Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Davis"/1) | (@(roleclean,performerclean) "Mr Davis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6298 results for: Keyword - Mr Davis
We found 4276 matches on Event Comments, 1907 matches on Performance Comments, 550 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1576
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley

1577
16 January 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Cast
Role: Aladin Actor: Davis

1578
02 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin and Quixotte

Performance Comment: As17971228, but Principal Pantomime Characters-Quin, _Davis.
Cast
Role: Principal Pantomime Characters Actor: Quin, _Davis.

Song: As17971118

1579
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

1580
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

1581
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

1582
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

1583
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

1584
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

1585
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

1586
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

1587
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

1588
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

1589
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

1590
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

1591
16 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

1592
07 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

1593
01 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

1594
21 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

1595
22 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

1596
30 July 1718 @ no theater listed

Performances

1597
29 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

1598
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

1599
23 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Prophetess

1600
06 January 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches