SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Dean Jun"/1) | (@(roleclean,performerclean) "Mr Dean Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4416 matches on Event Comments, 2550 matches on Performance Comments, 623 matches on Performance Title, 18 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Cast
Role: Shacabac Actor: Bannister Jun.
Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Performance Comment: Sylvester Daggerwood-Bannister Jun.; Fustian-Suett; Apewell (with Imitations)-Caulfield.

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Performances

Mainpiece Title: Ramah Droog

Performance Comment: As17990121, but Europeans-_Bologna Jun.
Cast
Role: Europeans Actor: _Bologna Jun.

Afterpiece Title: The Jew and the Doctor

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Powell (1st appearance in that character); Alonzo-Packer; Antonio-Sparks; Ferdinand-C. Kemble; Gonzalo-Maddocks; Stephano-Bannister Jun.; Trincalo-Suett; Caliban (with songs)-Sedgwick; Hippolito (1st time)-Miss DeCamp; Ariel-Mrs Bland; Miranda-Mrs Crouch; Dorinda (for that night only)-Mrs Jordan.
Cast
Role: Stephano Actor: Bannister Jun.

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters-Palmer, Barrymore, Kemble, C. Kemble, Aickin, Maddocks, Hollingsworth, Wathen, Miss Stuart, Mrs Powell, Miss Biggs, Miss Pope, Mrs Sparks, Miss Tidswell, Mrs Coates, Mrs Cuyler, Mrs Jones. Cast adjusted from text (J. Bell, 1800): Lord Listless-Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Maddocks; Squeez'em-Hollingsworth; Frank-Wathen; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Miss Biggs; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Mrs Tiffany-Mrs Coates; Lady Hubbub-Mrs Cuyler; Anne-Mrs Jones; Prologue-C. Kemble; Epilogue (in Character)-Bannister Jun.
Cast
Role: Epilogue Actor: Bannister Jun.

Afterpiece Title: The Prize

Cast
Role: Lenitive Actor: Bannister Jun.

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Event Comment: Benefit for Vestris Jun. Tickets to be had of Vestris, No. 2, Haymarket

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

Performance Comment: Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen.

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius