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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Monsieur Moliere"/1) | (@(roleclean,performerclean) "Monsieur Moliere")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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639 results for: Keyword - Monsieur Moliere
We found 309 matches on Author, 222 matches on Event Comments, 112 matches on Performance Comments, 50 matches on Performance Title, and 0 matches on Roles/Actors.

626
10 January 1767 @ Covent Garden

Event Comment: By Arthur Murphy from 3 Moliere Plays (Genest, V, 131). Receipts: #195 9s. 6d. (Account Book)

Performances

Mainpiece Title: The School For Guardians

Dance: End: The Village Romps, as17661008

627
17 November 1768 @ Drury Lane Theatre

Event Comment: Comedy from Moliere and Cibber. Hopkins Diary: This comedy [Hypocrite] is the Non Juror altered, and two new characters introduced,--went off very well,--some few hisses,--but the play will do.--The alterations are by Mr Bickerstaffe. [Full account of the mainpiece, but without critical observation, appeared in the Lloyd's Evening Post, Nov. 18-21.

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Lyar

628
28 March 1769 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington. Afterpiece: A Farce in 2 Acts, never acted, taken from George Dandin by Moliere. Part of Pit will be laid into the Boxes

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Womans

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

629
25 January 1772 @ Covent Garden

Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: An Hour Before Marriage

630
05 April 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies Or The Levee Of Lovers

Afterpiece Title: No Wit Like A Womans

631
18 April 1781 @ Covent Garden

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

632
04 April 1782 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Afterpiece: Taken from Moliere and Betterton. Receipts: #186 19s. 6d. (146/9/6; tickets: 40/10/0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

Dance: As17820402

633
06 October 1784 @ Covent Garden

Event Comment: "Being possessed of an excellent understanding, and under the general impression of elegant manners, there appears to be no study [in Mrs Abington], no imitation--all is the result of the moment--natural, well-bred, and easy" (Public Advertiser, 25 Nov. 1784). Mainpiece: Altered from Cibber's Non-Jour, and the Tartuffe of Moliere. Not acted these 12 years [acted 12 Oct. 1773]

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

634
29 October 1785 @ Covent Garden

Event Comment: Mainpiece: Altered from Cibber's Non-Juror, and the Tartuffe of Moliere. Receipts: #141 18s. 6d. (138/16/0; 3/2/6)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Appearance is against Them

635
05 November 1789 @ Covent Garden

Event Comment: Mainpiece: Taken from the Tartuffe of Moliere. Receipts: #172 19s. 6d. (162.2.0; 10.17.6)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Love in a Camp

636
31 August 1792 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; C 3, author unknown. Not in Larpent MS; not published]: Taken from Amphitryon, as altered by Garrick from Plautus and Moliere [recte from John Hawkesworth's alteration of Amphitryon, by John Dryden]

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Two Socias

637
10 December 1793 @ Haymarket Theatre

Event Comment: 2nd piece: By Fielding, from Moliere

Performances

Mainpiece Title: The Prodigal

Afterpiece Title: THE MOCK DOCTOR or The Dumb Lady Cured

Afterpiece Title: THE CHILDREN IN THE WOOD

638
11 August 1795 @ Haymarket Theatre

Event Comment: 2nd piece: By Fielding from Moliere. Not acted these 2 years

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: The Mock Doctor or The Dumb Lady Cured

Afterpiece Title: The Village Lawyer

639
29 April 1797 @ Covent Garden

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey