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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Monsieur de Racine"/1) | (@(roleclean,performerclean) "Monsieur de Racine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1788 results for: Keyword - Monsieur de Racine

We found 1040 matches on Performance Title, 532 matches on Performance Comments, 216 matches on Event Comments, 169 matches on Author, and 0 matches on Roles/Actors.

751
16 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I La Rosiere de Salency, as17820319End of Opera Adela of Pontbieu, as17820411

752
25 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Medea and Jason, as17820411

753
27 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Opera Adela of Pontbieu, as17820411

754
29 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece the Minuet de la Cour by Zuchelli and Miss M. Stageldoir; End of Act I of afterpiece New Dance, as17820121

755
30 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I Adela of Pontbieu, as17820411, before which, the daughter of Mme Simonet, only 7 years old, will (for her 1st appearance this season) dance the Minuet de la Ville with her Father, and a Gavot Seule to the favourite tune of the Pas Seul danced by Mlle Theodore in Rinaldo and Armida; End of Opera Rinaldo and Armida, as17820223

756
15 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Robinson Crusoe

Dance: End of Act III of mainpiece the Minuet de la Cour, as17820104; End of mainpiece a Hornpipe, as17811015

Song: As17811105

757
27 May 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

758
29 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17820223; In afterpiece the Minuet de la Cour by Zuchelli and Miss Collett

Song: In Act I of mainpiece a song by Williames

759
15 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Twelfth Night

Afterpiece Title: The Tobacco Box

Afterpiece Title: The Maid of the Oaks

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

760
17 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

761
30 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

762
10 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Apelles and Campaspe, as17821102; End of Act II New Divertisement, as17821130, and added: a second Pas de Deux by Master Laborie and Miss Simonet (their 1st appearance)

763
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

764
19 December 1782 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

765
11 January 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

766
25 January 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821130, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830111, but omitted: Mlle Theodore, Pas de Basque

767
28 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Convito

Dance: End of Act I New Divertisement, as17830125; End of Act II Le Tuteur Trompe, as17830111, but omitted: Pas de Basque

768
18 February 1783 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

769
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

770
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

771
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

772
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

773
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

774
05 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

775
20 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Friendship leads to Love, as17831206, but omitted: Lepicq, Slingsby, Mme Simonet, and with a Pas de Deux by Lepicq and Mme Rossi; End of Opera Le Coca du Village, as17840302athi