec. 1697, suggests that the premiere occurred not later than late November. This play was originally given to the company in Drury Lane, but withdrawn. See G. Thorn-Drury, An Unrecorded Play Title, Review of English Studies, VI (1930), 316-18. Edition of 1698: A Dialogue in the fourth Act, between Mr Bowman and Mrs Bracegirdle; The words by Mr Durfey and set by Mr Eccles: When will Stella kind and tendre. A Dialogue in the fifth Act, between a Boy and a Girl, and an Old Man, Written by Mr Motteux, set to the Musick by Mr J. Eccles. Preface: I look upon those that endeavour'd to discountenance this Play as Enemys to me

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd