SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17501227, but Uncle-Simson; Maria-Mrs Ward.

Afterpiece Title: The Lying Valet

Performance Comment: As17500915.

Dance: IV: Comic Dance, as17501231

Event Comment: Benefit for a Tradesman under Confinement. [This benefit had first been advertised on Monday 11 Nov. Tickets were to be had at seven Coffee Houses, at Mr Watkins' Optician, at Charing Cross, Mrs Crokett's, Harberdasher at the Seven Stars, Ludgate St., and at the stage door. On the day of the benefit one Philantropos contributed a letter in support of it which was printed in the first column of the General Advertiser. The Tradesman was a bookseller who was "the immediate instrument of ushering into the world some of the most valuable books that have been publish'd for these 30 years." But he had paid more attention to the advancement of letters than "to the lucrative views that attend the trade in general," so, in the eyes of Philantropos deserved the support of the town at this benefit.] The death of Mr Cooke mentioned in the Papers is a mistake, he being in a fair way of recovery (General Advertiser)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17511022.

Afterpiece Title: The Lottery

Performance Comment: As17511112, but Chloe-Mrs Dunstall.
Event Comment: TThe Siege of Damascus is reviving at Covent Garden (in which Mrs Cibber is to perform the part of Eudocia , and Mr Barry that of Phocyas , it being the first time of his appearing in that character). As is also the Masque of Pyramus and Thisbe as set to Music by the late Mr Lamp; they will be performed some day this week

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17511128.

Afterpiece Title: The Necromancer

Performance Comment: As17511120.
Event Comment: Benefit for Mr Woodward for ye Pantomime & put in ye Bills thus--Mr Woodward's Night (Cross). Receipts: #191 (Cross)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17511105, but Mrs Sullen-Miss Bellamy.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17520103.

Song: IV: Mattocks

Event Comment: Mainpiece: By Particular Desire. As Mr Edward Berry, one of the comedians of Drury Lane, was returning home from Temple Bar, he was stopt at the end of Arundel St. by three Fellows, one with a Horse-Pistol, another with a short pistol, and the other with a hanger, who robb'd him of his watch, some silver, and his Neck-cloth, and then walk'd off with their booty (General Advertiser, 20 Jan.). During the Performance on Saturday Night [11 Jan.] at Drury Lane, a dispute was carried on at great length between Mr V-n and a Gentleman unknown but on the Gentleman's being made sensible of his error, and making publick submission and Gentleman-like reparation, it was amicably terminated (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17520110, but Justice Clement-Burton.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17520103.
Event Comment: This day publish'd at 1s. the first number of the Dramatic Censor, being remarks on the tragedy of Venice Preserv'd, with observations on the principal performers, by Mr Derrick. This pamphlet is a specimen of criticism intended to be made on our most celebrated dramatic pieces. By several hands. Wherein, should the publick approve by encouraging this first essay, not the beauties and Inaccuracies of the poet, but of the several performers will be considered...To this number is added Proposals for printing by Subscription a New Tragedy call'd Osman by Mr Gentleman

Performances

Mainpiece Title: Samson

Performance Comment: Parts-Samson-; Manoa-; Micah-; Israelite Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine Women and Priests of Dagon- (Larpent MS).
Event Comment: Benefit for Mr Mossop. Tickets to be had of Mr Mossop, at his Lodgings in Southampton Street, Covent Garden; and at the stage door of the theatre. Receipts: #150 (Cross)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Mossop first time; Iago-Montgomery from Dublin; his first appearance in England; Cassio-Palmer; Roderigo-Yates; Desdemona-Miss Bellamy; Emelia-Mrs Pritchard; Brabantio-Berry; Lodovico-Blakes.

Afterpiece Title: Lethe

Performance Comment: As17511223, but Frenchman-Garrick; Tattoo-_; Charon-_.
Event Comment: Benefit for Mr Dexter. Last time of performing the Mainpiece this season. Tickets to be had of Dexter at his lodgings at Mr Gibson's in James Street, Covent Garden; at the Grecian Coffee House, in Deveraux Court; and at the Stage Door of the Theatre where Places may be taken. Receipts. #120 (Cross)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17511007, but Castalio-Dexter, for the first time.

Afterpiece Title: Duke and no Duke

Performance Comment: As17511107.

Dance: Sg Piettro, Mad Auretti

Song: I: Mattocks

Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).
Event Comment: Benefit for Mr Berry. Tickets at Mr Pope's Peruke maker, Russel St., Covent Garden. Receipts: #180 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17520310 but Cob-Mozeen; Master Matthew-Vaughan; Cash-Blakes; Formal-Costollo; Bridget-Miss Minors; Tib-Mrs Cross.

Afterpiece Title: The Shepherd's Lottery

Performance Comment: As17520402.
Event Comment: Benefit for Mr Lee. Afterpiece: Never acted there, altered from Fielding. Full prices. No building on Stage.Tickets at Mr Reynolds Crane Co., Little Russell St. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Lear

Performance Comment: As17511102, but Lear-Lee; Bastard-Sowdon; Cordelia-Mrs Ward; Physician-Simpson.

Afterpiece Title: Don Quixote in England

Performance Comment: Don Quixote-Lee; Squire Badger-Shuter; Sancho-Costollo; Jezebel-Miss Minors; Guzzle-Taswell; Fairlove-Ackman; Loveland-Simpson; Dorothea-Mrs Bennet.
Event Comment: Benefit for Winstone and Burton. No building on the stage. Tickets from Winstone at Mr Race's, Peruke Maker, Bridges St., from Mr Burton at Brownlow Sq., Long Acre. Receipts: #89 (Cross)

Performances

Mainpiece Title: Othello

Performance Comment: As17520312 but Iago-Havard; Duke-Winstone; Brabantio-Burton; Montano-Mozeen; Gratiano-Simpson.

Afterpiece Title: Lethe

Performance Comment: See17520401 but Frenchman-Garrick; Fine Gentleman-Woodward; Tattoo-_; Charon-_.
Event Comment: Afterpiece: Not acted these 4 years. Full prices. [See 10 March 1750.] Mr Maddox ye Ballance Master perform'd [on the rope] in it. Great Expectations not answer'd (Cross). [See ridicule of this afterpiece at dl 6 Nov. and the summary account of the disturbance it produced, as recorded in the Gentleman's Magazine (Nov. 1752, p. 535): The Town had been allured to Covent Garden by a wire dancer and some strange animals, which the manager brought together from Sadler's Wells and the Fair. Mr Garrick ridiculed this perversion of theatrical entertainment, by exhibiting a mock entertainment of the same kind. At this the town was offened, and a party went one evening determind to damn it; a person of some distinction [Fitzpatrick] who was very busy in this laudable attempt threw an apple at Woodward and hit him. Woodward resented the blow by some words, which, by the gentleman's account, implied a challenge, but by Woodward's no such thing. Woodward's account is confirm'd by the affidavits of many; that of the gentleman only by his own, though the box in which he sat was full. The Inspector espoused the cause of the Gentleman; and the Covent Garden Journalist of the comedian.'

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: As17521012.

Afterpiece Title: The Fair

Performance Comment: Principal characters-Lunn, LaLauze, Bencraft, Mrs Dunstall, Miss Haughton; The Dances-Cooke, Grandchamps, Mlle Camargo.
Event Comment: great Nreat Noise--before the Entertainm[en]t began Mr Garrick went on & said--Gent: as we find the new Scene, tho' it pleases some, offends others & as we wou'd please all, we shall omit it after this Night--but I hope when the other House is merry with us, we may be merry with them--the Song was printed & thrown down from ye Slips--great Noise--great applause--some blows in the pit--some Gents insisted upon its being given out again, wch Mr Lacy did--the Inspector very Impudent to-day (14th) about Woodward for saying I thank you to Fitzpatrick who threw an Apple at him from ye Stage Box on Fryday last--the fool against us to-day (Cross). [Cross omits receipts this night.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17521019, but Masquerade Dance-Mlle Janeton Auretti.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17521109.
Event Comment: Benefit for Hallam at the New Wells, Lemon St. A Concert...by a set of Mr Hallam's Friends. Boxes 3s. Pit and Galleries 2s. 6 p.m. As the Wells have been shut up all the past Summer, and are now open'd only upon this occasion, Mr Hallam hopes the Town will be so indulgent, as to honour him with their Company, and the Favour will always be gratefully acknowledged

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Several curious Fireworks-

Event Comment: Great Noise when Woodward came on in Ostrich--Mr Garrick advanc'd & said--Gentlemen, if Mr Woodward's oath don't satisfie you, pray defer ye Resentm[en]t till tomorrow when it will be corroborated by some others--all Quiet (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17521023, but Player Queen-Mrs Cross.

