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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Most Noble Order of Bucks"/1) | (@(roleclean,performerclean) "Most Noble Order of Bucks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1878 results for: Keyword - Most Noble Order of Bucks
We found 1372 matches on Event Comments, 396 matches on Performance Comments, 149 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

826
18 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #163 16s. 6d. Probable attendance: boxes, 207 paid and 8 orders; stage, 35 paid; balcony, 2 paid; pit, 294 paid and 5 orders; slips, 59 paid; first gallery, 435 paid and 2 orders; second gallery, 190 paid

Performances

Mainpiece Title: The Beggar's Opera

827
21 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #170 9s. 6d. Probable attendance: boxes, 236 paid; stage, 44 paid; balcony, 2 paid; Pit, 290 Paid and 3 orders; slips, 47 paid and 1 order; first gallery, 419 paid and 1 order; second gallery, 189 paid. For a comment on the play by Thomas Edwards, see V. M. Gilbert, Unrecorded Comments on John Gay, Henry Travers, and Others, Notes and Queries, August 1953, pp. 337-38

Performances

Mainpiece Title: The Beggar's Opera

828
23 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #163 17s. 6d. Probable attendance: boxes, 222 paid and 3 orders; stage, 41 paid; balcony, 3 paid; pit, 281 paid and 1 order; slips, 52 paid; first gallery, 406 paid and 1 order; second gallery, 188 paid

Performances

Mainpiece Title: The Beggar's Opera

829
24 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #179 8s. 6d. Probable attendance: boxes, 234 paid and 5 orders; stage, 47 paid; balcony, 1 paid; pit, 300 paid and 2 orders; slips, 56 paid; first gallery, 403 paid and 1 order; second gallery, 193 paid

Performances

Mainpiece Title: The Beggar's Opera

830
26 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #161 7s. Probable attendance: boxes, 221 paid and 3 orders; stage, 13 paid; balcony, 7 paid; pit, 289 paid; slips, 56 paid and 3 orders; first gallery, 424 paid and 2 orders; second gallery, 199 paid

Performances

Mainpiece Title: The Beggar's Opera

831
28 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #163 18s. 6d. Probable attendance: boxes, 230 paid and 3 orders; stage, 28 paid; balcony, 4 paid; pit, 273 paid and 3 orders; slips, 57 paid; first gallery, 420 paid and 4 orders; second gallery, 195 paid. Daily Journal, 28 Feb.: Whereas Mrs Barbier has advertized that the Beggar's Opera is to be performed, for her Benefit, on the 16th of March next; This is to inform the Publick, That such Advertisement was published without Consent of Mr Rich, and that the same will not be allow'd of

Performances

Mainpiece Title: The Beggar's Opera

832
29 February 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #168 4s. 6d. Probable attendance: boxes, 230 paid and 4 orders; stage, 37 paid; balcony, 3 paid; Pit, 280 paid and 2 orders; slips, 55 paid; first gallery, 427 paid and 4 orders; second gallery, 194 paid

Performances

Mainpiece Title: The Beggar's Opera

833
01 March 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #153 3s. 6d. Probable attendance: boxes, 180 paid and 10 orders; stage, 26 paid; balcony, 5 paid; Pit, 289 paid and 2 orders; slips, 53 paid and 2 orders; first gallery, 424 paid; second gallery, 200 paid and 3 orders.[For a letter on this play, see Daily Journal, 1 March.

Performances

Mainpiece Title: The Beggar's Opera

834
05 March 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #183 4s. Probable attendance: boxes, 240 paid and 4 orders; stage, 79 paid; pit, 292 paid and 4 orders; slips, 64 paid and 1 order; first gallery, 433 paid; second gallery, 204 paid. Daily Journal, 5 March: Mrs Barbier, in Compliance to the Town, has wav'd her right to the Beggar's Opera and the Tickets delivered out for Saturday the 16th, will be taken on Monday the 18th to Hamlet, Prince of Denmark, for her Benefit

Performances

Mainpiece Title: The Beggar's Opera

835
12 March 1728 @ Lincoln's Inn Fields

Event Comment: [The Bill calls this the 33d performance; Rich's Register labels it the 34th. See 11 March.] Receipts: #183 3s. Probable attendance: boxes, 246 paid and 5 orders; stage, 73 paid; pit, 292 paid and 4 orders; slips, 65 paid; first gallery, 435 paid and 2 orders; second gallery, 192 paid. Daily Journal, 12 March: N.B. During the Course of the Benefits, this Opera will be performed every Tuesday and Saturday

Performances

Mainpiece Title: The Beggar's Opera

836
26 March 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #184 15s. Probable attendance: boxes, 231 paid and 2 orders; stage, 74 paid; pit, 298 paid and 2 orders; slips, 69 paid; pidgeon holes, 6 paid; first gallery, 445 paid and 2 orders; second gallery, 201 paid

