SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Arne Jun"/1) | (@(roleclean,performerclean) "Mr Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4527 matches on Event Comments, 2753 matches on Performance Comments, 814 matches on Author, 761 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Goblins

Performances

Mainpiece Title: The Chances

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performances

Mainpiece Title: [the Virgin Queen

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Catiline's Conspiracy

Performances

Mainpiece Title: Henry The Eighth

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: The Heiress

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performances

Mainpiece Title: The Woman Made A Justice

Event Comment: The King's Company. The date of the premiere is not known, but the play was entered in the Term Catalogues, June 1670, and the Prologue refers to the arrival of French royalty at Dover (May 1670); hence, it is likely that the play was first produced in the late spring. Edition of 1670: Written in French by Moliere; and rendered into English with much Addition and Advantage By Mr Medbourne, Servant to His Royal Highness

Performances

Mainpiece Title: Tartuffe; Or, The French Puritan

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii