SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dunstall and Usher. Mainpiece: Acted but once these 10 years. [See 13 April 1748, and 4 Feb. 1746.

Performances

Mainpiece Title: Fair Quaker Of Deal; Or,the Humours Of The Navy

Performance Comment: Worthy-Ryan; Rovewell-Gibson; Sir Charles-Ridout; Easy-Richard; Cribbage-Anderson; Purser-Redman; Jilt@up-Mrs Bambridge; Advocate-Miss Ferguson; Bar Maid-Miss Morrison; Commodore Flip-Dunstall; Boatswain-Marten; Jack Rattling-Collins; Tom Bowling-Bencraft; Spritsail-Bennet; Coxen-Paddick; Swabber-Holtham; Mizen-Dyer; Arabella-Mrs Dunstall; Belinda-Miss Haughton; Jenny Private-Miss Pitt; Fair Quaker-Mrs Barrington; In II Singing the Famous Sea Song of Ninety@Two-; In Act III, Hornpipe-Phillips.

Afterpiece Title: The Contrivances

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon, 1st appearance on the English Stage these 5 years; Beggar-Castle; Lockit-Bransby; Player-Mozeen; Lucy-Mrs Clive; Mrs Peachum-Mrs Parsons, 1st appearance; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Peachum-Moody; Mat@o@Mint-Blakes; Filch-Parsons, 1st time; In Act III,Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: [Farce is two acts from the opera of the same name. Books of the opera to be had at the Theatre. See 28 Nov. 1764.

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Miss Slack, Miss Young, Mrs Clive, Miss Wright; Act I, of the Entertainment, a Dance call'd the Faggot Binders-Aldridge, Miss Baker.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: Act I: A Comic Dance, The Wake, as17680929

Event Comment: Benefit for Miss Pope. Part of Pit laid into Boxes. Mainpiece: Not acted in 10 years. [But see 24 April 1760.

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Performance Comment: Capt. Clerimont-Reddish; Humphrey Gubbin-Dodd; Sir Harry-King; Tipkin-Parsons; Clerimont, Sen-Packer; Pounce-Baddeley; Mrs Clerimont-Miss Younge; Mrs Tipkin-Mrs Love; Fainlove-Mrs Jeffries; Jenny-Miss Platt; Biddy Tipkin-Miss Pope; In Act IV: a Song-Master Brown.

Afterpiece Title: A Trip to Scotland

Dance: IV: The Rabbit Sellers, as17691228

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Gibson; Hearty-Reinhold, first time; Springlove-Hull; Clack-Shuter; Randal-Dunstall; Oliver-Dyer; Hilliard-DuBellamy; Vincent-Mattocks; Patrico-Morris; Amie-Miss Valois, first time; Meriel-Mrs Baker; Rachel-Mrs Pinto; In Act II: The Original Crutch Dance-.

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Bannister; Vincent-Davies; Beggars-Wright, Waldron, Kear, Booth, Messink, Mrs Bradshaw, Mrs Love; Meriel-Miss Rogers; Rachel-Miss Radley; In Act I, a Crutch Dance-.

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: Afterpiece: Not acted these 2 years. [See 27 April 1770.] Paid Younger #2 2s. for license for Fairy Prince. Paid for 2 fifes 4s. Advanc'd Mr Bulkley as per Note #130 (Account Book). Receipts: #198 13s. (Account Book)

Performances

Mainpiece Title: Timanthes

Performance Comment: Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Morris; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; In Act III: a Procession-; the vocal parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox.

Afterpiece Title: The Apprentice

Monologue: Entertainment True Blue. As 9 Nov

Event Comment: Mainpiece: Not acted these 3 years. [See 7 Oct. 1768.] Mr Clinch made his first appearance in the part of Alexander tolerable figure & Voice a Little too much upon the Brogue, he is very wild & Aukward-but was receiv'd with Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Dr Arne as per order #31 8s.; Mr Stacie for drawing leases, #3 3s. Tallow chandler's first bill #29 13s. 3d.; Mr Jefferson on note, #200 (Treasurer's Book). [Reviewer for Town and Country Magazine more favorable to Clinck's performance than is Hopkins.] Receipts: #149 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-A Young Gentleman [Clinch] first appearance in this character; Hephestion-Packer; Lysimachus-Hurst; Polperchon-Bransby; Thessalus-J. Aickin; Slave-Griffiths; Aristander-Wright; Perdiccas-Ackman; Eumenes-Keen; Clytus-Aickin[, first time; Cassander-Palmer; Statira-Miss Mansell; Roxana-Miss Young[, first time; Sysgambis-Mrs Johnston; Parisatis-Miss Ambrose; [In Act II, The Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Mayor of Garratt

