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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Asselin"/1) | (@(roleclean,performerclean) "Mr Asselin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5661 results for: Keyword - Mr Asselin
We found 4230 matches on Event Comments, 1146 matches on Performance Comments, 554 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

851
11 January 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

852
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

853
29 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

854
16 December 1760 @ King's Theatre

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Cast
Role: Dancers Actor: Gherardi, Mlle Asselin, Polly Capitani, Tariot

855
28 April 1761 @ King's Theatre

Performances

Mainpiece Title: La Pescatrici

Performance Comment: Lindoro-Pietro Sarbelloni; Eurilda-Sga Angiola Caroli; Lesbina-Sga Angiola Paganini; Nerina-Sga Teresa Eberardi; Frissellino-Carlo Paganini; Burlatto-Gaetano Quilici; Mastricco-Cristiano Tedeschini; Dancers-Gerhardi, Mlle Asselin, Binetti, Sga BinettiEdition of 1761.
Cast
Role: Dancers Actor: Gerhardi, Mlle Asselin, Binetti, Sga BinettiEdition of 1761.

856
13 October 1761 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nell Indie

Performance Comment: Alexander-Giovanni Battista Zonca; Porus-Filippo Elisi; Cleofida-Signora Colomba Mattei; Frisena-Signora Angiola Sartori; Gandartes-Signora Rosa Curioni (Musician to H. S. H. the Duke Clemens of Bavaria); Timagenes-Signora Teresa Eberardi; Director of the Dances-Gallini; Principal Dancers-Gallini, Mlle Asselin, Binetti, Signora Binetti.
Cast
Role: Principal Dancers Actor: Gallini, Mlle Asselin, Binetti, Signora Binetti.

857
20 April 1762 @ King's Theatre

Performances

Mainpiece Title: Tolomeo

Performance Comment: Dancing-Sg Gallini;at the end of each Act, and a favourite Minuet-Sg Gallini, Miss Asselin.
Cast
Role: and a favourite Minuet Actor: Sg Gallini, Miss Asselin.

858
19 February 1763 @ King's Theatre

Performances

Mainpiece Title: Orione, O Sia Diana Vendicata

Performance Comment: Several vocal and instrumental performers are engaged for the performance of this opera which will be decorated with new Scenes, Cloaths, and new Dances. Enopian-Gaetano Quilici; Orion-Domenico Ciardini; Retrea-Livia Segantini; Candiope-Anna Lucia d'Amicis; Argia-Giovanni Carrignani; Nice-Clementina Cremonini; Thirsis-Giuseppe Giustinelli; Diana-Marianna Valsecchi; Mercury-Giovan Battista Zingoni; Dancers-Gallini, Mlle Asselin, Binetti, Sga Binetti (Libretto of 1763).
Cast
Role: Dancers Actor: Gallini, Mlle Asselin, Binetti, Sga Binetti

859
01 March 1760 @ King's Theatre

Performances

Mainpiece Title: Arminio

Dance: Directed by Gallini. Giovanni Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Performance Comment: Giovanni Gallini, Mlle Asselin, Maranesi, Signora Provenzale.

860
12 April 1760 @ King's Theatre

Event Comment: SSga Asselin being recovered will dance this evening, and both the children are to dance

Performances

Mainpiece Title: Arminio

861
17 April 1760 @ King's Theatre

Performances

Mainpiece Title: Antigona

Dance: Director of the Ballet: Giovanni Gallini. Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Performance Comment: Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale.

862
19 April 1760 @ King's Theatre

Event Comment: MMiss Asselin being recovered will dance this evening

Performances

Mainpiece Title: Arminio

863
25 August 1760 @ King's Theatre

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

864
26 February 1761 @ King's Theatre

Event Comment: Benefit for Miss Asselin

Performances

Mainpiece Title: Il Mondo Nella Luna

865
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

866
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

867
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

868
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

869
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

870
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

871
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

872
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

873
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

874
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

875
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn