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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Beckingham"/1) | (@(roleclean,performerclean) "Mr Beckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5633 results for: Keyword - Mr Beckingham

We found 4227 matches on Event Comments, 1139 matches on Performance Comments, 528 matches on Performance Title, 26 matches on Author, and 1 matches on Roles/Actors.

1251
02 December 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Times

Afterpiece Title: The Padlock

1252
05 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Apprentice

Dance: End III: The Minuet de la Cour-Duprez, Miss Armstrong

1253
13 October 1781 @ Covent Garden

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

1254
27 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Robinson Crusoe

1255
30 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Gentle Shepherd

1256
25 February 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Variety

Afterpiece Title: The Quaker

1257
18 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

1258
02 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Alchymist

1259
25 November 1782 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

1260
14 February 1783 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

1261
03 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece, as17830422; End of mainpiece, as17821231

1262
13 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

1263
27 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

1264
09 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

1265
01 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

1266
25 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

1267
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

1268
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

1269
04 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

1270
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1271
11 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

1272
28 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1273
28 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Richard Coeur de Lion

1274
20 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Song: II: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1275
05 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs