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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

4551
21 January 1775 @ Drury Lane Theatre

Event Comment: Mainpiece: With New Scenes and Dresses. This Tragedy was Written by Dr Franklyn very heavy. Was pretty well receiv'd & had Considerable Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #15 10s.; Paid salary list #567 11s.; J. French on acct #20; Mr Blanchard per Mr Beckett #5 5s. Receipts: #225 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Performance Comment: Parts by Reddish, Smith, Palmer, Wheeler, Wrighten, Miss Platt, Miss Younge. Prologue-Smith; Epilogue-Miss Younge; Morcar-Reddish; Edwin-Smith; Siward-Palmer; Officers-Wheeler, Wrighten; Bertha-Miss Platt; Matilda-Miss Younge (Genest, V, 446).

Afterpiece Title: The Cobler

Performance Comment: As17750118, but Pest-Griffiths.

4552
02 February 1775 @ Drury Lane Theatre

Event Comment: Paid Mr Lauchery per Mr Johnston, per order #1 1s. Receipts: #229 6s. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Performance Comment: As17750121.

Afterpiece Title: The Rival Candidates

Performance Comment: As17750201, but Epilogue-Weston.

Dance: In: The Grand Provencalle Dance, as17741213, but view of Genoa is specified "at Sun Rising"

4553
16 February 1775 @ Drury Lane Theatre

Event Comment: Paid Mr Weston's Note & Charges #5 3s.; Mr D. Garrick on acct of The Maid of the Oaks, #100. Receipts: #194 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17750204.

Afterpiece Title: High Life below Stairs

Performance Comment: As17741005.

4554
10 March 1775 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: As17750303.

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

4555
20 March 1775 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Yates. Paid Miss Collett, a Gratuity, per order #5 5s.; Mr G. Garrick on acct, per Mr Hart #100. Receipts: #280 6s.; Charges: #67 5s.; Profits to Mrs Yates: #212 19s. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Performance Comment: Creon-Smith; Jason-A Gentleman Farren, first appearance here; Aeson-Palmer; 1st Colchian-J. Aickin; Lycander-Cautherly; Children-Master Blanchard, Master Pulley; Hecate-Hurst; Theano-Mrs Hopkins; Medea-Mrs Yates; A New Epilogue-Mrs Yates.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750302.

Song: The Azure God, composed by Giordani, sung-Mrs Smith

4556
28 March 1775 @ Drury Lane Theatre

Event Comment: Ranger--much Applause (Hopkins Diary). Benefit for Vernon. Paid $Mr Barthelemon">Mr Vernon-much Applause (Hopkins Diary). Benefit for Vernon. Paid $Mr Barthelemon for composing The Election &c. #30; Gratuity to Ralph Harwood #5 5s. Receipts: #196 18s. 6d. Charges: #67 4s. Profit to Vernon: #129 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Vernon, first time; Frankly-Palmer first time; Tester-Burton; Strictland-Jefferson; Bellamy-Packer; Jack Meggot-Dodd; Ranger's Servant-Wheeler; Mrs Strictland-Mrs Greville; Lucetta-Mrs Love; Milliner-Mrs Davies; Landlady-Mrs Bradshaw; Jacintha-Miss Younge; Clarinda-Miss Pope; Dancing-Atkins, Mrs Sutton; To Conclude with a Country Dance-.

Afterpiece Title: The Deserter

Performance Comment: As17750220, but Jenny-Mrs Davies, first time.

Dance: The Irish Fair, as17740917

4557
30 March 1775 @ Drury Lane Theatre

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: As17750116, but Andromache-A Lady.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750302 but Wilson-Brereton (playbill).

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

4558
01 April 1775 @ Drury Lane Theatre

Event Comment: Matilda deferr'd Reddish Ill. Matilda was advertis'd for this Night but Mr Reddish came Yesterday as Mad as a March Hare, Said he had all the Terrors of the Damn'd upon him, & that he had not had a Wink of Sleep all Night. Call'd the Great Gods & the dear Woman (Mrs Canning) that lay by his Side to Witness the Truth of this Assertion & behav'd like a Man in Despair (Hopkins Diary). [MacMillan's note from Kemble delicately omits reference to Mrs Canning.] Paid salary list 4 day #378 10s. 8d.; J. French on acct #5 5s.; Mr. J. Johnston Music bill #10 1s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Performance Comment: As17741227, but Worthy-Jefferson; Advocate-Mrs Millidge.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.

Dance: Slingsby, Sga Hidou. [Title unspecified.

Performance Comment: [Title unspecified.]

4559
20 April 1775 @ Drury Lane Theatre

Event Comment: Benefit for Mr Palmer. The Entertainment, a New Poetical Interlude (never perform'd there) Alter'd from Prior's Nut Brown Maid, by Mr Bates, With a New Air and Chorus. Music by Dr Arne. Receipts: #203 12s. Charges: #68 2s. 6d. Profits to Palmer: #13 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: As17750318.

Afterpiece Title: The Deserter

Performance Comment: As17750418.

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performance Comment: Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley.

4560
29 April 1775 @ Drury Lane Theatre

Event Comment: Matilda deferr'd Reddish ill. Afterpiece: Performed for the last time this Season. Mr Reddish was to have play'd in Matilda to Night but Sent word late last Night that he could not play Mr Brereton Play'd Posthumus & very well had great Applause-House (Hopkins Diary). Rec'd stopages #16 17s. 6d. Paid salary list #566 6s.; J. French on acct #5 5s. Receipts: #88 13s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17741217, but Posthumus-Brereton, first time; Arviragus-Davies; Lucius-Bransby; Doctor-Wrighten; Captain-Keen; Claudio-Griffiths; Original Occasional Epilogue for Charity-_.

Afterpiece Title: Bon Ton

Performance Comment: As17750408 but Gymp-Miss Platt.

Dance: III: The Pirates, as17750422

4561
20 May 1775 @ Drury Lane Theatre

Event Comment: Benefit for Johnston (Housekeeper and Box-book keeper). Rec'd from Sinking Fund (3rd) #73 10s.; From Mr Clutterbuck (1st) #500; from Stopages #11; Paid Salary list #564 16s.; J. French on acct #5 5s.; G. Garrick on acct #100. Receipts: #276 4s. 6d. Charges: #84. Profits to Mr A. Johnston: #192 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17741019, but Orlando-Brereton; William-Burton.

Afterpiece Title: Polly Honeycomb

Performance Comment: Honeycomb-Waldron; Mrs Honeycomb-Mrs Johnston; Nurse-Mrs Bradshaw; Polly-Miss Pope; Scribble-Dodd; Ledger-Bransby.

Dance: I: The Pirates, as17750422

4562
05 October 1775 @ Drury Lane Theatre

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Hurst; Wellbred-Jefferson; Cash-Whitfield; Master Stephen-Weston; Bobadill-King; Brainworm-Baddeley; Justice Clement-Parsons; Mathew-Burton; Cob-Moody; Young Knowell-Aickin; Downright-Bransby; Bridget-Mrs Davies; Tib-Mrs Bradshaw; Mrs Kitely-Mrs Greville.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923.

Afterpiece Title: The Padlock

Performance Comment: Mungo-Cubitt, first appearance on this stage; Leander-Vernon; Ursula-Mrs Love; Leonora-Mrs Smith; Diego-Bannister.

4563
18 October 1775 @ Drury Lane Theatre

Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17751013.

Afterpiece Title: The Irish Widow

Performance Comment: As17751003.

