SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Ben Johnson"/1) | (@(roleclean,performerclean) "Mr Ben Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4589 matches on Event Comments, 2635 matches on Performance Comments, 974 matches on Author, 542 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Richmond Heiress

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Lancashire Witches

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: The United Company. The date of this production is determined by a letter (see below). For a discussion of the origin and development of this play, see Hotson, Commonwealth and Restoration Stage, pp. 274-76. A song, Why shou'd the world mistake, the music composed by John Eccles and sung by Mrs Hudson, is in Thesaurus Musicus, 1695. An unidentified letter, 22 March 1693@4: We had another new play yesterday, called The Ambitious Slave, or a Generous Revenge. Elkanah Settle is the author of it, and the success is answerable to his reputation. I never saw a piece so wretched, nor worse contrived. He pretends 'tis a Persian story, but not one body in the whole audience could make any thing of it; 'tis a mere babel, and will sink for ever. The poor poet, seeing the house would not act it for him, and give him the benefit of the third day, made a present of it to the women in tie house, who act it, but without profit or incouragement (Edmond Malone, An Historical Account of the Stage in Plays and Poems of William Shakespeare [London, 1821], III, 163-64). Gentleman's Journal, March 1694: 'Tis not altogether strange for a Play to be less kindly receiv'd, immediately after one that has deservedly ingross'd all the Applause which the Town can well bestow in some time on new Dramatic Entertainments. Perhaps Mr Settle may partly impute to this, the want of success of a new Tragedy of his which was lately acted, 'tis called, The Ambitious Slave; or, The Generous Revenge. [This play followed Southerne's The Fatal Marriage.

Performances

Mainpiece Title: The Ambitious Slave; Or, A Generous Revenge

Performances

Mainpiece Title: The Canterbury Guests; Or, A Bargain Broken

Performances

Mainpiece Title: The Comical History Of Don Quixote, The Third Part; With The Marriage Of Mary The Buxome

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performances

Mainpiece Title: The Roman Bride's Revenge

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Triumphs Of Virtue

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Life And Death Of Doctor Faustus