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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1878 results for: Keyword - Most Noble Order of Bucks
We found 1372 matches on Event Comments, 396 matches on Performance Comments, 149 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

201
23 December 1718 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Thirty of the most celebrated Masters; Singing-Mrs Pulmon; Flute solo-Paisible; Violoncello-Pepo; Solo-Dubourg; Concerto-Alex. Betti; German Flute-Granio

202
26 April 1720 @ King's Theatre

Performances

Mainpiece Title: La Fille Capitaine

Afterpiece Title: Arlequin Galerien; ou, Le Port de Mer

Entertainment: Dancing-D'Angeville, Mlle Deschaliers, others; And several New Performances-the Tumblers; Particularly the Extraordinary Tumbling, call'd Le Saut de la Panche-Mr Debroc , who with Links in his Hands will run up to the Top of a Board 16 Foot high, and with a most surprising Activity will tumble from thence

203
04 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; most of the celebrated Songs in our new Operas-Signor Rochetti; and several others lately brought from Italy. And the Instrumental Parts-best Hands from the Opera

204
28 October 1726 @ King's Theatre

Performances

Mainpiece Title: The Most Knowing, Least Understanding; Or, Harlequin's Metamorphosis; Viz

Afterpiece Title: The Pleasant Marriage; Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

205
25 May 1733 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Veracini, Miss Young, Several others of the most celebrated Performers

206
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

207
10 December 1767 @ Haberdasher's Hall, Maiden Lane

Performances

Mainpiece Title: The Messiah

Music: Instrumental parts-Hay, the most capital performers; with a solo on the violin-Hay

208
01 May 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Padlock

Song: End: Several Catches and Glees, part of which will be entirely New, Composed-Dibdin, for that evening, and Part selected from the most admired Composers

Dance: The Sailors Revels, as17711008

209
19 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Country Mad-Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

210
06 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Acis and Galatea

Song: In the Masquerade Scene in mainpiece a favourite Burlesque Italian Medley Cantata by Reinhold; End of mainpiece several of the most favourite Catches and Glees by Reinhold, Champness, Brett, Reynoldson, Perry, Billington, Master Barthelemon, and several others

211
21 April 1785 @ King's Theatre

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

212
19 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

213
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

214
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

215
13 November 1789 @ Covent Garden

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

216
28 April 1791 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

217
11 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

218
15 May 1794 @ King's Theatre

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

219
23 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

220
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

221
28 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17980309

222
30 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

223
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

224
24 January 1733 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Dance: s performed last night before Their Majesties, but order of dances is: %II: New Comic Dance-; IV: Tambourine-; V: Scottish Dance-

225
18 October 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: LLes Bucherons, as17521017; Le Matelot Basque, as17521017; Les Tonneliers de Strasburgh, as17521017 in same order at close of Acts II, IV, V