SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Mainpiece: Written by Mr Southern

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Delane; Aboan-Stephens; Governor-Bridgwater; Blanford-Hale; Stanmore-Hallam; Hotman-Stevens; Driver-Rosco; Widow Lackit-Mrs James; Charlotte-Mrs Stevens; Lucy-Miss Brunette; Imoinda-Mrs Horton; Daniel-Penkethman.

Afterpiece Title: The Dragon of Wantley

Performance Comment: As17380915.
Event Comment: Mainpiece: Written by the late Mr Farquhar,

Performances

Mainpiece Title: The Stratagem

Performance Comment: Aimwell-Milward; Archer-Mills; Scrub-Cibber; Bonniface-Harper; Foigard-Macklin; Sullen-Winstone; Gibbet-Woodward; Sir Charles-Cross; Mrs Sullen-Mrs Furnival; Dorinda-Mrs Mills; Cherry-Mrs Clive; Lady Bountiful-Mrs Cross; Gypsy-Mrs Bennet; Old Woman-Mrs Willis.

Afterpiece Title: The Harlots Progress

Performance Comment: As17380926.
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Performance Comment: Harlequin-Moylin Francisque.

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Benefit a Gentlewoman in Distress. Mainpiece: Written by the late Mr Centlivre

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17380923.

Afterpiece Title: The Devil to Pay

Performance Comment: As17380909, but Jobson-Turbutt; Butler-Raftor.
Event Comment: By Command of His Royal Highness the Duke. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Quin; Fondlewife-Griffin; Bluff-Johnson; Sir Joseph-Cibber; Belmour-Mills; Vainlove-Havard; Sharper-Wright; Setter-Macklin; Laetitia-Mrs Clive; Belinda-Mrs Pritchard; Sylvia-Mrs Chetwood; Lucy-Mrs Grace.

Afterpiece Title: Colombine Courtezan

Performance Comment: As17380912.
Event Comment: Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-Milward; Young Wou'dbe-Mills; Trueman-Cibber; Teague-Macklin; Aurelia-Mrs Clive; Constance-Mrs Mills; Richmore-Wright; Subtleman-Cross; Balderdash-Turbutt; Fairbank-Havard; Alderman-Johnson; Midnight-Harper; Clearaccount-Winstone; Mrs Clearaccount-Mrs Cross.

Afterpiece Title: Colombine Courtezan

Performance Comment: As17380912.
Event Comment: Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Beard; Polly-Mrs Clive; Lucy-Mrs Pritchard; Peachum-Macklin; Lockit-Turbutt; Mat-Ray; Filch-Raftor; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace.

Afterpiece Title: The Harlots Progress

Performance Comment: As17380926.

Dance: HHornpipe-Phillips

Event Comment: Mainpiece: Written by Mr Southern

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Milward; Aboan-Wright; Driver-Johnson; Daniel-Woodward; Governor-Turbutt; Blanford-Mills; Stanmore-Winstone; Jack Stanmore-Ray; Hotman-Furnival; Widow Lackit-Mrs Grace; Charlotte-Mrs Pritchard; Lucy-Mrs Bennet; Imoinda-Mrs Giffard.

Afterpiece Title: Robin Goodfellow

Performance Comment: As17381108.
Event Comment: Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Sir Wilful-Hippisley; Mirabel-Ryan; Fainall-Walker; Witwoud-Chapman; Petulant-Neale; Waitwell-James; Millamant-Mrs Horton; Marwood-Mrs Hallam; Mrs Fainall-Mrs Stevens; Lady Wishfort-Mrs James; Foible-Mrs Kibly; Peg-Miss Horsington; Mincing-Miss Brunette.

Afterpiece Title: The Dragon of Wantley

Performance Comment: As17380915.

Dance: As17381102

Event Comment: N.B. Whereas it has been industriously reported that the French Comedians are to perform in One of the Theatres belonging to Mr Rich, this is to certify to the Publick, that nothing of that kind Was ever intended, or wou'd have been permitted by him, unless the same had been with the general Consent of the Town

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17381009, but Sancho-James; Monsieur-Salway; Honoria-Miss Horsington.

Afterpiece Title: The Cheats of Scapin

Performance Comment: Scapin-Hippisley; Thrifty-Rosco; Gripe-Arthur; Leander-Hill; Octavian-A. Ryan; Clara-Mrs Vincent; Lucia-Miss Brunette; Shift-Chapman.

Dance: CComic Dance-Richardson, Miss Cantrel; Serious Dance-Villeneuve, Miss Oates; Scots Dance-Glover, Mlle Roland

Event Comment: Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: As17381018, but Trueman-Havard; Balderdash-Shepard; Fairbank-Ridout; Midnight-Turbutt.

Afterpiece Title: Robin Goodfellow

Performance Comment: As17381114.
Event Comment: By particular Desire. Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17381025, but Hornpipe-Phillips.

Afterpiece Title: Robin Goodfellow

Performance Comment: As17381114.
Event Comment: Benefit Avory and others. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17381111.

Afterpiece Title: The Necromancer

Performance Comment: As17381009.

Dance: A Hornpipe (by Desire)-Taylor

Event Comment: By particular Desire. Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17381025.

Afterpiece Title: The Fall of Phaeton

Performance Comment: As17381216, but Grand Dance-Mlle Roland.
Event Comment: Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: As17381118.

Afterpiece Title: The Fall of Phaeton

Performance Comment: As17381220.
Event Comment: As 27 Nov, Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Milward; Millamant-Mrs Mills; Fainall-Mills; Marwood-Mrs Butler; Witwoud-Woodward; Sir Wilful-Turbutt; Petulant-Macklin; Waitwell-Shepard; Lady Wishfort-Mrs Grace; Mrs Fainall-Mrs Pritchard; Foible-Mrs Bennet.

Afterpiece Title: Robin Goodfellow

Performance Comment: As17381222.
Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

Event Comment: Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Performance Comment: As17381103.

Afterpiece Title: The Devil to Pay

Performance Comment: As17381011.

Ballet: III: Double Jealousy. As17381108

Performance Comment: As17381108.

Dance: V: Moors Dance-Muilment, Mrs Walter

Event Comment: Mainpiece: Not Acted these Twenty Years. Written by the late Mr Rowe

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Delane; Aribert-Hale; Offa-Rosca; Seofrid-Johnson; Oswald-Hill; Rodogune-Mrs Hallam; Ethelinda-Mrs Horton.

Afterpiece Title: The Royal Chace

Performance Comment: As17390101.
Event Comment: Mainpiece: Written by the late Mr Rowe

Performances

Mainpiece Title: The Royal Convert

Performance Comment: As17390104.

Afterpiece Title: Margery

Performance Comment: As17381209.

Dance: As17381213

Event Comment: Benefit Bullock. N.B. Mr Bullock hopes his great Age, upwards of Threescore and Twelve, will plead his Excuse, that he cannot pay his Duty to his Acquaintances and Friends, whose Good Nature may engage them to assist him in this Decline of Life, in order to make the Remainder of his Days easy and comfortable to him

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17381016, but Fryar-Bullock, who has not appeared upon the Stage these Six Years, .

Song: Leveridge, Salway, Roberts

Dance: Richardson, Miss Cantrel; Scots Dance-Mrs Bullock; Comic Dance-Villeneuve, Miss Oates, Thompson, Richardson, Miss Cantrel, Mrs LeBrun

Event Comment: Benefit Mr Tho. Parry, formerly a Wine-Merchant in Crutched-Fryars. At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17381206.

Afterpiece Title: The Honest Yorkshireman

Performance Comment: Gaylone-Salway; Sapscul-Rosco; Muckworm-Hippisley; Slango-Neale; Blunder-Mullart; Arbella-Miss Dancey; Combrush-Mrs Vincent.

Dance: A new dance-Richardson, Miss Cantrel; A Comic Dance-Villeneuve, Miss Oates; A Serious Dance-Mlle Roland

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: As17381118, but Trueman-Cibber; Alderman-Ray.

Afterpiece Title: The Devil to Pay

Performance Comment: As17381214.
Event Comment: Mainpiece: Written by the late Mr Rowe

Performances

Mainpiece Title: The Royal Convert

Performance Comment: As17390104.

Afterpiece Title: Margery

Performance Comment: As17381209.

Dance: As17381213

Event Comment: Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17381025.

Afterpiece Title: The Mock Doctor

Performance Comment: As17390104.

Dance: Proper to the Opera