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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7761 results for: Keyword - Mr
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

226
17 March 1740 @ Drury Lane Theatre

Event Comment: Benefit Mrs Clive.--At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Congreve. [The Stage] will be properly inclos'd, and form'd into Boxes, to prevent the Ladies taking Cold. [Tickets at Mrs Clive's House, Cecil Street, the Strand.

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Millamant-Mrs Clive, in which Character will be produced the Original Song, the Words by Mr Congreve, and new set to Musick by Mr Handel; Mirabel-Milward; Fainall-Mills; Sir Wilful-Turbutt; Witwoud-Chapman; Petulant-Macklin; Waitwell-Shepard; Marwood-Mrs Butler; Lady Wishfort-Mrs Macklin; Mrs Fainall-Mrs Pritchard; Foible-Miss Bennet; Mincing-Mrs Walter.
Cast
Role: Millamant Actor: Mrs Clive, in which Character will be produced the Original Song, the Words by Mr Congreve, and new set to Musick by Mr Handel

Afterpiece Title: The Devil to Pay

Performance Comment: As17391009, but Sir John-Stoppelaer; Butler-Raftor.

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

227
October 1690 @ Drury Lane Theatre

Event Comment: The United Company. There is no certainty as to when the first performance occurred, but it can hardly be later than 11 Nov. 1690, when it was entered in the Stationers' Register; it was then advertised in the London Gazette, No. 2618, 11-15 Dec. 1690. On the assumption that the performance of Amphitryon on 21 Oct. 1690 followed its premiere, Distress'd Innocence has been assigned to late October 1690. The Overture and seven Act Tunes were composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI (1906), xix. Dedication, Edition of 1691: I must still own my self indebted on all Hands, not only to the kind Audience, but likewise to the kind Company, who amongst other Favours, were pleased to be at the Charge of dressing my Play to so much Advantage. But above all I must make my publick Acknowledgments to Mr Betterton for his several extraordinary Hints to the heightening of my best Characters, nor am I a little indebted to Mr Montfort, for the last Scene of my Play which he was so kind to write for me

Performances

Mainpiece Title: Distressd Innocence Or The Princess Of Persia

Performance Comment: Edition of 1691: Epilogue-Mrs Knight by Mr Montfort; Isdigerdes-Bowman; Hormidas-Montfort; Theodosius-Powell; Audas-Hodgson; Cleontes-Bright; Otrantes-Kynaston; Rugildas-Sandford; Three Persian Magi-Freeman, Baker, Verbruggen; Orundana-Mrs Barry; Cleomira-Mrs Bracegirdle; Doranthe-Mrs Corey.
Cast
Role: Epilogue Actor: Mrs Knight by Mr Montfort

228
28 May 1735 @ Tottenham Court

Event Comment: Benefit Mr Perkins, who has unfortunately lost his Sight. At Lee's Great Theatrical Booth. Written by the late Mr Addison. The doors open at three; the play begins at five. [Perkins is the author of The Blind Man's Complaint in Gentleman's Magazine, September 1734.]

Performances

Mainpiece Title: The Drummer

Performance Comment: Sir George-Freeman; Fantome-Stone; Tinsel-Turner; Vellum-Clarke; Butler-Harris; Gardener-Jones; Lady Trueman-Mrs Miller; Abigail-Mrs Clarke. With a Prologue, Written and Spoken by Mr Perkins, principally addressed to the Antient and Honourable Society of Free-Masons .
Cast
Role: Abigail Actor: Mrs Clarke. With a Prologue, Written and Spoken by Mr Perkins, principally addressed to the Antient and Honourable Society of Free-Masons

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

Performance Comment: hathi.

229
26 November 1735 @ Swan Tavern

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Performance Comment: hathi.

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performance Comment: And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England .

230
13 December 1760 @ Drury Lane Theatre

Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17601117, but Araminta-Mrs Davies.

Afterpiece Title: The Enchanter or Love and Magic

Performance Comment: Actors only-Lowe, Champnes, Mrs Vincent, Miss Young, Master Leoni, 1st time. Moroc-Champness; Kaliel-Master Leoni; Zoreb-Lowe; Zaida-Mrs Vincent; Lyssa-Miss Young; The dances-Sig Grimaldi, Sig Tioli, Sig Giorgi, Sga Giorgi, Miss Baker, Miss Dawson, Miss Lucchi, others. The music composed by Mr Smith (Folger Bill).
Cast
Role: The dances Actor: Sig Grimaldi, Sig Tioli, Sig Giorgi, Sga Giorgi, Miss Baker, Miss Dawson, Miss Lucchi, others. The music composed by Mr Smith

231
21 October 1772 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Play will begin at exactly 6 p.m. Paid Mr Weston per order Mr G. G. #19 10s. (Treasurer's Book). Receipts: #257 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Jefferson; Smith-J. Aickin; Others-Weston, Baddeley, Palmer, Parsons, Moody, Rooker, Miss Collett, W. Palmer, Hurst, Jacobs, Bransby, Fawcett, Wheeler, Ackman, Kear, Keen, Johnston, Wrighten, Griffith, Miss Platt, Mrs Davies, Miss Ambrose; With the additional Reinforcements of Mr Bayes's New Raised Troops-.
Cast
Role: With the additional Reinforcements of Mr Bayes's N Actor: .

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17721016, but Lint-Castle; Sir Jacob-Waldron.

232
12 May 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

Performance Comment: Edition of 1677: The Prologue by Mr Dryden-; The Epilogue by the Earl of Rochester-; Downes (Roscius Anglicanus, pp. 36-37): Orestes-Betterton; Pylades-Williams; Ithacus-Smith; Thoas-Harris; Circe-Lady Slingsby; Iphigenia-Mrs Betterton; Osmida-Mrs Twiford.
Cast
Role: The Prologue by Mr Dryden Actor:

233
23 November 1723 @ Greenwich

Event Comment: At Mr Weston's Academy. In proper Habits

Performances

Mainpiece Title: Cato

Performance Comment: Rehearsed-Scholars of Mr Weston.
Cast
Role: Rehearsed Actor: Scholars of Mr Weston.

234
17 March 1733 @ King's Theatre

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Cast
Role: Wherein Principal Parts Actor: Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs

235
05 June 1740 @ Covent Garden

Event Comment: Benefit Cibber. At the particular Desire of several Persons of Quality. Mainpiece: Written by George Duke of Buckingham. Afterpiece: With Additions, the Words and Musick by Mr Carey. 6:30 p.m. London Daily Post and General Advertiser, 6 June: Yesterday Morning died Mrs Hallam

Performances

Mainpiece Title: The Rehearsal

Performance Comment: See17391031, but Bayes-Cibber; Johnson-Ryan; Smith-Bridgwater; other parts-Hippisley, Rosco, Hallam, Hale, Gibson, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Brunette; With the Original Prologue-; With an Additional Re-inforcement of Mr Bayes's new rais'd Troops-; Vocals-Leveridge, Salway, Bencraft, Mrs Lampe, Miss Young.
Cast
Role: With an Additional Re Actor: inforcement of Mr Bayes's new rais'd Troops-
Role: inforcement of Mr Bayes's new rais'd Troops Actor:

Afterpiece Title: The Parting Lovers

Performance Comment: See17400318 but Nancy's Father-Leveridge; Truelove-Salway; Lieutenant-Bencraft; Nancy-Mrs Lampe; In which will be a Hornpipe-a Gentleman in the Character of a Sailor; With an Epilogue by Jo. Haines, Comedian, of Facetious Memory, -Cibber, riding on an Ass.

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

236
21 November 1741 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years. Written by George Duke of Buckingham. With Songs, Dances, New Scenes, Machines, Habits and other proper decorations. The Music New-compos'd by Mr Arne. No After Money will be taken. To prevent any interruption in the movement of the machines, 'tis hoped no Persons will take it ill that they cannot be admitted behind the scenes. Receipts: #90

Performances

Mainpiece Title: Rehearsal

Performance Comment: Bayes-Cibber Jr; Smith-Delane; Johnson-Mills; Other Characters-Johnson, Macklin, Neale, Havard, Ridout, Taswell, Arthur, Turbutt, Winstone, Leigh, Green, Wright, Ray, Woodburn, Miss Woodman, Mrs Cross, Miss Story, Miss Cole; Vocal Parts-Beard, Lowe, Johnson, Ray, Raftor; Particularly the Representation of a Battle of the Two Operatical Generals-Per gli Signori Giovanni and Tomasino detti Beard, Lowe; With the Additional reinforcement of Mr Bayes's New Rais'd Troops-.
Cast
Role: With the Additional reinforcement of Mr Bayes's Ne Actor: .

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

237
06 November 1746 @ Covent Garden

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.
Cast
Role: Also an Additional Reinforcement of Mr Bayes's new Actor: .

Afterpiece Title: The Virgin Unmasked

Performance Comment: As17461020.

238
21 May 1753 @ Drury Lane Theatre

Event Comment: SShuter having engag'd with Mr Rich Garrick in Bayes said you are a good Actor & I am sorry you have left me-a Clap (Cross). Both plays put up for last time of performing this season. Full prices throughout performance. No money returned after curtain is up. Tis hoped no gentlemen will take it ill that they cannot possibly be admitted behind the scenes or into the orchestra, the Entertainment depending chiefly upon the Machinery and Music. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; others-Yates, Lacey, Havard, Taswell, Blakes, Shuter; Scrase, W. Vaughan, Wilder, Marr, Simson, Vaughan, Raftor, Mozeen, Clough, Rooker, Gray, Miss Minors, Mrs Simson, Miss Mills, Miss Simson; With an additional reinforcement of Mr Bayes' New Rais'd Troops-.
Cast
Role: With an additional reinforcement of Mr Bayes' New Actor: .

Afterpiece Title: The Genii

Performance Comment: As17530519.

239
14 September 1767 @ Covent Garden

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Shuter; Smith-Clarke; Johnson-Dyer; Others-Dunstall, Gibson, Perry, Davis, Dibdin, DuBellamy, Gardner, Bennet, Morgan, Barrington, R. Smith, Holtom, Cushing, Legg, Redman, Wignell, Baker, Mrs DuBellamy, Miss Pearce, Miss Mills, Miss Ford; With additional Reinforcements of Mr Bayes's New Rais'd Troops-; a New Occasional Prologue-.
Cast
Role: With additional Reinforcements of Mr Bayes's New R Actor:

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Dunstall; Sir Jasper-Massey, 1st appearance that stage; Leander-R. Smith; James-Quick; Harry-Holtom; Charlotte-Miss Helme; Dorcas-Mrs Green.

240
22 February 1704 @ Drury Lane Theatre

Event Comment: A new Entertainment of Vocal and Instrumental Musick (after the manner of an Opera...the vocal part being compos'd by Mr Weldon, and the Instrumental by Mr Dieuport. [Text by Pierre Motteux.

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

241
24 February 1764 @ Drury Lane Theatre

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.

242
15 March 1764 @ Drury Lane Theatre

Event Comment: Books of the Opera sold at Theatre. This Night Mr Grimaldi Sprain'd his Leg (Hopkins). Mr Grimaldi had the misfortune to hurt himself so much in dancing, as to render him incapable of Performing for Some time (Public Advertiser, 19 March). Receipts: #112 2s. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: As17640227.

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

243
11 April 1716 @ Drury Lane Theatre

Event Comment: Afterpiece: A New Italian Piece by Mons Sorin and Mr Baxter. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette or Harlequin Turned Tapster

Performance Comment: Apparently Parts-Sorin, Baxter.

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

244
20 February 1736 @ Drury Lane Theatre

Event Comment: Never Acted before. [By Mr Connolly.]

Performances

Mainpiece Title: The Connoisseur Or Every Man In His Folly

Performance Comment: Parts by Quin, Cibber, Griffin, W. Mills, Mecklin, Salway, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross; but edition of 1736 lists: Lord Constant-Quin; Lord Modely-Cibber; Sir Godfrey Trinket-Griffin; Sir Harry Gaylove-W. Mills; Cheatly-Mechlin; Signior Bagatelli-Salway; Tom-Turbutt; William-Cross; Flavia-Mrs Clive; Araminta-Miss Holiday; Mrs Freelove-Mrs Pritchard; Lucy-Mrs Cross. Prologue written by Aaron Hill and spoken by Quin. Epilogue spoken by Mrs Clive .

245
27 February 1764 @ Drury Lane Theatre

Event Comment: Well rec'd: all but the 1st Chorus w[hic]h was Hiss'd. First Dance Hiss'd off. Mr Norris being ill, Mrs Dormond perform'd in his room, much applauded (Cross Diary). Acted but once. Books of the Opera to be sold at the Theatre. Receipts: #169 1s. 6d. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: As17640224 [but see note below.]

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

246
01 March 1764 @ Drury Lane Theatre

Event Comment: Benefit for the composer, Mr Rush. Books of the Opera will be sold at the Theatre. Receipts. #211 18s. 6d.; charges: #76 12s. 6d. Profit to author: #135 6s. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: As17640227.

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

247
05 April 1764 @ Drury Lane Theatre

Event Comment: Benefit for Sga Cremonini & Managers. Miss Wright being very ill Mr Vernon made an Apology & her part in the opera was cut out (Hopkins). Opera for the last time this season. Receipts: #140 4s. (MacMillan); charges: #76 12s. [Profit to Sga Cremonini: #63 12s.

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: As17640227.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17630917.

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

248
June 1697 @ Dorset Garden Theatre

Event Comment: Rich's Company. The date of the first performance is not precisely known, but the opera was in preparation on 15 June 1697. In addition, it was advertised in the Post Boy, 22-24 June 1697, that it would be published on 25 June 1697. As it was occasionally the custom of the theatres to have copies of operatic pieces available at the theatre for a performance, it is possible that the premiere occurred at the end of the week of 21-26 June 1697. Furthermore, a certain performance on 1 July 1697, a benefit for the "Undertaker" of it, probably the third performance, similarly suggests a premiere a few days earlier

Performances

Mainpiece Title: The World In The Moon

Performance Comment: Edition of 1697: Prologue-Girl; Frank Wildblood-Powel; Ned Stanmore-Mills; Palmerin Worthy-Williams; Sir Dottrel Fondlove-Johnson; Old Stanmore-Disney; Tom Dawkins-Pinkethman; Jacintha-Mrs Verbruggen; Widow Dawkins-Mrs Powel; Mrs Susan-Mrs Andrews; Prologue- Set to Musick by Mr Jeremy Clark. I:; Within this happy World above- set by Mr Jeremy Clark. II:; Joe Haynes meets 'em-; II: The Entertainment Composed by Mr Daniel Purcel Come all you Nymphs of Cynthia's Train-; II: A Dialogue In all our Cynthia's shining sphere-Mr Leveridge, Mrs Cross; III: The Musick set by Mr Daniel Purcel Look round and here behold-; A Dialogue Oh dear sweet sir you look so gay-Mrs Cross, Mrs Lucas; IV: A Song set by Mr Purcel Young Strephon met me t'other Day-Miss Anon; IV: The Ceremony of a Nuptial Entertainment perform'd. Bride-Mrs Cross; Bridegroom-Mr Leveridge; The Musick set by Mr D. Purcel, The Nymphs of the Plain-; V: Set by Mr D. Purcel, Come Strephon Phyllis come let's troth-; Epilogue-Miss Denny Chalk; Dress'd with a great Wig like a Beau. In The Single Songs in the New Opera call'd The World in the Moon (1697), in addition to some of the pieces listed above, are the following ones: A Song Sett by Mr Daniel Purcell: Then come kind Damon-Mrs Lindsey; A Song Sett by Mr J. Clark: Smile then with a beam divine-Mrs Cross; A Song Sett by Mr J. Clark: Divine Astrea hither flew to Cynthia's brighter Throne-; A Song Sett by Mr Daniel Purcell: Young Strephon hee has woo'd me long-; A New Song: Let those Youths who freedom prize-.
Cast
Role: Prologue Actor: Set to Musick by Mr Jeremy Clark. I:
Role: Within this happy World above Actor: set by Mr Jeremy Clark. II:
Role: A Dialogue In all our Cynthia's shining sphere Actor: Mr Leveridge, Mrs Cross
Role: The Musick set by Mr Daniel Purcel Look round a Actor:
Role: A Song set by Mr Purcel Young Strephon met me t Actor: Miss Anon
Role: Bridegroom Actor: Mr Leveridge

249
18 April 1707 @ York Buildings

Event Comment: Benefit Tho. Dean Jr. At the Desire of several Ladies of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

Performance Comment: A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester.
Cast
Role: Signior Pepusch Actor: Mr Banister, Mr Dean, Mr Lamour
Role: A set of Airs for the ArchLute and Violin Actor: the Two Mr Deans, composed on purpose by Mr Dean Jun
Role: A Sonata for the ArchLute and Flute Alleman Actor: Mr Dean Jun, Mr Latour
Role: Singing to the ArchLute Actor: Mr Hughes
Role: Archangelo Corelli Actor: Mr Dean Sen
Role: A Cantata to the ArchLute Actor: Mr Newbury

250
03 June 1782 @ Haymarket Theatre

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Usher; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Dorion; John Bull-Webb; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Prompter-Bannister Jun .

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Wells; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Mat o' th' Mint -?; Ben Budge-Mrs Inchbald; Crook-finger'd Jack-Miss Painter; Waiter-Miss Hale; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Filch-Miss Morris; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Swords; Sukey Tawdry-Mr Webb; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister. hathi.
Cast
Role: Lucy Actor: Mr Edwin
Role: Mrs Peachum Actor: Mr Wilson
Role: Jenny Diver Actor: Mr Wood
Role: Mrs Coaxer Actor: Mr Stevens
Role: Mrs Slammekin Actor: Mr Swords
Role: Sukey Tawdry Actor: Mr Webb
Role: Dolly Trull Actor: Mr R. Palmer
Role: Molly Brazen Actor: Mr Kenny
Role: Mrs Vixen Actor: Mr Massey
Role: Betty Doxy Actor: Mr Painter
Role: Diana Trapes Actor: Mr Wewitzer
Role: Polly Actor: Mr Bannister. hathi.

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the Character of Chimney-sweeps)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .
Cast
Role: Nurse Actor: Mr Painter

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.