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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mons de Voltaire"/1) | (@(roleclean,performerclean) "Mons de Voltaire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1836 results for: Keyword - Mons de Voltaire
We found 1027 matches on Performance Title, 481 matches on Performance Comments, 272 matches on Author, 229 matches on Event Comments, and 0 matches on Roles/Actors.

26
09 February 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

27
16 February 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990212

28
23 February 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

29
02 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

30
09 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17981211

31
16 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

32
02 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

33
23 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

34
30 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

35
02 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

36
23 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

37
30 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

38
18 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000304

39
25 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

40
05 April 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

41
22 August 1788 @ Haymarket Theatre

Event Comment: Benefit for Bannister. 3rd piece [1st time; F 1, by Horatio Edgar Robson, based on La Bonne Mere, by Jean Pierre Claris de Florian]: Now reading with universal Applause by Mons. LeTexier. Public Advertiser, 9 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street. Ibid., 8 Oct. 1788: This Day is published Look before You Leap (1s.)

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

42
09 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

43
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

44
30 August 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

45
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Citizen

46
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Cast
Role: Waiter Actor: Simmons

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.
Cast
Role: Principal Characters Actor: Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb
Role: Gariga Actor: Simmons

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

47
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

48
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

49
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (the Soldier)-A Young Lady (1st appearance [unidentified]); Dermot-Thome; Captain Fitzroy-Kerridge; Monsieur Bagatelle-Benson; Father Luke (the Irish Priest)-Wellman; Darby-Waldron; Kathleen-Mrs Benson; Norah-Miss Cranford .
Cast
Role: Monsieur Bagatelle Actor: Benson

Afterpiece Title: Harlequin Skeleton

50
24 April 1787 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr