Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7131 results for: Keyword - Mr Benj. May
We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

4026
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

4027
09 April 1795 @ Covent Garden

Event Comment: The Overture to the Drama selected from Pleyel. The Overture to the Masque composed expressly for the occasion by Haydn, as is the rest of the Music by Salomon, except the Glee and Song, May the Prince and his Bride, which composed by Spofforth. [Rest of COMMENT as 6 Apr.]. Receipts: #236 10s. 6d. (220.5.0; 16.5.6)

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

4028
14 April 1795 @ King's Theatre

Event Comment: A New Opera; the music by Paisiello. [On 8 Dec. 1787 this was performed under its original title of Il re Teodoro in Venezia.] "Whatever we may pretend, we are too ignorant of musical science as a nation to find pleasure in what produces rapture on an Italian stage. The operas that have been successively produced this season would each have been more popular if much shorter" (Morning Chronicle, 15 Apr.)

Performances

Mainpiece Title: Il Conte Ridicolo

Dance: As17950411

4029
23 April 1795 @ Covent Garden

Event Comment: [1st piece in place of The Miser, advertised on playbill of 22 Apr.] 2nd piece [1st time; MF 2, by John O'Keeffe]: With new Scenes and Dresses. The Music partly compiled and partly composed by Shield. 3rd piece: Compressed into One Act. Morning Chronicle, 13 June 1795: This Day is published The Irish Mimick (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 2 May]. Receipts: #173 2s. (140.2; 33.0)

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

4030
27 April 1795 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Mainpiece: Translated from Voltaire. Not acted these 20 years [acted l6 Nov. 1779]. Afterpiece: Not acted these 18 years [not acted since 19 Apr. 1774]. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. [Mrs Siddons's 1st appearance as Palmyra was at Manchester, 1 Apr. 1778. Adress by Samuel Rogers (European Magazine, May 1795, p. 344). Epilogue by David Garrick.] Receipts: #569 8s. 6d. (293.14.6; 59.10.6; 8.0.0; tickets:208.3.6) (charge:#204 1s.)

Performances

Mainpiece Title: Mahomet The Impostor

Afterpiece Title: Edgar and Emmeline

Entertainment: Monologues. End: an Occasional Address-Mrs Siddons; Afterpiece to conclude with: the original Epilogue-Mrs Siddons

4031
01 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

4032
05 May 1795 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Romp, advertised on playbill of 4 May.] Receipts: #245 9s. (190.17; 49.13; 4.19)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Adopted Child

4033
16 May 1795 @ Covent Garden

Event Comment: Benefit for Bowden. Morning Chronicle, 2 May: Tickets to be had of Bowden, No. 9, Lower Brook-street, Grosvenor-square. Receipts: #270 6s. (141.11.6; 10.13.0; tickets: 118.1.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: England's Glory; or, The British Tars at Spithead

Afterpiece Title: The Irishman in London

Song: End II: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon

4034
18 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By permission of the Proprietor of the Theatre Royal, Covent Garden. Never [previously] acted at this theatre. Tickets delivered for the 11th Instant will be `dmitted. Morning Chronicle, 24 Apr.: Tickets to be had of Sga Storace [for 11 May], No. 26, Howland-street, Fitzroy-square. Receipts: #443 12s. (193.6; 75.4; 5.11; tickets: 169.11) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Prize

Song: In course evening: Lullaby-Sga Storace

Music: End: concerto on the violin-Giornovichi; wherein he will introduce With lowly suit and plaintive ditty, Rule Britannia-

4035
18 May 1795 @ Covent Garden

Event Comment: The Deserted Daughter [advertised on playbill of 16 May] is obliged, on account of Quick's Indisposition, to be deferred till Wednesday next. Receipts: #121 13s. 6d. (117.4.0; 4.9.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Windsor Castle

Song: Vocal Parts, as17950309but Mrs _Lloyd, Mrs _Bayzand, Mrs _Blurton, Mrs _Masters

4036
19 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Morning Chronicle, 8 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #518 19s. 6d. (146.11.0; 54.13.6; 19.16.0; tickets: 297.19.0) (charge: #221 6s. 8d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Prize

Afterpiece Title: The Spoil'd Child

Song: End II: When on board our trim vessel (composed by Carter)-Bannister; End: The Waggoner (composed by Dibdin)-Wathen; End I 2nd piece: When Bibo went down-Bannister; End 2nd piece: The Cobler (composed by Reeve)-Wathen; End I 3rd piece: The Ship@wreck'd Sailors (composed by an Amateur for the Thespian Panorama [see hay, 4 Mar.])-Mrs Bland, Master Welsh, Dignum, Suett, Caulfield, Bannister

4037
20 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

4038
21 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. Morning Herald, 13 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-Fields. Receipts: #391 18s. (88.11.6; 60.0.0; 12.1.0; tickets: 231.5.6) (charge: #211 19s. 6d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: My Grandmother

Afterpiece Title: The Sultan

Song: End 2nd piece: a favourite song-Mrs Ferguson (1st appearance on that stage)

4039
21 May 1795 @ Covent Garden

Event Comment: Benefit for Miss Chapman. Morning Chronicle, 14 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #176 12s. 6d. (59.5.6; 3.14.0; tickets: 113.13.0)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The British Recruit

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In entertainments: The Storm-Incledon; In 2nd piece: The Mid Watch-Incledon; added: The days we now possess-Munden

