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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing and singing"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing and singing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8367 results for: Keyword - Moll Davis</i>] (whom I never saw act before) dancing and singing
We found 5182 matches on Event Comments, 2242 matches on Performance Title, 1938 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1526
30 April 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Cast
Role: Sandrina Actor: Sga Allegranti.

Dance: End of Act I Adela of Pontbieu, as17820411, before which, the daughter of Mme Simonet, only 7 years old, will (for her 1st appearance this season) dance the Minuet de la Ville with her Father, and a Gavot Seule to the favourite tune of the Pas Seul danced by Mlle Theodore in Rinaldo and Armida; End of Opera Rinaldo and Armida, as17820223

1527
01 August 1707 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; with several diverting Dialogues and Comical Dancing-delaHay, Newhouse; Sword Dancing-the Original Mistress in that Art

1528
22 December 1731 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince and Duke present.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Beggars Wedding

Dance: new Grand Ballad D'Amour by Monsieur Denoyer Dancing-Master to his Royal Highness the Prince of Wales-Denoyer, Mrs Booth, others, being the first Time of his Dancing since his Arrival in England

1529
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performance Comment: J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers .
Cast
Role: , and Cupid Actor: Miss De Camp. The Music of both dances by Barthelemon

1530
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .
Cast
Role: , and for some years Ballet Actor: Master at the King's Theatre
Role: , and Cupid Actor: Miss De Camp. The Music of both dances by Barthelemon

1531
05 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. [The King present.

Performances

Mainpiece Title: Dianas Madness Or Fatime A Favourite Slave In The Seraglio Mad For Love And Crownd Empress By The Grand Signior With Pantlon And Harlequin Eunuchs Elected Kaimcan And Ciguir The One Impaled And The Other Sawed Asunder The Bashas Selim And Achmet Ript Open Rabca Strangled And Chistar Beheaded

Entertainment: Carneval-after the Venetian Manner; Dancing-Masqueraders in divers Characters, Madmen, Turks Men and Women being the Invention of Mr Poictiers

1532
15 March 1737 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Dance: I: Comic Dance-Nivelon, Mrs LeBrun; II: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Miss LeBrun; In III: Hornpipe-Ferguson; End Afterpiece: Glover's Dance of Sailors-

Song: V: As I saw Fair Clara-Beard, Salway

1533
17 March 1737 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Cheats of Scapin

Song: In II: The Song written by Sir Richard Steele, and designed by him originally for this Play, will be new set to Musick by Mr Howard Mr Beard; III: A Chancon a Boire, beginning Crowns of Sweet Roses-Leveridge, Laguerre; V: As I saw Fair Clara-Beard, Salway

Dance: IV: Glover's Dance of Sailors-; End Afterpiece: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun

1534
28 March 1737 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Country House

Dance: II: Two Pierrots-Nivelon, Lalauze; IV: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Song: III: As I saw Fair Clara-Beard, Salway

1535
31 March 1737 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Cheats of Scapin

Dance: II: Peasant-Lalauze, as17370128; V: Grecian Sailors-Glover

Song: IV: As I saw Fair Clara-Beard, Salway

1536
26 March 1701 @ York Buildings

Event Comment: Benefit Mr Dean and Mr Manshipp. To begin exactly at 8 a Clock, by reason the Performance will be somewhat longer than usual in that Place

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, with new Pieces of Musick-; and particular Performances of Instrumental Musick-Mr Dean; And likewise an Extraordinary Italian Song-a Boy, lately arriv'd from Italy, being the first time of his Singing in Publick in England

1537
02 May 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: [By]Mr Isaacs Scholar; Singing-Mr Abel; with other Musick-

1538
01 June 1702 @ Hampstead Wells

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; with particular Entertainments on the Violin-Mr Dean; Singing-Mr Hughs

1539
02 July 1702 @ York Buildings

Event Comment: At the Request of several Persons of Quality. To begin betwixt 8 and 9

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music- Compos'd by Mr Weldon Master of the Songs; Singing-Mrs Hudson, Mrs Lindsey, Mrs Campion; Instrumental Musick-the best Masters

1540
11 February 1703 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality, for one day. The Boxes to be kept entire for the Ladies, as at a Play. Admission into Pit or Boxes by Printed Tickets only, not exceeding 400 in number, with 100 for the Front Boxes at 6s. and 300 for the Pit and Side Boxes at 4s

Performances

Mainpiece Title: Concert

Afterpiece Title: Mariage a la Mode

Music: The best Masters; several Songs in Italian and English-Mr Pate (having recover'd his Voice); Singing-Leveridge, Hughes; accompanied-Bannister; several of Corelli's Sonatas-Gasperini; accompanied-Dupar

Dance: As17030123

1541
29 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preservd

Dance: As17031102

Song: (at the Desire of several Persons of Quality) Singing in Italian- the FamousSigniora Francisca Margarita del'Epine the Musick that accompanies her composed by Signior Giacomo Greber, being the first time of her performing at this Theatre

1542
12 February 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Unhappy Favourite

Song: Three new Entertainments of Singing in Italian-Signiora Francisca Margaretta del'Epine, the Musick that accompanies her compos'd by Signior Giacomo Greber

Dance: As17040204

1543
20 March 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jovial Crew

Song: Beggar's Songs-; singing-Leveridge

Dance: Dances proper to the Occasion-; dancing-duRuel, Mrs Mayers

1544
29 April 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee

Dance: As17040422

Song: Several Entertainments of Singing in Italian-the Famous Signiora Francisca Margarita del'Epine; of the best Songs she hath Sung in England: The Accompanied with Musick- compos'd by Signior Giacomo Greber-

1545
16 December 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Music: As17041127

Dance: As17041023

Song: A New Dialogue-Leveridge, Mrs Cross, Famous for Singing and Acting in the last Reign, she having lately entered into Articles with Mr Rich [Diverting Post, 16 Dec.]

1546
26 June 1705 @ Drury Lane Theatre

Event Comment: Benefit Fairbank and Bickerstaff

Performances

Mainpiece Title: The Northern Lass

Song: In: the Songs new set by Mr Clark-Mrs Cross who both sings and dances several times; Singing in Italian-Mrs Tofts; Leveridge, Hughes, Mrs Lindsey, the new Boy; including comical dialogues, two/part songs-

Dance: Cherrier, Mrs Moss, others; in the play: Mrs Cross

1547
16 August 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Comical History Of Don Quixote

Song: As17060706 very comic singing-Mrs Willis

Dance: As17060810; Godwin

1548
05 March 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; with singing in Italian and English for two voices-

1549
23 May 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; including variety of sonatas-Bannister, Paisible, Lully, Dupar; singing-Leveridge, Mrs Lindsey; a sonata on the Flute D'Almain-Pietro; Corelli's Sixth Double Note Solo-Viner

1550
26 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Song: Hold John E're You Leave Me-Dogget, Leveridge; Several Celebrated Songs taken out of the Operas,-Mr Ramondon , it being the first time of his Singing Italian on the Stage