SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Cibber Jun"/1) | (@(roleclean,performerclean) "Mr Cibber Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4702 matches on Event Comments, 4425 matches on Performance Comments, 2749 matches on Author, 624 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performances

Mainpiece Title: The Woman Made A Justice

Event Comment: The King's Company. The date of the premiere is not known, but the play was entered in the Term Catalogues, June 1670, and the Prologue refers to the arrival of French royalty at Dover (May 1670); hence, it is likely that the play was first produced in the late spring. Edition of 1670: Written in French by Moliere; and rendered into English with much Addition and Advantage By Mr Medbourne, Servant to His Royal Highness

Performances

Mainpiece Title: Tartuffe; Or, The French Puritan

Related Works
Related Work: The Hypocrite Author(s): Colley Cibber

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii

Performances

Mainpiece Title: The Gentleman Dancing Master

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Performances

Mainpiece Title: The Fatal Jealousie

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: The Mourning Ramble; Or, The Town-humours

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: Concert

Event Comment: The King's Company. The date of the premiere is not known, but John Harold Wilson, Six Restoration Play-Dates, Notes and Queries, June 1962, p. 221, has argued, primarily on references in the Epilogue, that the play was probably produced before the opening of the new Theatre Royal in Drury Lane and following two unsuccessful plays: The Mall and The Amorous Old Woman. The Prologue is in New Songs and Poems a la Mode, 1677. Preface to the edition of 1675: This play was left in Mr Dryden's hands many years since. The Author of it was unknown to him, and return'd not to claim it

Performances

Mainpiece Title: The Mistaken Husband

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: Concert