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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Betterton"/1) | (@(roleclean,performerclean) "Mr Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6134 results for: Keyword - Mr Betterton
We found 4319 matches on Event Comments, 1376 matches on Performance Comments, 529 matches on Performance Title, 309 matches on Author, and 22 matches on Roles/Actors.

101
28 April 1762 @ Haymarket Theatre

Performances

Mainpiece Title: The Orators

102
16 May 1798 @ Covent Garden

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Cheveril-Lewis; Mr Mordent-Betterton; Donald-Munden; Lenox-Whitfield; Item-Rees; Grime-Davenport; Clement-Toms; Lady Ann Mordent-Miss Chapman; Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Davenport; Joanna-Miss Betterton.
Cast
Role: Mr Mordent Actor: Betterton
Role: Joanna Actor: Miss Betterton.

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.
Cast
Role: Officers Actor: Incledon, Townsend, Betterton

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

103
23 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

104
23 April 1711 @ Drury Lane Theatre

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

105
02 March 1758 @ Covent Garden

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

106
10 January 1694 @ Dorset Garden Theatre

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

107
22 December 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

108
11 April 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

109
28 November 1724 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Music: Vocal Parts-all new Set to Musick

Dance: With proper Dances-

110
23 April 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Afterpiece Title: A Journey to Bristol; or, The Faithful Welshman

Dance: TTwo Pierrots-Poitier, Nivelon

111
15 April 1760 @ Covent Garden

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Afterpiece Title: The Mock Doctor

112
30 May 1738 @ Drury Lane Theatre

Event Comment: Benefit Marshall, Gray, Peploe, Rumball (Boxkeeper), Bishop (Gallery Keeper). Mainpiece: Taken from Moliere by the late Mrs Betterton

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Minuet-Master Ferg, Miss Harwood; II: La Pieraite-Leviez, Miss Thompson; IV: Flanderkins-Master Ferg, Miss Wright; V: Drunken Peasant-Philips

Song: III: Beard

113
01 February 1758 @ Covent Garden

Event Comment: A Dramatic Opera [by Betterton altered from Beaumont and Fletcher; music by Purcell. Not acted these 30 years. New Cloaths, Scenes, and other Decorations incident to the Opera. Nothing under full prices will be taken. To prevent any obstruction either in the Music or Decorations, no persons can be admitted behind the scenes. [Notices repeated for this play this season.] Receipts: #190 18s. (Account Book)

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

114
06 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

115
29 March 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

116
13 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

117
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

118
10 May 1732 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Consisting of Church Musick- for six or eight Voices, by Mr DeFesch; Several Songs in Italian-Mrs De Fesch, the first Time of he performing in publick since her Arrival in England; a new Concert on the Violon-Mr DeFesch; a Solo , composed, and perform'd on the Bass Viol-Mr St.Helene; Solo on the Violoncello-Mr St.Helene the first Time of his performing in Publick

119
27 July 1702 @ Hampstead Wells

Performances

Mainpiece Title: Concert

Music: An Extraordinary Consort of Vocal and Instrumental Musick-; Particularly, the Instrumental Musick, Composed by Mr John Eccles for the Coronation-; With several of Mr Weldon's Songs made for his Consort in York-Buildings. To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before)

120
18 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Afterpiece Title: The Judgment of Paris

Music: Wherein several Songs in Italian and English-Mrs Tofts; with several select Pieces of Musick- compos'd by the late Famous Mr Henry Purcell; And a comical Dialogue sung originally in The Island Princess,-Mr Leveridge, Mr Doggett

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers

121
30 April 1703 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals; or, The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

122
25 July 1718 @ Drury Lane Theatre

Performances

Mainpiece Title: Bonduca; Or, The British General

Afterpiece Title: Hob

Music: Mainpiece: With the Original Musick by the late Mr Henry Purcell-

123
17 March 1732 @ Chancery Lane

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

124
11 July 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: Bury Fair

Music: The last New Entertainment compos'd for Flutes on the Stage,-Mr Bannister, Mr Bannister's Son

Song: Mrs Lyndsey

Dance:

125
16 May 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Song: All the Songs set by the late Mr Henry Purcell-Mr Leveridge, Mrs Lyndsey, the new Boy