SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons de Voltaire"/1) | (@(roleclean,performerclean) "Mons de Voltaire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1027 matches on Performance Title, 481 matches on Performance Comments, 271 matches on Author, 229 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Afterpiece Title: The Ridotto Al' Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Dance: French Peasant by Lalauze and Mlle D'Hervigni

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The School Boy

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421025; Dutch Skipper, as17421025

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio (alias Don Dismallo Thickskullo de Halfwitto)-Chapman; Carlos-Gibson; Duart-Ryan; Sancho-Woodward; Don Cholerick Snapshorto de Testy-Hippisley; Antonio-Arthur; Charino-James; Monsieur-Bencraft; Governor-Rosco; Manuel-Ridout; Louisa-Mrs Horton; Elvira-Mrs Vincent; Angelina-Mrs Hale.
Cast
Role: Monsieur Actor: Bencraft

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio (alias Don Thickscullo de Halfwitto)-Cibber; Carlos-Giffard; Duart-Ryan; Don Choleric Snap Shorto de Testy-Morris; Antonio-Dunstall; Charino-James; Monsieur-Bencraft; Sancho-Collins; Governor-Rosco; Manuel-Bridges; Jaques-Anderson; Louisa-Mrs Horton; Elvira-Mrs Hale; Angelina-Miss Copen; Honoria-Mrs Bland.
Cast
Role: Monsieur Actor: Bencraft

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Monsieur Actor: Holtom

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Twist; III: The Venetian Gardeners, as17650925; End: The Village Romps, as17651019

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: New Comic Dance, as17681210

Performances

Mainpiece Title: The Shepherdess Of The Alps

Afterpiece Title: The Upholsterer

Dance: As17791022

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Related Works
Related Work: The Deserter Author(s): Pierre Monsigny

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: La Fete du Seigneur. Le Seigneur-Vestris Sen.; Colin-Vestris Jun.; Tomas, pere de Colin-Casali; Paysiens-Victor, Vermilly; La Dame-Mlle Dorival; Colette-Mlle Hilligsberg; Cateau, mere de Colette-Mlle DeLaCroix; Paysiennes-Mlle Mozon, Mlle St.Amand

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun