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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr C Shadwell"/1) | (@(roleclean,performerclean) "Mr C Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9350 results for: Keyword - Mr C. Shadwell
We found 5324 matches on Event Comments, 1907 matches on Performance Comments, 896 matches on Author, 638 matches on Performance Title, and 0 matches on Roles/Actors.

2451
07 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Prize

2452
25 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Adelaide

Afterpiece Title: The First Floor

2453
10 September 1664 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Heraclia Actor: Mrs Shadwell

2454
19 September 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

2455
23 February 1669 @ Lincoln's Inn Fields

Event Comment: Pepys' remarks suggest that Shadwell's The Royal Shepherdess may once have been intended to have its premiere on this day. Pepys, Diary: By a hackneycoach followed my wife and the girls, who are gone by eleven o'clock, thinking to have seen a new play at the Duke of York's house. But I do find them staying at my tailor's, the play not being to-day.... Thence to the Duke of York's playhouse, and there, finding the play begun, we homeward

Performances

2456
16 April 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

2457
26 October 1671 @ no theater listed

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

2458
August 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Julia Actor: Mrs Shadwell.

2459
March 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betrayd Or Anna Bullen

2460
19 January 1692 @ no theater listed

Event Comment: Thomas Shadwell to Earl of Dorset, 19 Jan. 1691@2 (summary): Asks that he will order The Innocent Impostors to be the next new play to be acted. He would have had it acted in Roman Habits and then, with a mantle to have covered her hips, [if] Mrs Barry would have acted the part; but Thomas Davenant has with a great slight turned him off, and says he will trouble himself no more about the Play. Asks Dorset to favour the author and him. Complains of priority being given to Durfey's play and a play by Dryden (HMC, 4th Report, Appendix [1874], pp. 280-81)

Performances

2461
05 November 1692 @ Whitehall or St. James's

Event Comment: Thomas Shadwell, the Poet Laureat, presented an Ode on the King's Birth-Day, which was published in 1692

Performances

2462
11 March 1746 @ Goodman's Fields

Event Comment: For the Entertainment of the antient Family of Rowlands. Benefit Ravenscroft and Beaumont, Tickets at the George in Vine St., in the Minories; Jennings's, Ship in Upper Shadwell; and at the Taphouse of the Wells. [Prices as 25 Feb. (Daily Advertiser only).

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: The Debauchees

Dance: The two Masters Granier, Miss Granier; Hornpipe-Beaumont

2463
13 May 1786 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

2464
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

2465
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

2466
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

2467
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

2468
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

2469
16 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

2470
07 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fourth Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

2471
01 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

2472
21 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

2473
22 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

2474
30 July 1718 @ no theater listed

Performances

2475
23 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Prophetess