SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Cole"/1) | (@(roleclean,performerclean) "Mr Cole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4246 matches on Event Comments, 1447 matches on Performance Comments, 531 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: At King's Othello

Afterpiece Title: The Patron

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performances

Mainpiece Title: The Mistakes

Performances

Mainpiece Title: The Female Vertuosos

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Fatal Friendship

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Tender Husband

Performances

Mainpiece Title: The Richmond Heiress

Song: Variety of Songs-

Performances

Mainpiece Title: The Feast Of Alexander