Event Comment: The Rose is a New Musical performance of Two Acts by Dr Arne a very dull insipid piece. Mr G. protested against its being perform'd its being perform'd it was hiss'd from the beginning & wd not Suffer it to be given out again, therefore Mr King went on & told them it Should not be perform'd again until it be alter'd (Hopkins Diary). [Macmillan's note from Kemble differs slightly. See critical damnation of The Rose in British Theatre Article in The London Magazine, Dec. 1772.] Book of the Entertainment to be had at the Theatre (playbill). Paid Mr Petit for men's cloaths, #8 8s. CTreasurer's Book). [Reviewer for Town and Country Magazine (Theatre, No. XLI) disappointed with the Rose: "We are told that this precious piece of stuff is the production of an Oxford student; it may be so, of this every auditor is certain, that the collegian who penned it was so entirely lost in the pursuit of some abstruse study, that he has totally forgot grammar, common sense, and even his mother tongue...it was unanimously damn'd."] Receipts: #172 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Rose

Performance Comment: Parts by Vernon, Bannister, Dodd, Dibdin, Kear, Fawcett, Wright, Ackman, Miss Weller, Mrs Davies, Mrs Love, Miss Platt, Miss Hopkins, Miss Collett, Mrs Smith. With a Dance in Act I, incidental to the piece-Atkins, Sga Giorgi; Lord Gainlove-Vernon; Jack Rattle-Dodd; Sir Humphrey Carbuncle-Bannister; Buckskin-Dibdin; Town Crier-Kear; Mr Violet-Wright; Letland-Ackman; Servant(?)-Fawcett; Billy Viodet-Miss Collett; Millclack-Miss Weller; Miss Clara Violet-Mrs Davies; Mrs Violet-Mrs Love; Lady Willmore-Miss Platt; Kitty Willmore-Miss Hopkins; Miss Serina Violet-Mrs Smith (Genest, V, 342, MacMillan, and Edition of 1773.).
Event Comment: Benefit for Mrs Abington. Mainpiece: Not acted these 3 years. [See 12 April 1771.] Afterpiece: Taken from Sir John Vanbrugh. Boxes and Pit are laid together. Paid Mr Loutherbourg on acct (per Mr Johnston) #41 13s. 4d.; The Author of the Fair Quaker (vide 23 Nov. last) #78 8s. (Treasurer's Book). Receipts: #276 15s. 6d. Charges: #65. Profit to Mrs Abingston: #211 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Witwou'd-King; Fainall-Reddish; Mirabell-Jefferson; Petulanx-Baddeley; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Fainall-Mrs Jefferson; Foible-Mr Davies; Millamant-Mrs Abington; Marwood-Miss Younge, first time; Sir Wilful Witwou'd-Yates, first appearance this stage in 7 years; In Act III, a Cantata-Mrs Scott.

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Event Comment: Benefit for Moody. Afterpiece: Not acted these 12 years. [See 16 May 1763.] Receipts: #236 6s. 6d. Charges: #66 4s. 6d. Profits to Moody: #170 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Teague (With Songs)-Moody; Col. Careless-Jefferson; Col. Blunt-J. Aickin; Abel-Burton; Committeemen-Waldron; Bailiff-Griffiths; Bookseller-Carpenter; Day's Servant-Everard; Jack-Master Blanchard; Mrs Day-Mrs Bradshaw; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Arabella-Miss Jarratt; Ruth-Miss Pope; Porter-Wrighten; Coachman-Keen; In Act IV, Rhetorical Description of a Man of War and Sea Fight-Moody.

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: Mainpiece: Not acted these 4 years. [See 22 April 1772.

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Lewis; Granger-Mahon; Witling-Lee Lewes; Cook-Dunstall; Lady Wrangle-Mrs Green, first time; Sophronia-Mrs Lessingham; Maid-Miss Ambrose; Charlotte-Miss Macklin; in Act IV, a Minuet-Dagueville, Miss Macklin.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Berrisford, Carlton, Jun, Kaygill, and Edleston. Tickets deliver'd by Burroughs will be taken. Mainpiece: Not acted these 3 years. [See 10 Oct. 1772.] Receipts: #29 9s. Charges: #84. Deficit to Berrisford, Carlton, Jun, Kaygill, and Edleston: #54 11s. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Brereton; Mercutio-Dodd; Juliet-Miss Hopkins, first time; Tybalt-Farren; Prince-Norris; Paris-Lamash; Apothecary-Waldron; Balthazar-Everard; Friar Lawrence-Packer; Benvolio-Davies; Capulet-Hurst; Peter-Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; With the Funeral Procession-; the vocal parts-Legg, Kear, Fawcett, Cubitt, Garland, Mrs Scott, Miss Sharpe, Miss Jarratt, Mrs Love; in Act I a Masquerade, Dance-.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Gherardi, Sampieri, Micheli, Sga Lorenzini, Sga Sestini. [Cast from libretto (E. Cox, 1781): Nardone-Trebbi; Don Fabrizio-Gherardi; Il Cavaliere Giocondo-Sampieri (in libretto, Manzoletto [see17810501]); Pagnotta-Micheli; Donna Stella-Sga Lorenzini; Lisetta-Sga Prudom (in libretto, unassigned [see17810512]); Violante-Sga Sestini.

