SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Duke Watson"/1) | (@(roleclean,performerclean) "Mr Duke Watson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5155 matches on Event Comments, 2395 matches on Performance Comments, 861 matches on Performance Title, 429 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: Mainpiece: By Particular Desire. Paid half a years rent to Duke of Bedford to Mich. Last #164 2s. 10d.; Ditto to Mr Wegg to ditto #57; Mrs Scott (laceman) #99 7s.; Mrs Chitty for coals #92 10s.; Mrs Sutton for women's cloathes #12; Tabor and Pipe 7 nights #3 13s. 6d.; Two additional flutes #3. Receipts: #272 1s. 6d. (Treasurer's Book). At the Play Mr Garrick acted and the house was so full you could not have thrust your little finger in, not withstanding the plague sweeps us away by dozens (Cumberland's Letters; Hampden, Journal)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: On this day a quarrel occurred at lif between Henry Killigrew and George Villiers, Duke of Buckingham, but the play is not named in the various accounts of the affair. For details, see HMC, 12th Report, Part VII, p. 51; and Carl Niemeyer, "Henry Killigrew and the Duke of Buckingham", Review of English Studies, XII (1936), 326-28. Pepys, Diary: 22 July: Creed tells me of the fray between the Duke of Buckingham at the Duke's playhouse the last Saturday (and it is the first day I have heard that they have acted at either the King's or Duke's house this month or six weeks) and Henry Killigrew, whom the Duke of Buckingham did soundly beat and take away his sword, and make a fool of, till the fellow prayed him to spare his life; and I am glad of it; for it seems in this business the Duke of Buckingham did carry nimself very innocently and well

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: Benefit Watson. At 6 p.m

Performances

Mainpiece Title: The Fair Penitent

Song:

Event Comment: Benefit Watson and Cross

Performances

Mainpiece Title: Timon Of Athens

Dance: Mrs Booth, Desnoyer, Mrs Bicknell, Mrs Younger

Event Comment: Benefit Watson and Cory

Performances

Mainpiece Title: Timon Of Athens

Dance: As17221015

Event Comment: Benefit Cibber Jr and Watson. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Dance: Boval, Miller, Young Rainton, Mrs Booth, Mrs Brett, Miss Robinson

Event Comment: Benefit Watson and Corey

Performances

Mainpiece Title: The Conscious Lovers

Dance: DDutch Skipper-Thurmond, Miss Tenoe; Muzette-Young Rainton, Miss Robinson

Event Comment: Benefit Watson and Corey

Performances

Mainpiece Title: Love For Love

Dance: Roger, Lally, Essex, Boval, Haughton, Mrs Booth, Mrs Brett, Mrs Walter, Miss Lindar, Miss Robinson; particularly Le Badinage Champetre-

Event Comment: Benefit Watson and Mrs Horton

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The What D'ye Call It

Dance: Rover, Essex, Lally, Rainton, Miss Robinson

Event Comment: Benefit Watson and Mrs Butler

Performances

Mainpiece Title: Greenwich Park

Afterpiece Title: Patie and Peggy

Dance:

Event Comment: Benefit Watson, Fielding

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; The Masques-Essex, Thurmond, Houghton, Tench, Mrs Walter, Miss Williams, Miss D'Lorme; Myrtillo-Mrs Booth, Lally

Event Comment: Benefit for Receivers (Cross Diary). Smith, Watson, Cridland, Dalton (playbill)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Beggar's Wedding

Dance: IV: The Irish Lilt, as17621023

Event Comment: Benefit for Berrisford and Cridland, Watson, Smith &c. Tickets deliver'd by Berrisford and Humphreys will be taken

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycomb

Dance: II: The Provancalle, as17631014

Event Comment: Benefit for Smith, Watson, Cridland, Berrisford. Tickets deliver'd for This Night will be taken

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Country Wife

Dance: End: The Irish Lilt, as17641011

Event Comment: Benefit for Several. Watson, Roberts, Palmer. Tickets deliver'd by Daney and C. Roberts will be taken

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: A Fairy Tale

Dance: End: Comic Dance, as17660207

Event Comment: [M$Mrs King was formerly Miss Baker (Genest, V, 115).] Paid Watson and Smith (Box Office Keepers) #20 (Drury Lane Treasurer's Book). [This was operating cash, returned 4 June 1767.] Receipts: #135 14s. 6d. (Drury Lane Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer (pit doorkeeper). Tickets deliver'd by Humphreys, Denny, Claggit, and for the 22nd Inst. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Absent Man

Entertainment: IV: Bucks Have at Ye All-J.? Palmer

Event Comment: Benefit for Watson, Roberts, Kaygil and Palmer. Tickets deliver'd by Humphreys, Goodwin, and for Jane Shore will be admitted. Jane Shore deferr'd on account of Mrs W. Barry's indisposition

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Duke Actor: Bransby

Afterpiece Title: The Deuce Is in Him

Dance: III: The Wake, as17690518

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Cast
Role: Duke's Servant Actor: Palmer

Dance: III: Minuet, Allemande-Daigville, Miss Ross

Entertainment: BBucks have at ye all-Master Palmer

Event Comment: Benefit for Gridland, Foley, Robinson, Carlton Jr, and Watson, &c

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The King and Miller of Mansfield

Dance: III: The Wake-the Giorgis