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

4564
20 October 1775 @ Drury Lane Theatre

Event Comment: Archer by Mr King. Cherry first time Miss Jarratt pretty well. Sga Pacini danc'd for the first time. She is a small figure, not much Elegance but was very well received (Hopkins Diary). Agreement with Sga Paccini, 20 June 1775: "I do agree for my partner, Mr Willoughby Lacy, and myself, to engage Signora Paccini as first dancer at our Theatre, the ensuing season, which commences the first week in September 1775, and finishes the end of May 1776; for which the said Signora shall receive from us, by weekly or monthly payments as she pleases, the sum of three hundred and twenty-five pounds sterling, and she is likewise to have a benefit in course of salary, and at the best time of the year, for which she is to dance whenever she is called upon, to the best of her power and abilities. This engagement the managers of the Theatre Royal in Drury Lane engage to fulfill on their part, under the penalty of five-hundred pounds sterling. Witness my hand this nineteenth day of June 1775." (Signed.) David Garrick for Willoughby Lacy and himself (Boaden, Private Correspondence of Garrick, II, 63). The Comedy of The School for Lovers oblig'd to be deferr'd. Receipts: #153 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Weston; Archer-King; Cherry-Miss Jarratt, first time; Aimwell-Packer; Foigard-Moody; Boniface-Usher; Sir Charles Freeman-Brereton; Lady Bountiful-Mrs Cross; Mrs Sullen-Mrs Abington; Sullen-Hurst; Gibbet-Bransby; Dorinda-Miss Sherry; Gipsey-Mrs Davies.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17750923.

Afterpiece Title: The Rival Candidates

Performance Comment: As17751010.

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

4565
28 October 1775 @ Drury Lane Theatre

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Bensley; Altamont-Brereton; Sciolto-Aickin; Rossano-Whitfield; Lothario-Reddish; Lavinia-Miss Sherry; Lucilla-Mrs Davies; Calista-Mrs Yates.

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).

4566
31 October 1775 @ Drury Lane Theatre

Event Comment: Afterpiece: By Particular Desire. Mr G.-never play'd better, and when he was in the Woman's Cloaths he had a head drest with Feathers, Fruit etc. as extravagant as possible to Burlesque the present Mode of Dressing-it had a Monstrous Effect (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Fredrick his bill for sattin #40 10s.; a Tow Bill 10s. (Treasurer's Book). [This monthly bill for Tow amounted to #4 10s. for the season and will not be further mentioned.] Receipts: #217 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Brereton, first time; Heartfree-Bensley, first time; Razor-Baddeley; Justice-Bransby; Col. Bully (with Song)-Vernon; Rake-Usher; Lady Fanciful-Mrs Abington; Lady Brute-Miss Younge; Mademoiselle-Mrs Bradshaw; Belinda-Mrs Greville.

Afterpiece Title: The Padlock

Performance Comment: As17751005.

4567
04 November 1775 @ Drury Lane Theatre

Event Comment: Miss Younge being ill, Mrs King play'd Arpasia very bad much hiss'd (Hopkins Diary). Paid salary list #626 16s. 6d.; Collett #2 13s. 2d.; Mr Packer on note #30; Mr Sadler for cloth #1 15s. Rec'd Stopages #14 2s. 6d. Receipts: #153 19s. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Stratocles-Farren; Zama-Wright; Mirvan-Norris; Hali-Whitfield; Tamerlane-Palmer; Axalla-Brereton; Dervise-Bransby; Omar-Hurst; Bajazet-Smith; Selima-Mrs Hopkins; Prince of Tanais-Davies; Arpasia-Mrs King, first time; Moneses-Reddish; The Usual Prologue-Reddish; in Act IV, the Original Song, To Thee Oh Gentle Sleep-Mrs Scott.

Afterpiece Title: May Day

Performance Comment: As17751028, but Farmer Furrow-Waldron; Dozey-Wrighten.

Dance: End: The Savage Hunters, as17751020

4568
07 November 1775 @ Drury Lane Theatre

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751003, but Lady Anne-Miss Sherry, first time.

Afterpiece Title: The Theatrical Candidates

Performance Comment: As17751027.

Afterpiece Title: May Day

Performance Comment: As17751106.

4569
10 November 1775 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Paid half a years rent to Duke of Bedford to Mich. Last #164 2s. 10d.; Ditto to Mr Wegg to ditto #57; Mrs Scott (laceman) #99 7s.; Mrs Chitty for coals #92 10s.; Mrs Sutton for women's cloathes #12; Tabor and Pipe 7 nights #3 13s. 6d.; Two additional flutes #3. Receipts: #272 1s. 6d. (Treasurer's Book). At the Play Mr Garrick acted and the house was so full you could not have thrust your little finger in, not withstanding the plague sweeps us away by dozens (Cumberland's Letters; Hampden, Journal)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17751108, but Verges-Carpenter (playbill) Burton in The Public Advertiser.

Afterpiece Title: May Day

Performance Comment: As17751106.

Dance: III: The Merry Peasants, as17751018

4570
11 November 1775 @ Drury Lane Theatre

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Performance Comment: As17751109.

Afterpiece Title: Queen Mab

Performance Comment: Parts-Wright, Garland, Grimaldi, Burton, Carpenter, Cubitt, Kear, Griffith, Norris, Mas. Blanchard, Fawcett, Legg, Bannister, Mrs Bradshaw, Mrs Smith, Mrs Sutton.

4571
13 November 1775 @ Drury Lane Theatre

Event Comment: Paid Mr Thos. Smith per order Mr D. G. #31 10s.; Barrow andCo for oil #52. Receipts: #149 5s

Performances

Mainpiece Title: Old City Manners

Performance Comment: As17751109.

Afterpiece Title: Queen Mab

Performance Comment: As17751111.

4572
11 December 1775 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [See 30 April 1773. See, for afterpiece, the Regatta attached to Queen Mab, 11 Nov.] Mr Moody very bad in Maj. Oldfox , &c. Mrs Greville not much better in Olivia (Hopkins Diary). Rec'd from the late Mrs Johnston for Old Women's Cloaths #10 10s.; By ditto from Mr Garrick for wax candles #1 12s. Receipts: #150 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Manly-Bensley, first time; Major Oldfox-Moody; first time; Jerry Blackacre-Yates; Novel-King; Lord Plausible-Parsons; Vernish-Packer; Quillet-Baddeley; Freeman-Palmer; Oadum-Wright; Widow Blackacre-Mrs Hopkins; Fidelia-Miss Younge; Olivia-Mrs Greville; frist time; Eliza-Mrs Johnston.

Afterpiece Title: The Genii

Performance Comment: Harlequin-Wright; Pantaloon-Grimaldi; Clown-Griffiths; Fop-Messink; Chief of Genii-Mas. Blanchard; Colombine-Mrs Sutton; other characters-Burton, Wrighten, Carpenter, Blanchard, Lamash, Norris, Legg, Fawcett, Kear, Cubitt, Bannister; the Dance-Como, Giorgi, Blurton; to conclude with a Grand Representation of a Regatta-.

4573
29 December 1775 @ Drury Lane Theatre

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-King; Antonio-Reddish; Bassanio-Bensley; Gratiano-Dodd; Salanio-Fawcett; Launcelot-Parsons, first time; Duke-Bransby; Gobbo-Waldron; Salarino-Farren; Jessica (With a Song)-Miss Jarratt; Tubal-Messink; Nerissa-Mrs Davies; Portia-A Young Lady; first appearance; Lorenzo (With Songs)-Vernon.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.

Dance: III: The Merry Peasants, as17751018

4574
01 January 1776 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17751207.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.

4575
08 January 1776 @ Drury Lane Theatre

Event Comment: Paid Trumpets six nights this included #6 15s.; L. Saunderson, 11 weeks salary #22; Mr Abrams paid by the late Mr Johnston #25. Receipts: #155 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Performance Comment: As17751127, but Prologue-_.

Afterpiece Title: The Jubilee

Performance Comment: As17751227.