SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Charles Barbant"/1) | (@(roleclean,performerclean) "Mr Charles Barbant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4462 matches on Event Comments, 3393 matches on Author, 2235 matches on Performance Comments, 608 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: The Castle of Sorrento

Cast
Role: Charles Ratcliffe Actor: Barrymore

Song: Afterpiece: Chorus, as18000614

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: Obi

Cast
Role: Charles Actor: Klanert

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: The Review or The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Cast
Role: Charles Williams Actor: Trueman

Performances

Mainpiece Title: The Point Of Honour

Related Works
Related Work: The Point of Honour Author(s): Charles Kemble

Afterpiece Title: The Review

Cast
Role: Charles Williams Actor: Trueman

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17970919, but Charles Surface-Smith (who performed the Character originally [on 8 May 1777]; being positively his only appearance); Snake-Caulfield; Lady Sneerwell-Mrs Sparks; Trip-_.
Cast
Role: Charles Surface Actor: Smith

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son in Law

Song: In III 1st piece: song-Dignum

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Related Works
Related Work: Lionel and Clarissa; or, The School for Fathers Author(s): Charles Dibdin

Afterpiece Title: The Irish Widow

Dance: As17780919