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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Colman"/1) | (@(roleclean,performerclean) "Mr Colman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7703 results for: Keyword - Mr Colman
We found 4436 matches on Event Comments, 2149 matches on Author, 1146 matches on Performance Comments, 531 matches on Performance Title, and 0 matches on Roles/Actors.

3476
11 June 1715 @ King's Theatre

Event Comment: By Subscription, as 25 May. According to Colman's Opera Register, 28 May, Mrs Robinson was ill and did not perform again during this season

Performances

Mainpiece Title: Amadis

3477
18 June 1715 @ King's Theatre

Performances

Mainpiece Title: Amadis

Performance Comment: Advertised, but Colman's Opera Register states that intense heat between 15 and 25 June postponed the operas.

3478
23 July 1715 @ King's Theatre

Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

3479
15 January 1732 @ King's Theatre

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius

3480
23 May 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Zeno. Music probably by Caldara, with recitatives by Handel.] Colman's Opera Register: a New Opera Handell it did not take

Performances

Mainpiece Title: Lucius Papirius, The Dictator

3481
25 November 1732 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and three eldest Princesses present.] Colman Opera Register: a full House

Performances

Mainpiece Title: Alexander

3482
28 November 1732 @ King's Theatre

Event Comment: [The Royal Family present.] Colman Opera Register: A thin House

Performances

Mainpiece Title: Alexander

3483
03 February 1755 @ Drury Lane Theatre

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

3484
03 December 1765 @ Covent Garden

Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

3485
04 March 1766 @ Drury Lane Theatre

Event Comment: Published at 1s. 6d. by Garrick and Colman

Performances

Mainpiece Title: The Clandestine Marriage

3486
21 February 1767 @ Drury Lane Theatre

Event Comment: Comedy (by Colman) never before acted. [Prologue is Larpent MS 265, super patriotism.] Rec'd stopages #3 13s. 6d.; Paid salary list #441 4s. (Treasurer's Book). Receipts: #235 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Dance: After Epilogue: The Vintage, as17661011

3487
24 February 1767 @ Drury Lane Theatre

Event Comment: Author's Night. House Charges #64 4s. [Profit to Colman #97 5s. 6d.] (Treasurer's Book). Receipts: #161 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude-Epilogue: The New Concerto on Harpsichord, as17670212

Dance: TThe Vintage, as17661011

3488
27 February 1767 @ Drury Lane Theatre

Event Comment: Author's Night. House Charges #64 4s. [Profit to Colman #92 18s. 6d.] Paid supernumeraries 2 nights in Lilliputian Camp #9 1s. (Treasurer's Book). [Reckoning pay per night for supernumeraries at somewhat over 2s., this bill indicates the presence of about 40 such in this interlude.] Paid Cole (turner) #10 12s. 6d. (Treasurer's Book). Receipts: #157 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Dance: III: New Pantomime Dance, as17670225; After Interlude: A New Pantomime Dance call'd The Lilliputian Camp-

Music: NNew Concerto on Harpsichord, as17670212

3489
03 March 1767 @ Drury Lane Theatre

Event Comment: Author's Night. House charges #64 4s.[Profits to Colman #151 14s.] Paid B. Johnson's Head bill #3 9s. 6d. (Treasurer's Book). Receipts: #215 18s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: High Life below Stairs

Dance: III: New Comic Dance-Duquesney, Mrs King; End: The Lilliputian Camp, as17670227

3490
07 November 1767 @ Covent Garden

Event Comment: Afterpiece: A New Comedy in 2 Acts [by George Colman] never perform'd before. [Reviewed, not too favorably in Monitor No IV, (14 Nov. 1767).] Receipts: #192 7s. Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance, as17671021

3491
12 November 1767 @ Covent Garden

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

3492
26 November 1767 @ Covent Garden

Event Comment: Paid Colman the clear receipt of last Monday Night for the Oxonian, and the Alterations of The Rehearsal and King Lear, #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance-Arnauld, Miss Valois

3493
01 March 1768 @ Covent Garden

Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

3494
05 November 1768 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. [Theatrical Monitor No 7, printed a list of 84 actors, actresses, and dancers belonging to the company, who signed a Petition to the Town in favor of Colman. See Harvard Library ed. of Memoirs of Macklin, II, part 2, p. 14.] Receipts: #115 15s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Midas

3495
29 December 1768 @ Covent Garden

Event Comment: Shortly will be publish'd Expostulations with George Colman, by Jane Lessingham. Gave Duke of Gloucester's Footmen by Malm #2 2s. (Account Book). Receipts: #200 13s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Apollo and Daphne

3496
18 February 1769 @ Covent Garden

Event Comment: Mainpiece: A New Comedy [by Charlotte Lennox]. Never Performed. Prologue by Colman. Epilogue by Goldsmith. Treated so badly by the audience this first night that Mrs Lennox withdrew it. Burgoyne's The Heiress [dl, 14 Jan. 1784] draws upon it (Genest, V, 242). Receipts: #234 5s. (Account Book)

Performances

Mainpiece Title: The Sister

Afterpiece Title: Damon and Phillida

Dance: I: The Reel, as17681212

3497
07 October 1769 @ Covent Garden

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

3498
25 January 1772 @ Covent Garden

Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: An Hour Before Marriage

3499
21 November 1772 @ Covent Garden

Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

3500
01 January 1773 @ Covent Garden

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer