SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: The United Company. Newdigate newsletters, 2 June 1683: The same day [31 May] their Royall highnesses... in ye afternoone Countenanced a new play with their presences (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). Wilson proposes that this play is Dame Dobson, as the separately Printed Prologue bears Luttrell's acquisition date of 1 June 1683 (Bindley Collection, William Andrews Clark@Jr@Library). The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 176-78

Performances

Mainpiece Title: Dame Dobson Or The Cunning Woman

Performance Comment: Edition of 1684: Prologue-Mrs Currer; Dame Dobson-Mrs Corey; Decoy-Saunders; Beatrice-Mrs Twiford; Mrs Francis-Mrs Baker; Goslin-Richards; Collonel-Kynaston; Gillet-Jevon; Gerrard-Wilshire; Hartwell-Monfort; Farmer-Bright; Jenkin-Leigh; Lady Noble-La. Slingsby; Lady Rich-Mrs Petty; Mrs Cleremont-Mrs Butler; Mrs Featly-Mrs Currer; Mrs Jenkin-Mrs Percival; Mrs Prudence-Mrs Leigh; Mrs Hellen-Mrs Osborn; Mrs Susan-Mrs Percival; Epilogue-Mr Jevorn.
Cast
Role: Epilogue Actor: Mr Jevorn.
Event Comment: The United Company. The date of the first Performance is not known, but, as the play was advertised in The Observator, 8 Aug. 1683, it was probably first acted not later than July 1683. A song, Welcome mortal to this place, set to music by Captain Pack for this play, is in Choice Ayres and Songs, 1684

Performances

Mainpiece Title: The Atheist Or The Second Part Of The Souldiers Fortune

Performance Comment: Edition of 1684: Prologue-; Epilogue-Mr Duke of Cambridge; Father to Beaugard-Leigh; Beaugard-Betterton; Courtine-Smith; Daredevil-Underhill; Theodoret-Wilshire; Gratian-Perin; Porcia-Mrs Barry; Lucretia-Mrs Butler; Sylvia-Mrs Currer; Mrs Furnish-Mrs Osborn; Phillis-Mrs Percival; Chloris-Mrs Norris; Rosard-Saunders; Plunder-Richards.
Event Comment: The United Company. The date of the first performance is not certain, but it was very likely this day. Writing on 12 May 1688, Peregrine Bertie states that it had been acted nine days successively. If the ninth performance fell on Friday 12 May, the premiere probably occurred on Wednesday 3 May. The Prologue and Epilogue, printed separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 261-63. Downes (Roscius Anglicanus, p. 41): This Play by its Excellent Acting, being often Honour's with the presence of Chancellor Jeffereies, and other great Persons had an Uninterrupted run of 13 Days together. Note, The Poet receided for his third Day in the House in Drury Lane at single Prizes 130 l. which was the greatest Receipt they ever had at that House at single Prizes. Dedication, Edition of 1688: This, I must confess, made me hope for success upon the Stage, which it met with, but so great, as was above my expectation (in this Age which has run mad after Farces) no Comedy, for these many years, having fill'd the Theatre so long together: And I had the great Honour to find so many Friends, that the House was never so full since it was built, as upon the third day of this Play; and vast numbers went away, that could not be admitted. For Leigh as Belfond Sr, see Cibber, Apology, ed. Lowe, I, 147-48; and for Underhill as Lolpoop, I, 154-55. For further comment upon the play, see 12 May 1688

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Edition of 1688: Prologue to the Squire of Alsatia-Mr Mountfort; Sir William Belfond-Leigh; Sir Edward Belfond-Griffin; Belfond Sr-Jevon; Belfond Jr-Mountfort; Freeman-Bowman; Cheatly-Samford; Shamwell-Powel Jun; Captain Hackum-Bright; Scrapeall-Freeman; Attorney-Powell Sr; Lolpoop-Underhill; Termagant-Alexander [Verbruggen?]; Teresia-Mrs Knight; Isabella-Mrs Mountford; Ruth-Mrs Cory; Lucia-Mrs Bracegirdle; Mrs Termagant-Mrs Bowtell; Epilogue-Mrs Mountfort.
Event Comment: The United Company. The date of the first performance is not known, but the fact that the play was announced in the London Gazette, 23-27 May 1689, and entered in the Term Catalogues, June 1689, suggests that the premiere probably occurred not later than April 1689, possibly very early in May 1689

Performances

Mainpiece Title: Bury Fair

Performance Comment: Edition of 1689: Lord Bellamy-Betterton; Wildish-Mountfort; Oldwit-Underhill; Sir Humph. Noddy-Noakes; Trim-Bowman; Le Roch-Leigh; Valet-Bohen [Bowen?]; Charles-Mrs Butler; Lady Fantast-Mrs Cory; Mrs Fantast-Mrs Boutell; Mrs Gertrude-Mrs Mountfort; Prologue-Mr Mountfort; Epilogue-Mrs Mountfort.
Cast
Role: Prologue Actor: Mr Mountfort
Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Cast
Role: Prologue Actor: Mr Powell
Event Comment: The United Company. The date of the first performance is not known. This is the second of three plays which have been assigned to December 1690 (see Alphonso and The Mistakes). It was entered in the Term Catalogues, Feb. 1690@1, and advertised in the London Gazette, No. 2638, 19-23 Feb. 1690@1

Performances

Mainpiece Title: The Scowrers

Performance Comment: Edition of 1691: Mr Rant-Kynaston; Sir Will. Rant-Mountfort; Wildfire-Williams; Tope-Leigh; Whachum-Bowman; Bluster-Freeman; Dingboy-Cudworth; Sir Rich. Maggot-Bright; Ralph-Bowen; Jasper-Will Peer; Lady Maggot-Mrs Leigh; Eugenia-Mrs Barry; Clara-Mrs Bracegirdle; Priscilla-Mrs Cory; Lettice-Mrs Richeson; Abigal-Mrs Osborn; Prologue-; Epilogue-.
Cast
Role: Mr Rant Actor: Kynaston
Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Performances

Mainpiece Title: Concert

Performance Comment: An Anniversary Ode sung before Her Majesty...the Words by Sir Charles Sidley: Set by Mr Henry Purcell-.
Cast
Role: Mr Henry Purcell Actor: .
Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Cast
Role: Mr Dryden Actor: Mrs Bracegirdle
Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I

Performance Comment: Edition of 1694: Prologue-Mr Betterton; Epilogue-Sancho Riding upon his Ass; Don Quixote-Boen; Don Fernando-Powel; Cardenio-Bowman; Ambrosio-Verbruggen; Perez-Cibber; Nicholas-Harris; Sancho Panza-Doggett; Gines de Passamonde-Haines; Vincent-Bright; Marcella-Mrs Bracegirdle; Dorothea-Mrs Knight; Lucinda-Mrs Bowman; Teresa Pancha-Mrs Leigh; Mary the Buxom-Mrs Verbruggen.
Cast
Role: Prologue Actor: Mr Betterton
Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

Performance Comment: Edition of 1695: Prologue by Mr Congreve-; Epilogue-.
Cast
Role: Mr Congreve Actor:
Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca Or The British Worthy

Performance Comment: Edition of 1696: Prologue-Mr Powel; Suetonius-Verbruggen; Petilius-Harland; Junius-Hill; Decius-Eldred; Macer-Mic. Lee; Caratach-Powel Jr; Venutius-Horden; Hengo-Miss Allison; Nennius-Mills; Macquaire-Simpson; Bonduca-Mrs Knight; Claudia-Mrs Rogers; Bonvica-Miss Cross; Epilogue-Miss Dennychock (But Six Years Old).
Cast
Role: Prologue Actor: Mr Powel
Event Comment: Rich's Company. The date of the first performance of this revision is uncertain. Although the play was not entered in the Term Catalogues until June 1696, the edition is date 1695. The production was certainly before May 1696, when Horden died, but the only fact which suggests a performance as early as December is the date on the title page. When the play was revived at Drury Lane on 13 Oct. 1711, the bill bore the heading: Not Acted these Fifteen Years

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Performance Comment: Edition of 1695: The Prologue-Mr Horden; King-Simpson; Philaster-Powel; Pharamond-Cibbars; Dion-Powel Sr; Cleremont-Lee; Thraselin-Horden; Arethusa-Mrs Knight; Galatea-Mrs Cibbars; Megra-Mrs Kent; Bellario-Mrs Rogers.
Cast
Role: The Prologue Actor: Mr Horden
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lovers Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Prologue Actor: Mr Hodgson
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Miss Cross; Sir Rustick Good Heart-Johnson; Wilmore-Verbrugen; Wildman-Horden; Sir Amorous Courtall-Powell; Smyrna-Cibber; Pulse-Penkethman; Knowlittle-Haynes; Lady Young Love-Mrs Kent; Marina-Mrs Rogers; Belira-Mrs Knight; Orinda-Mrs Cibber; Olivia-Mrs Verbrugen; Isabella-Mrs Cole; Phoebe-Mrs Mills.
Cast
Role: Prologue Actor: Mr Horden
Event Comment: Betterton's Company. The date of the first performance is not known, but the Dedication to the Edition of 1698 is dated 16 Dec. 1697, suggesting a premiere in November 1697

Performances

Mainpiece Title: The Italian Husband

Performance Comment: Edition of 1698: An induction Scene: A Praelude between a Poet, a Critic, and Peregrine. Prologue-; Frederico-Verbrugen; Alouisia-Mrs Bowman; Alfonso-Hodgson; Fidalbo-Watson; Rodrigo-Thurmond; Amidea-Mrs Prince; Florella-Mrs Martin; Epilogue by Jo. Haynes-Mr Bowman mimicking a Beau.
Event Comment: In L. C. 5@152, pp. 202, 220--see Boswell, Restoration Court Stage, p. 105--is a reference to a performance given jointly by both companies. As this was the customary date of the celebration of King William's birthday, this musical work was probably given on this day. The BM copy has a MS date of 29 Nov. 1697; and a dialogue from this work was noticed in the Post Boy, 30 Nov.-2 Dec. 1697. The music was composed by John Eccles

Performances

Mainpiece Title: Europes Revels For The Peace

Performance Comment: Edition of 1697: Prologue-Mr Hodgson; English Officer-Boman; Messenger of peace-Mrs Hodgson; English Countryman-Trefuses; English Countrywoman-Mrs Lawson; Dutch Boor-Bright; English Lady-Mrs Boman; Irish Reparee-Lee; Country Lass-Mrs Willis; Soldier-Wiltshire; Savoyard-Jam. la Roche.
Cast
Role: Prologue Actor: Mr Hodgson
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 3-5 March 1697@8, suggests that the first performance occurred probably not later than early February 1697@8. The Preface is signed by George Powell, who refers to the author of the play as unknown. In addition, Powell mentions that his company has recently revived some of Dryden's plays: Don Sebastian, Secret Love; or, The Maiden Queen, Marriage a la Mode, King Arthur, and adds: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun...could not prop

Performances

Mainpiece Title: The Fatal Discovery Or Love In Ruines

Performance Comment: Edition of 1698: Prologue-Mr Powell in answer to a scurrilous one, spoke against him, at Betterton's Booth in Little-Lincolns-Inn-Fields; Epilogue-; Cornaro-Powell; Segerdo-Evans; Conall-Thomas; Gabinius-Harland; Dandalo-Johnson; Beringaria-Mrs Knight; Arapsia-Mrs Powell; Margaretta-Mrs Verbruggen; Eromena-Mrs Cross; Cleonista-Mrs Temple.
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Flying Post, 29-31 March 1698, suggests that the first performance probably occurred in late February or very early in March. One song, Though over all mankind, the music by Leveridge and sung by Mrs Lindsey, was published in A Second Book of Songs with a Through Bass, 1699

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 26-28 July 1698, suggests that the premiere occurred probably in mid-June or late June 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Queen Catharine Or The Ruines Of Love

Performance Comment: Edition of 1698: Prologue-Mr Batterton; Epilogue by Mrs Trotter-Miss Porter; Edward the Fourth-Scudamore; Duke of Clarence-Verbruggen; Duke of Gloucester-Arnold; Earl of Warwick-Kynnaston; Mallavill-Bayly; Owen Tudor-Batterton; Lord Dacres-Freeman; Sir James Thyrrold-Thurmond; Queen Catharine-Mrs Barry; Isabella-Mrs Bracegirdle; Esperanza-Mrs Martin.
Cast
Role: Prologue Actor: Mr Batterton
Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Edition of 1699: Prologue By J. H. (Joseph Haines)-Mr Powell (a Servant attending with a Bottle of Wine); Epilogue by and-Jo. Haynes (in Mourning); Roebuck-Williams; Lovewell-Mills; Mockmode-Bullock; Lyrick-Johnson; Pamphlet-Haynes; Rigadoon-Haynes; Nimblewrist-Ashton; Club-Pinkethman; Brush-Fairbank; Lucinda-Mrs Rogers; Leanthe-Mrs Maria Alison; Trudge-Mrs Mills; Bulfinch-Mrs Powel; Pindress-Mrs Moor.
Cast
Role: Actor: Mr Powell
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication is dated 20 April 1699, and the play was advertised in the Post Boy, 25-27 April 1699; hence, it is likely that the play was first given between mid-February and mid-March, certainly before Easter, which fell on 9 April 1699

Performances

Mainpiece Title: Xerxes

Performance Comment: Edition of 1699: The Prologue-Mr Batterton; The Epilogue-; Xerxes-Verbruggen; Mardonius-Hodgson; Attabanus-Betterton; Aranthes-Scudamore; Memnon-Freeman; Cleontes-Thurmond; Poet-Boin [Bowen]; Tamira-Mrs Barry.
Cast
Role: The Prologue Actor: Mr Batterton
Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Cast
Role: Prologue Actor: Mr Pinkethman
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 6-8 July 1699, suggests a first performance not later than June, probably in May 1699

Performances

Mainpiece Title: The False Friend Or The Fate Of Disobedience

Performance Comment: Prologue-Mr Hodgson; Epilogue-; Viceroy of Sardinia-Bowman; Emilius-Verbruggen; Brisac, alias Don Lopez-Scudamore; Lorenzo-Thurmond; Bucarius-Hodgson; Roderigo-Harris; Adellaida-Mrs Barry; Appamia-Mrs Bowman; Lovisa-Mrs Bracegirdle; Zelide-Mrs Lawson; Amidea-Mrs Martin; Lebret-Mrs Howard.
Cast
Role: Prologue Actor: Mr Hodgson
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box at the Grove an Opera. 10s. See Hotson, Commonwealth and Restoration Drama, p. 378. It is not known whether this performance was the premiere, but the publication of this work on 16 March 1699@1700 (Post Man, 14-16 March 1699@1700) suggests that if the usual month between premiere and publication intervened for this work, the premiere may have been in mid-February. On the other hand, a letter-see 20 Jan. 1699@1700-may refer to this work. The music was composed by Daniel Purcell. In Songs in the New Opera Called The Grove or Love's Paradice (1700) the following singers are listed: Mrs Irwin, Freeman, The Boy, Hughes, Mrs Lindsey, Pate, and Mrs Shaw. The Preface implies that the opera was a failure: As for the Persons who were not so generous...who thought the Catastrophe was not enough prepar'd, and that the discovery in the last Act was huddled and in confusion, they will now see if what he had writ had been spoken, every thing would have appear's clear and natural, which, to shorten the Entertainment had been before broken and disorder'd

Performances

Mainpiece Title: The Grove Or Loves Paradice

Performance Comment: Edition of 1700: Arcadius-Mills; Eudosius-Powel; Adrastus-Tomms; Parmenio-Cibber; Nicias-Thomas; Aurelia-Mrs Rogers; Phylante-Mrs Temple; Sylvia-Mrs Oldfield; Prologue-; Epilogue by Mr Farquhar-.
Cast
Role: Mr Farquhar Actor: .
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated Or The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Prologue Actor: Mr Bowman