SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Arne Jun"/1) | (@(roleclean,performerclean) "Mr Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4527 matches on Event Comments, 2753 matches on Performance Comments, 814 matches on Author, 761 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Good-natured Man

Performance Comment: Lofty-Lewis; Honeywood-Pope; Old Croaker-Munden; The Bailiff-Knight; Leontine-H. Johnston; Sir William Honeywood-Murray; Little Flannagan-Emery; Postboy-Simmons; Jarvis-Thompson; Butler-Abbot; Mrs Croaker-Mrs Mattocks; Olivia-Miss Murray; Garnet-Mrs Mills; Miss Richland-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Garnet Actor: Mrs Mills
Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Michael Arne

Afterpiece Title: The Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

Performance Comment: Dibdin Jun.=)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett.
Event Comment: Benefit for Sga Bossi DelCaro. 2nd ballet: 1st time; composed for the occasion by Dupret; the music by Bossi, composer and leader of the Band at the Opera House. Of Age To-morrow [advertised on playbill of 30 May] is obliged to be deferred on account of the indisposition of Bannister Jun. Morning Chronicle, 30 May: Tickets to be had of Sga Bossi DelCaro, No. 1, Great Suffolk-street, Charing-cross. Receipts: #327 5s. (212.10.0; 61.13.6; 2.18.0; tickets: 50.3.6) (charge: #215 13s. 7d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Step-mother

Performances

Mainpiece Title: Flora's Vagaries

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Country Wife

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Event Comment: [The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. There is no certainty that this performance is the premiere, btt an additional known performance on 15 June suggests that early June probably saw the initial run. The music for two songs, Thou joy of all hearts and When you dispense your influence, both set by Dr William Turner, is in Choice Ayres and Songs, Second Book, 1679. Preface, Edition of 1676: I have no reason to complain of the success of this Play, since it pleased those, whom, of all the World, I would please most: Nor was the Town unkind to it....[There] being no Act in it, which cost me above Five days writing: and the last Two (the Play-house having great occasion for a Play) were both written in Four Days. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the Company great Reputation. The Libertine perform'd by Mr Betterton Crown'd the Play

Performances

Mainpiece Title: The Libertine

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Alcibiades

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: The Virtuoso

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One