Dance: End I: The Fortunate Escape, as17801216; End II: Grand Serious Ballet, as17810315Pas@Solo, as17810315Pas de Deux, as17810315Grand Chaconne, as17810315End Opera: Les Amans Surpris, as17801216

Song: Act II: the favourite song in Il Barone di Torre Forte-Sga Sestini

Event Comment: bTo finish with: Medee et Jason. As 26 June. Only one act of the said Opera can be performed between the two Grand Ballets, owing to their being very long. By Particular desire of several of the Nobility; being positively the last Time of performing this Season [see 30 June]

Performances

Mainpiece Title: Euriso

Performance Comment: As17810623, but only one act performed%.

Monologue: To begin with: Ninette a la Cour. As 27 Mar. Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-; The Devonshire Minuet-Mme Simonet, Vestris Sen

Performance Comment: As 27 Mar. Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-; The Devonshire Minuet-Mme Simonet, Vestris Sen.
Cast
Role: Dancing@Master Actor: Simonet
Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

Performance Comment: monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates .
Event Comment: By Permission of the Lord Chamberlain. [In 1st piece the cast is not listed; for Decastro's performance in it see his Memoirs, 1824, p. 38.] 3rd piece [1st time; INT 1, author unknown. MS: Larpent 690; not published]: A Commutation Act

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Performance Comment: The Miser-Wilson (1st appearance in that character); Clerimont-L'Estrange; Frederick-A Young Gentleman (1st appearance on any stage [unidentified]); James-Follett; Taylor-Decastro; Ramilee-Benson; Mariana-Mrs Bolton; Harriet-A Young Lady (1st appearance [unidentified]); Wheedle-Mrs Benson; Lappet (1st time)-Mrs Lloyd .

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Performance Comment: In which Meadows (from the Theatre Royal [Crow Street], Dublin) will make his 1st appearance in this Kingdom [he probably acted Lubin (see CG, 24 May 1786)]; Solomon-Decastro; the Quaker-Dighton (1st appearance in that character); Floretta-Mrs Benson; Gillian-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

Performance Comment: imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off .
Event Comment: [Mainpiece in place of THE DUENNA; afterpiece of THE IRISH MAN IN LONDON, both advertised on playbill of 13 Dec. In mainpiece "Mrs Follett was the Lucinda of the third act, in the room of Mrs Mountain, who was suddenly taken ill towards the close of the second" (Public Advertiser, 16 Dec.).) Receipts: #230 6s. (225/9/6; 4/16/6)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17931121, but Hawthorn (1st time)-Townsend//Lucinda (for 3rd act only)-Mrs Follett .

Afterpiece Title: THE PRISONER AT LARGE

Dance: As17931102

Event Comment: [In mainpiece the playbill retains Aickin and Miss DeCamp, but "This was a singularly disastrous evening. Mrs Gibbs read Miss DeCamp's character...Aickin was taken suddenly ill after the first act, and the remainder of his part was read by Davenport." In afterpiece "Palmer, having gone through a scene of the Guardian, made an apology to the audience, and read the remainder of Heartly" (Monthly Mirror, Sept. 1797, p. 182). Miss Stuart was from dl.

Performances

Mainpiece Title: The Italian Monk

Performance Comment: As17970823, but Aickin's part (after Act I) read by Ansaldo-Davenport; Miss DeCamp's part read by Ellen de Rosalba-Mrs Gibbs.

Afterpiece Title: The Guardian

Song: As17970816

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End 1st piece: Le Triomphe de Themis, as17980322End 2nd piece: La Vengeance de l'Amour, as17980322 Pas de Quatre of Panurge-_, and names of performers%

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Event Comment: Never Acted there before. Written by the Famous Ben. Johnson

Performances

Mainpiece Title: The Alchymist