Afterpiece Title: Lethe

Performance Comment: As17521003.
Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: As17521218.

Afterpiece Title: The King and Miller of Mansfield

Performance Comment: As17521218.

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: For a Public Benefaction. [Perhaps for the Society for the Propagation of the Gospel in Foreign parts, to which Young gave #1,000 on 14 March, according to the Public Advertiser.] Tickets for the Benefaction to be had of Mr Dodsley, in Pall Mall; Mr Miller in the Strand and at the Stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Brothers

Performance Comment: As17530303.
Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Performance Comment: As17530303.
Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17530322 but Zara-Mrs Pritchard; Leonora-Mrs Bennet; Heli-Blakes; Alonzo-Burton.

Afterpiece Title: Scapin

Performance Comment: As17530430.

Dance: CCountry Amusements-. See17530412

Performance Comment: See17530412 .
Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Sylvia-Mrs Cowper[, her 1st appearance there she went to Ireland the next season-(Genest, IV, 380)]; Justice Balance-Burton; Worthy-Havard; Kite-Berry; Bullock-Taswell; Welch Collier-Blakes; Brazen-Woodward; Recruits-Vaughan, W. Vaughan; Melinda-Mrs Mills; Rose-Miss Minors; Lucy-Mrs Bennet.

Afterpiece Title: Harlequin Ranger

Performance Comment: Harlequin-Woodward; others-Blakes; Ackman, Atkins, Clough, Vaughan, Johnson, Beard, Mme Mariet, Mrs Bennet, Mrs Toogood, Mrs Simson, Miss Mills, Miss Minors, Miss Bradshaw, Matthews, Mlle Lussant. Ackman, Atkins, Clough, Vaughan, Johnson, Beard, Mme Mariet, Mrs Bennet, Mrs Toogood, Mrs Simson, Miss Mills, Miss Minors, Miss Bradshaw, Matthews, Mlle Lussant.
Event Comment: 'TTis said Miss Bellamy, who engag'd lately with Mr Rich is off again. Mr Colthorp who kept her, swears to kick Rich &c. Great noise about it in ye Bedford Coffee House (Cross)

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Freehold-Bridgwater; Moldy-Dyer; Heartwell-Ridout; Lurcher-Anderson; Double Jugg-Dunstall; Vulture-Cushing; Sir John English-Arthur; Carbuncle-Wignel; Sneak-Paddick; Timothy-Collins; Longbottom-Bencraft; Flora-Mrs Dyer; Aura-Mrs Vincent; With a Country Dance-incident to the play.

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Event Comment: The contending Parties [i.e., Murphy and MacNamara Morgan] Met again on Fryday at the Bedford, in order to accomodate Matters, but words arising, because Mr Murphy did not ack[nowledge] pardon and cried enough, as Mr Morgan said, some blows past & swords out-but no mischief. Morgan denies the letter (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17531023 but Minuet-Cooke, Hilliard.

Afterpiece Title: The Lottery

Performance Comment: As17531030, but Chloe-Mrs Baker, her 2nd appearance this stage.

Dance: DDutch Dance, as17531018

Event Comment: Benefit for a Gentlewoman, who hath a large Family in great Distress, being kept out of a good Fortune (Cross). Tickets to be had at Mrs Brown's, Milliner, in Martin's-Church-Yard; Mr Leeson, Haberdasher, near the New Church in the Strand; Mrs Kelly's, the Rainbow Coffee House, Ludgate Hill; Mr Walker's, an Oilman in Catherine St., and of Varney at the Stage Door (playbill). Receipts: #30 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17531009.

Afterpiece Title: The Devil to Pay

Performance Comment: As17530915.

Dance: II: L'Entree de Flore- see17531123; IV: Hornpipe-the Little Swiss; V: New Dutch Dance, as17531117

Song: III: Beard

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Performance Comment: As17540118.

Dance: As17540118