4040
22 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for a Fund, for the Relief of those whose Infirmities oblige them to retire from the Stage. Ballet: Manual Exercise as 20 May. Receipts: #253 4s. 6d. (105.3.0; 37.12.0; 15.1.6; tickets: 95.8.0) (charge: free)

Performances

Mainpiece Title: First Love

Afterpiece Title: No Song No Supper

Ballet: End: The Deserter. As17950520

4041
27 May 1795 @ Covent Garden

Event Comment: Benefit for Harley. 2nd piece: Scene, A View of the British Fleet. Morning Chronicle, 25 May: Tickets to be had of Harley, No. 1, Castle-street, Bloomsbury. Receipts: #287 3s. (94.6.6; 15.15.0; tickets: 177.1.6)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: True Blue; or, The Parting Lovers

Afterpiece Title: Netley Abbey

Dance: As17950428

Song: In 2nd piece: the following additional songs: Wives and Sweethearts-Townsend; The Wand'ring Sailor-Incledon (1st time); When gen'rous wine-Bowden; The days we now possess-Munden; The Storm-Incledon; Ye Gentlemen of England, as17950428; Rule Britannia-Incledon

Entertainment: Monologue In evening: The Young Widow a fable-Harley

4042
28 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. 2nd piece [1st time: M. INT 1, by John Whitfield]. Morning Chronicle, 18 May: Tickets to be had of Whitfield, No. 19, Piazza, Covent-Garden. Receipts: #442 13s. 6d. (80.6.6; 53.9.0; 12.13.6; tickets: 296.4.6) (charge: #211 11s. 4d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: A Masonic Melange

Afterpiece Title: The Devil to Pay

4043
29 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer. 2nd piece [1st time; SAT 1, by John Peter Roberdeau. Larpent MS 1080; not published]. "This piece found the audience in so ill a humour that it was soon put an end to by a general condemnation of it" (European Magazine, June 1795, p. 414). [3rd piece: Prologue by the elder George Colman.] Morning Chronicle, 20 May: Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico. Receipts: #334 17s. 6d. (111.17.0; 44.10.0; 23.19.0; tickets: 154.11.6) (charge: #212 1s. 7d.)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Saint Andrew's Festival; or, The Game at Goff

Afterpiece Title: Bon Ton

4044
29 May 1795 @ Covent Garden

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: Black Eyed Susan-Incledon

4045
01 June 1795 @ Covent Garden

Event Comment: [2nd piece in place of The Irish Mimick, advertised on playbill of 30 May.] Receipts: #186 18s. 6d. (178.3.0; 8.15.6)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Rosina

Afterpiece Title: The Tythe Pig

4046
02 June 1795 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Morning Chronicle, 19 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #667 14s. (127.2.6; 35.17.6; 7.16.0; tickets: 496.18.0) (charge: #222 0s. 8d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Spoil'd Child

Afterpiece Title: No Song No Supper

Song: End I: Within a mile of Edinburgh-Dignum; End II: I never lov'd any dear Mary but you (composed by Hook)-Dignum; End I 2nd piece: Sally in our Alley-Dignum; End 2nd piece I that once was a Ploughman a Sailor am now (composed by Dibdin)-Dignum

4047
04 July 1795 @ Haymarket Theatre

Event Comment: Books of New Hay at the Old Market are now published, and may be had at the Theatre

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: Peeping Tom

Cast
Role: Mayor of Coventry Actor: Wathen
Role: Mayoress Actor: Mrs Hopkins

Afterpiece Title: New Hay at the Old Market

4048
14 September 1795 @ Covent Garden

Event Comment: No Money to be returned. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. Boxes 6s. 2nd price 3s. Pit 3s. 6d. 2nd price 2s. Gallery 2s. 2nd price 1s. Upper Gallery 1s. The Doors to be opened at 5:30.To begin at 6:30 [see 2 Nov.]. Many complaints having been made respecting the taking and securing Places in the Boxes, the following Regulations it is humbly presumed will effectually prevent all such Misconduct in future. Servants admitted to keep Places as usual, and Ladies and Gentleeen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place-Keepers of the Theatre, One Shilling is to be paid at the Time of taking them, and no Place-Keeper or Box-Keeper is to demand, or to receive any further Gratuity on any pretence whatever. Every Place-Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon, at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #267 3s. (261.7; 5.16)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Rundy-Townsend; Col. Dormant-Hull; Fairly-Thompson; Farmer Blackberry-Richardson; Farmer Stubble-Powel; Flummery-Rees; Waiters-Ledger, Abbot; Molly Maybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs Mattocks.
Cast
Role: Molly Maybush Actor: Mrs Martyr

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Mrs Mountain, Mrs Davenport, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

4049
16 September 1795 @ Covent Garden

Event Comment: [Mrs Townsend's 1st appearance at cg was on 8 May 1795.] Receipts: #231 4s. 6d. (212.11.6; 18.13.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Dramatist

Afterpiece Title: Netley Abbey

4050
25 September 1795 @ Covent Garden

Event Comment: [As Miss P. Farren Mrs Knight had 1st appaared in London on 15 May 1777 at the hay.] "[Knight's] simplicity is the type of nature, untainted With buffoonery; and what we very rarely meet with, his attention was so wholly engrossed by the business of the scene as to make him appear unconscious of being before an audience" (Morning Chronicle, 26 Sept.). Receipts: #248 3s. 6d. (240.2.6; 8.1.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Deserter