Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Daniel Purcell"/1) | (@(roleclean,performerclean) "Mr Daniel Purcell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6310 results for: Keyword - Mr Daniel Purcell
We found 4307 matches on Event Comments, 1537 matches on Performance Comments, 632 matches on Performance Title, 277 matches on Author, and 0 matches on Roles/Actors.

226
26 October 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell

Afterpiece Title: Harlequin's Invasion

Dance: II: The Sailors Revels, as17711008

227
25 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell

Afterpiece Title: The Pigmy Revels

228
20 March 1773 @ Covent Garden

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell

Afterpiece Title: Harlequin Sorcerer

Monologue: Interlude.IV: Will be introduc'd an Interlude of Music and Dancing, call'd The Contention of Wit and Wealth. Plutus-Reinhold; Wit-Mrs Wewitzer; the Dance-Fishar, Sga Manesiere

229
December 1689 @ Priest's Boarding School in Chelsea

Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

230
08 April 1704 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: Aeneas and Dido

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Dance: New Scotch dances-

231
22 November 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Arthur and Emmeline

Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

232
06 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

233
13 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

234
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

235
10 May 1732 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Consisting of Church Musick- for six or eight Voices, by Mr DeFesch; Several Songs in Italian-Mrs De Fesch, the first Time of he performing in publick since her Arrival in England; a new Concert on the Violon-Mr DeFesch; a Solo , composed, and perform'd on the Bass Viol-Mr St.Helene; Solo on the Violoncello-Mr St.Helene the first Time of his performing in Publick

236
27 July 1702 @ Hampstead Wells

Performances

Mainpiece Title: Concert

Music: An Extraordinary Consort of Vocal and Instrumental Musick-; Particularly, the Instrumental Musick, Composed by Mr John Eccles for the Coronation-; With several of Mr Weldon's Songs made for his Consort in York-Buildings. To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before)

237
30 April 1703 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals; or, The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

238
17 March 1732 @ Chancery Lane

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

239
11 July 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: Bury Fair

Music: The last New Entertainment compos'd for Flutes on the Stage,-Mr Bannister, Mr Bannister's Son

Song: Mrs Lyndsey

Dance:

240
24 February 1726 @ Haymarket Theatre

Performances

Mainpiece Title: The Orphan

Song: Singing in Italian and English-Mrs Fitzgerald

Music: The Original Trumpet Song of Sound Fame-by Mr Henry Purcel Mr Armstrong

241
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

242
22 March 1759 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Double Disappointment

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Dance: TThe Threshers, as17581016

243
24 April 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: Love a-la-Mode

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

244
23 April 1762 @ Covent Garden

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Thomasand Sally

Dance: I: A New Serious Dance-Miss Wilford, Miss Valois; II: Handel's Water Piece-, in which, by particular desire; Kettle@Drum-Mr Poitier; III: A New Comic Dance-Maranesi, Miss Wilford; IV: The Pleasures of Spring, as17620212; V: The Academy for Dancing-Poitier, Mrs Vernon; in which will be introduc'd a Minuet-Miss Valois, in boy's Cloaths, Miss Wilford

245
27 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Contrivances

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

246
26 March 1701 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, with new Pieces of Musick-; and particular Performances of Instrumental Musick-Mr Dean; And likewise an Extraordinary Italian Song-a Boy, lately arriv'd from Italy, being the first time of his Singing in Publick in England

247
05 April 1722 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: The Magician

Song: With several new collected Songs-Mr Legare, never performed by him before

Dance: Hornpipe-Jones

248
16 April 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: I: Overture of Ptolomy by Mr Handel-; Songs. No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-

249
23 April 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Devil to Pay

Afterpiece Title: Love Runs All Dangers

Dance: End Second Piece: Hornpipe-Jones; End Third Piece: Dutch Skippers-Jones Sr, Jones Jr

Music: End Third Piece: Mr Handel's Water Musick-; Accompany'd by Kettle Drums and Trumpets-

250
22 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Dutchman and his Frow by Phillips and Miss Brett. IV: English Maggot by Villeneuve and Miss Brett

Entertainment: A new Entertainment after the manner of Spring-Garden, Vauxhall: With a New Scene, representing the Place, with a Grand Overture, and select Pieces of Musick, compos'd by Mr Handell, intermix'd with Dances, particularly The Russian Sailor by Denoyer's Apprentice. A Concerto on the French Horn by Mr Winch. The Revellers by Essex, Mrs Walter, &c. Concluding with Mr Handel's Water Musick