SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Betterton"/1) | (@(roleclean,performerclean) "Mr Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4319 matches on Event Comments, 1376 matches on Performance Comments, 529 matches on Performance Title, 309 matches on Author, and 22 matches on Roles/Actors.
Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Betterton's Company. This performance is known from a playbill in the Folger Shakespeare Library: Not Acted these 16 Years. At the New Theatre, in Little Lincolns-Inn Fields, Tomorrow being Thursday the 28th of October, will be Reviv'd, A Play call'd Troilus and Cressida; or, Truth Found too late. No Person to stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By His Majesties Servants. Vivat Rex

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders; Or, The Town Unmask'd

Event Comment: Betterton's Company. See letter of 5 Jan. 1698@9

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was entered in the Term Catalogues, June 1699, and advertised in the Post Man, 13-15 June 1699, suggests that it was first given not later than May 1699. In addition, references in the Epilogue to the vogue of Balon and Clementine (see 8, 10, and 15 April 1699) suggest a first production not earlier than April 1699

Performances

Mainpiece Title: Feign'd Friendship; Or, The Mad Reformer

Event Comment: Betterton's Company. The date of the premiere is not known, but the Preface indicates that it appeared during the run of The Constant Couple, which apparently was most frequently acted during November, December, and January

Performances

Mainpiece Title: A Cure For Jealousie

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 19 March 1699@1700, makes it likely that the first performance occurred not later than February 1700. The Prologue also suggests a Lenten performance: Methinks in Lent

Performances

Mainpiece Title: The Generous Choice

Event Comment: Betterton's Company. If this play had its premiere on 5 March and if the company acted on Wednesday in Lent, this play probably was acted daily (except perhaps Friday) during this week

Performances

Mainpiece Title: The Way Of The World

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: Betterton and Mrs Barry acting their own parts, but see queen's, 6 Nov. 1707.

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Gentle Shepherd

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Dance: As17780211

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Catherine And Petruchio

Dance: As17791022