SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Daigville and Wife"/1) | (@(roleclean,performerclean) "Mr Daigville and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4533 matches on Event Comments, 2856 matches on Performance Title, 1540 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Johnston, at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Upper Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Event Comment: Mainpiece: Not acted these 2 years. [See 31 Dec. 1772.] Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. The Doors to be open'd at half an hour past 5 o'clock. To Begin half an Hour past 6. Vivant Rex & Regina. [Customary footnote for all succeeding bills this season, not to be repeated here. Woodward seems to have spoken an Occasional Prologue on the opening of the theatre. See request for its repetition on bill for 21 Sept. This Prologue is Larpent MS 377. It suggests the policy of offerings and competitions for the season--some old plays, some new, some foreign, some pantomimes, some Shakespeare, &c.

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Event Comment: Tickets to be had and places for Boxes to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Event Comment: Benefit Sorin and Baxter

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: Rec'd Stopages #1 3s. Paid 4 days salary list #289 5s. 8d. at #72 6s. 5d. per diem; Mrs Abington in full of #60, for cloaths #1; Mr S. French #1 10s.; Mr S. Barry and Wife 1 days salary in full #8 6s. 8d.; Sieur Daigville and Wife ditto #1 (Treasurer's Book)

Performances

Mainpiece Title: None

Event Comment: Mainpiece: With proper Scenes, Dresses and Other Decorations (playbill). Miss Venables (a pupil of Mr Michl Arne) made her first appearance on the Stage in Philadel. She is very Short, & has a mean appearance a tolerable Voice-but little applause Miss Younge Emmeline (first time) So, so (Hopkins Diary). [Macmillan's note from Kemble slightly expanded. Reviewer for Town and Country Magazine (Theatre XL) writes of Miss Venables, She displayed but very moderate talents for the stage. She will doubtless improve under so good a master and when she has gained a greater share of maturity will probably do honor to her tutor.'] Receipts: #140 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur Or The British Worthy

Performance Comment: Oswald-Jefferson; Aurelius-Keen; Conon-Packer; Albanacht-Bransby; Merlin-Aickin; Grimbald-Bannister; Osmond-Palmer; Guillamar-Wheeler; King Arthur-Reddish; Philadel-Miss Venables, first appearance on any stage; Cupid-Miss Collett; Matilda-Miss Platt; Emmeline-Miss Younge; with a New Epilogue-, first time; Vocals-Vernon, Champness, Fawcett, Kear, Mrs Scott, Mrs Hunt; The Dances-Daigville, Giorgi, Atkins, Sga Vidini, Sga Giorgi, Sga Daigville.

Afterpiece Title: Wits Last Stake

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Event Comment: Afterpiece: With alterations and additions, particularly Two Views of the Eruption of Mt Vesuviusv. [See 26 Dec. 1771.] Garrick has withdrawn his motion, King's Bench (Winston MS 10). [See 2 July 1772.] Paid Mrs Abington's cloaths, 2 weeks, #2; Paid Messrs Baddeley, Jacobs, Lings & Mrs Egerton, salary short-paid last week, 18s. 6d.; Paid Mr Weston's note to Mr Spencer #10 10s. [Mrs Abington's contract seems to have included #60 for clothes which she provided for herself. The amount was paid to her in 26 weekly payments of #2 each and 10 payments of #1 each throughout the season. No further listing of this expenditure will be made.] Paid 3 days salary list at #80 16s. 1d. per diem, #242 8s. 3d.; Mr S. French, 6 days, #1 10s. (Treasurer's Book). Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches or A Trip to Naples

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Old Miser-Jacob; Colombine-Miss Watkins; Clown-Ackman; Miser's Servant-Messink; First Witch-Vernon; Second Witch-Johnston; Bridemaids-Mrs Scott, Mrs Wrighten; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels or Harlequin Foundling

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Others-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffith, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Lings, Miss Platt, Mrs Millidge, Miss Collett, Mrs S. Smith; Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Other characters-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffiths, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Platt, Mrs Millidge, Miss Collet, Miss Lings, Mrs S. Smith; The Dances-Daigville, Atkins, Giorgi, Sga Vidini.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish, 1st time; Macduff-Aickin, 1st time; Ross-J. Aickin; Duncan-Bransby; Malcolm-Cautherly; Banquo-Packer; Donalbain-Mas. Cape; Seyton-Ackman; Lennox-Fawcet; Captain-Davies; Angus-Keen; Witches-Parsons, Moody, Baddeley; Hecate-Champnes; Lady Macduff-Mrs Reddish; Lady Macbeth-a Young Gentlewoman; 1st appearance. Vocal Parts-Champnes, Kear, Mrs Scott, Mrs Wrighten, Mrs Fitzgerald, Mrs Dorman; With a proper Dance-Daigville.

Afterpiece Title: The Humours of the Turf

Performance Comment: Parolles-Baddeley; Sir Marmaduke Jostle-Parsons; Tipperary-Moody; Rakeit-Davies; Bully Boy-Keen; Jack Riot-J. Burton; Sir Samuel Mortgage-Hartry; Clara-Mrs Morland; Miss Heartly-Miss Platt; Jenny-Mrs Davies.
Cast
Role: Clara Actor: Mrs Morland
Related Works
Related Work: The Note of Hand; or, Trip to Newmarket Author(s): Richard Cumberland

Dance: End: The Sailors Revels, as17711008

Performances

Mainpiece Title: Amphitryon

Performance Comment: Jupiter-Reddish; Mercury-Jefferson; Amphitryon-J. Aickin; Gripus-Parsons; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In Which will be Introduced an Interlude of Singing, Dancing-; Plutus-Champnes; Wit-Mrs Scott; The Dance-Sg Daigville, Sga Vidini.

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Albumazar

Cast
Role: Pandolfo Actor: Parsons

Afterpiece Title: The Pigmy Revels

Performance Comment: As17730925, but Dances-_Daigville, Sga _Vidini.
Event Comment: Mrs Smith Polly (first time) very well (Hopkins Diary). Paid Salary list #513 17s. 6d.; Miss Mansell and Mr Dimon 5 guineas each per order, #10 10s.; Mr Clinch ditt, #5 5s.; Rec'd stopages #20 13s. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

Performance Comment: Holland, Miss Armstrong, Scholars of Daigville.
Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin-Miles; Infernal Spirit-Legg; Shade of Helen-Mrs Baker; Furies-Fishar; Sir Epicure Relish-Wignell; Miller-Banks; Gambler-Quick; Faust's Man-Morgan; Miller's Wife-Miss Twist; Lady Relish-Mrs Dyer; The Dances-Arnauld, Miss Valois.
Cast
Role: Miller's Wife Actor: Miss Twist