SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr D"/1) | (@(roleclean,performerclean) "Mr D")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

Performances

Mainpiece Title: The Resurrection

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Washd White

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayors Day or A Flight from Lapland

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: Floras Vagaries

Performances

Mainpiece Title: Tu Quoque Or The City Gallant

Performances

Mainpiece Title: The Roman Virgin Or The Unjust Judge

Performances

Mainpiece Title: The Mans The Master

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: The Virtuoso

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: Sir Anthony Love Or The Rambling Lady

Performances

Mainpiece Title: Concert

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Luttrell, A Brief Relation, II, 413: By order of the queen, the lord chamberlain has sent an order to the playhouse prohibiting the acting Mr Dryden s play called the tragedy of Cleomenes, reflecting much on the government. Gentleman's Journal, April 1692 (licensed 13 April): I was in hopes to have given you in this Letter an account of the Acting of Mr Dryden's Cleomenes; it was to have appear'd upon the Stage on Saturday last, and you need not doubt but that the Town was big with Expectation of the performance; but Orders came from Her Majesty to hinder its being Acted; so that none can tell when it shall be play'd

Performances