Performances

Mainpiece Title: The Beggar's Opera

837
08 April 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #168 17s. 6d. Probable attendance: boxes, 223 paid and 5 orders; stage, 43 paid; pit, 290 paid and 1 order; slips, 62 paid; first gallery, 404 paid and 8 orders; second gallery, 198 paid

Performances

Mainpiece Title: The Beggar's Opera

838
09 April 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #170 13s. 6d. Probable attendance: boxes, 211 paid and 9 orders; stage, 59 paid; pit, 280 paid and 5 orders; slips, 23 paid; first gallery, 396 paid and 1 order; second gallery, 197 paid

Performances

Mainpiece Title: The Beggar's Opera

839
13 April 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #184 13s. 6d. Probable attendance: boxes, 222 paid and 5 orders; stage, 111 paid; pit, 278 paid and 5 orders; slips, 65 paid; first gallery, 430 paid and 4 orders; second gallery, 197 paid

Performances

Mainpiece Title: The Beggar's Opera

840
25 April 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #165 14s. 6d. Probable attendance: boxes, 208 paid and 3 orders; stage, 69 paid; pit, 281 paid; slips, 60 paid and 8 orders; first gallery, 389 paid and 8 orders; second gallery, 191 paid

Performances

Mainpiece Title: The Beggar's Opera

841
25 June 1728 @ Lincoln's Inn Fields

Event Comment: Not Acted these Ten Years. Receipts: #10 11s. Probable attendance: boxes, 13 paid and 6 orders; stage, 1 paid; pit, 28 paid and 30 orders; slips, 2 paid; first gallery, 30 paid and 18 orders; second gallery, 20 paid

Performances

Mainpiece Title: The Successful Strangers

Song: End II: In the Pleasant Month of May-Miss Warren; In IV: Salway; V: Miss Warren

Dance: III: Scottish Dance-Smith, Mrs Ogden; V: Miss LaTour

842
13 September 1728 @ Lincoln's Inn Fields

Event Comment: The Sixty-Third Night. Receipts: #86 7s. Probable attendance: boxes, 44 paid and 18 orders; stage, 4 paid; pit, 267 paid and 1 order; slips, 24 paid; first gallery, 199 paid and 4 orders; second gallery, 170 paid

Performances

Mainpiece Title: The Beggar's Opera

843
18 September 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #23 11s. Probable attendance: boxes, 16 paid and 6 orders; stage, 2 paid; pit, 71 paid and 11 orders; slips, 7 paid; first gallery, 91 paid and 9 orders; second gallery, 53 paid

Performances

Mainpiece Title: The Stratagem

Dance:

844
01 October 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #37 19s. 6d. Probable attendance: boxes, 40 paid and 10 orders; pit, 95 paid and 25 orders; slips, 9 paid; first gallery, 124 paid and 8 orders; second gallery, 89 paid

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: Moreau, Mrs Moreau , their first since their arrival from Paris

845
12 November 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #21 7s. 6d. Probable attendance: boxes, 22 paid and 16 orders; pit, 44 paid and 30 orders; first gallery, 55 paid and 16 orders; second gallery, 60 paid

Performances

Mainpiece Title: Thomyris, Queen Of Scythia

846
09 December 1728 @ Lincoln's Inn Fields

Event Comment: Receipts: #22 16s. 6d. Probable attendance: boxes, 21 paid and 14 orders; pit, 71 paid and 13 orders; slips, 11 paid and 5 orders; first gallery, 61 paid; second gallery, 69 paid

Performances

Mainpiece Title: The Virgin Queen

847
07 February 1729 @ Lincoln's Inn Fields

Event Comment: Written by Mr Otway. Receipts: #21 10s. Probable attendance: boxes, 25 paid and 9 orders; pit, 43 paid and 18 orders; slips, 4 paid; first gallery, 96 paid and 4 orders; second gallery, 62 paid

Performances

Mainpiece Title: Venice Preserv'd

Music: Kontzen, a Youth of 7 Years of Age, lately arriv'd from Germany, being the first Time of his Appearance on the Stage

848
10 February 1750 @ Drury Lane Theatre

Event Comment: By Desire. Paid salary list #305; Rec'd Cash #142 12s. plus #24 4s.; in tickets. Total #166 16s. Paid for the making a Robe for Mrs Clive by Garrick's order #1 2s. 6d.; Paid Mr Oram (Scene painter) on acct #6 6s. by order of Lacy; for a Great coat for Sir Francis Wronghead by order of Lacy 14s. (Treasurer's Book). Receipts: #180 (Cross); #156 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

849
06 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

850
10 October 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: My wife and I to the Theatre...where the King came to-day, and there was The Traytor most admirably acted; and a most excellent play it is

Performances

Mainpiece Title: The Traytor