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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1878 results for: Keyword - Most Noble Order of Bucks
We found 1372 matches on Event Comments, 396 matches on Performance Comments, 149 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1576
08 September 1690 @ no theater listed

Event Comment: London Gazette, No 2581, 4-7 Aug. 1690: These are to give Notice, That by Order of the Lord-Mayor and Court of Alderman of the City of London, the Fair, commonly called Lady-Fair, in the Borough of Southwark, will from henceforth be held on the 7th, 8th, and 9th of September only in every Year (according to the Grant thereof of the City) and that the Booths or Shedds will be permitted to stand in the streets there any longer than the said three days

Performances

1577
07 November 1690 @ Whitehall or St. James's

Event Comment: The United Company. The date of this performance is not certainly known. On 7 Nov. 1690 an order was issued to pay Mrs Barry #25 for Circe, acted by command

Performances

Mainpiece Title: Circe

1578
03 August 1691 @ Bartholomew Fair

Event Comment: Luttrell, A Brief Relation, II, 270-71: The lord mayor of London has publish'd an order to prevent all sort of lewdnesse and disorder during Bartholomew fair, and that it shal be kept but 3 dayes, viz. 23d, 24 and 25 of August

Performances

1579
08 August 1691 @ Bartholomew Fair

Event Comment: Richard Lapthorne, 8 Aug. 1691: Bartholomew faire by order of the Lord Mayor and Aldermen is to bee kept but for 3 days this yeare because its a season of great debauchery and therefore they think a fortnight to bee too long a space and it seemes according to the originall Institution it was to continue no longer then three dayes (R. J. Kerr and I. C. Duncan, The Portledge Papers [London, 1928], p. 118.

Performances

1580
17 December 1691 @ no theater listed

Event Comment: Luttrell, A Brief Relation, II, 315: The duke of Norfolke was abused in the fray at the playhouse: the house of lords examined the same, and sent for captain Primrose, who commanded the party of soldiers there, who excused himselfe therefrom: one of the bishops moved to suppresse the playhouse, it being a nursery of lewdness, but the temporall lords were against it, but directed the lord chamberlain to send his warrant to suspend them from acting till further order: which was accordingly done

Performances

1581
19 December 1691 @ no theater listed

Event Comment: Luttrell, A Brief Relation, II, 316: The players have begg'd pardon of the lords abused there, and have leave to act again on Monday. [The order for reopening is in L. C. 5@150, p. 345 (Nicoll, Restoration Drama, p. 361).] Newdigate Newsletters, 19 Dec. 1691: We heare that the Play house will be againe opened this Night or on Monday & will Continue to Act as formerly and tis S. the Sentinell who discharged his Musquet was tryed by a Court Martial and acquitted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82)

Performances

1582
19 January 1692 @ no theater listed

Event Comment: Thomas Shadwell to Earl of Dorset, 19 Jan. 1691@2 (summary): Asks that he will order The Innocent Impostors to be the next new play to be acted. He would have had it acted in Roman Habits and then, with a mantle to have covered her hips, [if] Mrs Barry would have acted the part; but Thomas Davenant has with a great slight turned him off, and says he will trouble himself no more about the Play. Asks Dorset to favour the author and him. Complains of priority being given to Durfey's play and a play by Dryden (HMC, 4th Report, Appendix [1874], pp. 280-81)

Performances

1583
03 March 1692 @ Drury Lane Theatre

Event Comment: An order to pay Mrs Barry #25 for The Orphan (L. C. 5@151, p. 30; Nicoll, Restoration Drama, p. 358) probably represents payment for the performance on 9 Feb. 1691@2

Performances

1584
10 June 1693 @ Whitehall or St. James's

Event Comment: In L. C. 5@151 is an order, dated this day, to pay Mrs Barry for the acting of Caius Marius. The day of the performance is not indicated

Performances

1585
16 April 1694 @ Whitehall or St. James's

Event Comment: In L. C. 151@p. 352, is an order, dated 16 April 1694, to pay Mrs Barry #25 for The Old Batchelor. The date of the performance is not specified

Performances

1586
06 February 1697 @ Whitehall or St. James's

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

1587
24 August 1697 @ Bartholomew Fair

Event Comment: Luttrell, A Brief Relation, IV, 268, 24 Aug. 1697: The lord mayor has published an order forbidding all unlawfull gameing, excesse in drinking, swearing, cursing in Bartholomew fair. The only notice of a performance is an advance one, Post Boy, 12-14 Aug. 1697: At Mr Barns's Booth, between the Crown Tavern, and the Hospital-Gate, over against the Cross-Daggers in West-Smithfield Rounds, during the time of Bartholomew Fair, is to be seen the famous Rope-Dancers of Europe, being four Companies join'd in one, viz. the English, High-German, French and Morocco Companies of Rope-Dancers, by whom will be presented a Variety of Agility of Body, as Danceing, Tumbling, Walking, and Vaulting, the like was never seen before

Performances

1588
04 March 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. John Dryden to Mrs Steward, 4 March 1698@9: This Day is playd a reviv'd Comedy of Mr Congreve's called the Double Dealer, which was never very takeing; in the play bill was printed, Written by Mr Congreve; with Severall Expressions omitted: What kind of Expressions those were you may easily ghess; if you have seen the Monday's Gazette, wherein is the King s Order, for the reformation of the Stage: but the printing an Authours name, in a Play bill, is a new manner of proceeding, at least in England (Letters of John Dryden, 112-13)

Performances

Mainpiece Title: The Double Dealer

1589
29 November 1699 @ Dorset Garden Theatre

Event Comment: London Post, 24-27 Nov. 1699: [William Joy] being oblig'd to leave Town in order to pursue some other Method, can shew but twice, which will be God-willing on Wednesday and Friday next at the Theatre in Dorset Garden, beginning Precisely at 11 a Clock, being resolved to shew no more before he leaves the Town

Performances

Mainpiece Title: Entertainments

1590
06 July 1700 @ Bartholomew Fair

Event Comment: The Flying Post, 4-6 July 1700, contains the order (see 25 June 1700) forbidding the acting of plays or interludes at Bartholomew Fair

Performances

1591
06 August 1700 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: Luttrell, A Brief Relation, IV, 674: The lord chamberlain has ordered that no playes be acted for 6 weeks while the mourning [for the Duke of Gloucester] continues

Performances

1592
24 January 1702 @ Drury Lane Theatre

Event Comment: Benefit Will Bowen. Whereas Will Bowen has deliver'd several Tickets to his Friends, in order to see the Committee...and the Gentlemen that have the Directions of Affairs relating to the Theatre Royal, have thought it adviseable to change that Play for the Funeral...which is a Comedy equally receiv'd by the Town

Performances

Mainpiece Title: The Funeral

1593
18 March 1706 @ York Buildings

Event Comment: Benefit Corbett. [Luttrell, 21 March, states: "This being Passion week, there was a new opera acted last Monday at the old playhouse, which her majestie being informed of resented the same, and ordered the lord chamberlain to suffer no more till after Easter Sunday" (VI, 29). There is no known advertisement of the performance to which Luttrell refers.

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental music-the best Masters and Voices; with pieces for trumpet and violins composed by William Corbett-

1594
28 November 1707 @ Drury Lane Theatre

Event Comment: The Scenes, Machines, Flyings, and the other Decorations in the same Order they were Originally

Performances

Mainpiece Title: Mackbeth

Music: The Musick being all new set-Leveridge, Ramondon, Hughes, Lawrence, others

Dance: Mrs Evans, delaGarde, Miss Norris

1595
31 December 1707 @ Queen's Theatre

Event Comment: [An order of this date by the Lord Chamberlain restricted the queen's to operas, Drury Lane to plays; the change became effective after 10 Jan. 1708.

Performances

Mainpiece Title: The Recruiting Officer

1596
07 February 1708 @ Queen's Theatre

Event Comment: The Boxes to be open'd to the Pit, and no Person to be admitted but by Tickets...at half a Guinea each Tickets. The Number of Tickets not to exceed 400. Stage Boxes half a Guinea. First Gallery 5s. Upper Gallery 2s. And by Order, no Person to stand upon the Stage. Receipts: #53 15s. 3d

Performances

Mainpiece Title: Camilla

Dance: Cherrier, Debargues, Mrs Debargues, Mrs Santlow, Mrs Evans, others

1597
09 February 1708 @ Drury Lane Theatre

Event Comment: [By Charles Goring.] Never Acted before. Preface: I am sensible...that Irene appear'd to the greatest Disadvantage on the Stage, strip'd of Her Ornaments of Musick by a Superior Order; and in many of Her Characters suffering very much in the Action

Performances

Mainpiece Title: Irene; Or, The Fair Greek

1598
02 March 1708 @ Queen's Theatre

Event Comment: Admission: boxes 8s., pit 5s., first gallery 3s., upper gallery 1s. 6d., stage boxes half a guinea. And by Order hence-forward to begin precisely at 6 a Clock. Receipts: #84 7s

Performances

Mainpiece Title: Love's Triumph

1599
07 June 1709 @ Drury Lane Theatre

Event Comment: Announced but not given. On 6 June the Lord Chamberlain silenced Drury Lane because of its failure to obey an order issued earlier which forbade the deduction of more than #40 from the receipts at a benefit

Performances

Mainpiece Title: Epsom Wells

1600
06 September 1709 @ Drury Lane Theatre

Event Comment: Post Boy, 13-15 Sept.: On Tuesday, the 7th [sic] instant, in Drury-Lane, when the Players were just going to act, but were, by Order from their Superiors, stopp'd from farther Proceeding; so that they were, to their great Mortification, forced to dismiss their publick Auditors. [See also Female Tatler, 12 Sept.

Performances

Mainpiece Title: The Recruiting Officer