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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8059 results for: Keyword - Moll Davis</i>] (whom I never saw act before) dancing <span class=
We found 5146 matches on Event Comments, 2008 matches on Performance Title, 1835 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5551
28 January 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Public Advertiser, 30 Jan. In 1796 this was acted at CG altered by the author in 4 acts]: With new Dresses, &c. Public Advertiser, 10 Feb. 1783: This Day at Noon will be published The Mysterious Husband (18d.). [Afterpiece in place of Barnaby Brittle, announced on playbill of 27 Jan.] Receipts: #275 9s. (269/14/6; 5/14/6)

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Aickin, Fearon, Yates; Miss Satchell, Miss Platt, Miss Younge. [Cast from text (C. Dilly, 1783), and Larpent MS 615: Lord Davenant-Henderson; Charles Davenant-Lewis; Captain Dormer-Wroughton; Sir Harry Harlow-Aickin; Paget-Fearon; Sir Edmund Travers-Yates; Servant-Helme; Marianne-Miss Satchell; Waiting Woman-Miss Platt; Lady Davenant-Miss Younge.] Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 11 performances only (see17830510).] hathi.

Afterpiece Title: Cross Purposes

Dance: As17820927

5552
18 March 1783 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons [who had 1st acted Zara at Liverpool, 21 Oct. 1776]. Mainpiece: Not acted these 2 years. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Receipts: #329 16s. 6d. (154/17/0; 3/4/6; 0/0/0; tickets: 171/15/0) (charge: #108 17s. 4d.)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; Gonzalez-Packer; Garcia-Farren; Heli-R. Palmer; Selim-Fawcett; Alonzo-Wrighten; Perez-Norris; The King-Aickin; Almcria (1st time)-Miss Kemble; Leonora-Miss Tidswell; Zara-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: All the World's a Stage

5553
24 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Farren. Public Advertiser, 19 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's Inn Fields. Mainpiece: Not acted these 15 years [acted 24 Apr. 1777]. Receipts: #258 6s. (56/16/0; 14/12/6; 0/0/6; tickets: 186/17/0) (charge: #65 3s.)

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Farren (1st appearance in that character); Carlos-Barrymore; Alvarez-Packer; Manuel-Norris; Alonzo-Brereton (1st appearance in that character); Isabella-Miss Tidswell; Leonora-Mrs Bulkley (1st appearance in that character) .

Afterpiece Title: Bon Ton

5554
28 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 12 years [acted 6 Apr. 1772. In mainpiece the playbill assigns Fainlove to Miss Collett, but on the Kemble playbill her name is deleted; the substitute name has been cut by the binder. In afterpiece Miss Collett is retained as Patie, but her name is again deleted, and a MS annotation substitutes Miss M. Stageldoir's]. Receipts: #220 7s.(67/10; 26/1; 0/2; tickets: 126/14) (charge: #107 9s. 5d.)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Gentle Shepherd

Dance: As17821214

5555
05 June 1783 @ Drury Lane Theatre

Event Comment: The last Time of the Company's performing this Season. [Mainpiece acted for the 22nd time this season. The playbill states, "for the 23rd Time"; on the Kemble playbill this has been corrected in MS to 22nd. Genest, VI, 262, says that this play was also acted on both 3 and 4 June. But on those nights the theatre was dark.] Receipts: #270 11s. (260/7; 10/4; after-money not listed). Account-Book, 5 June: Paid Mrs Siddons a Present from the Proprietors #100; 6 June: Paid 100 Renters #20 4s. apiece; 23 June: Received of Their Majesties #156

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Apprentice

5556
06 June 1783 @ Haymarket Theatre

Event Comment: [Playbill of 5 June says mainpiece "Not acted here these 7 years." It was acted 17 Aug. 1780.]

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Performance Comment: Characters by Palmer, Gardner; Mrs Wells, Mrs Cuyler. [Cast adjusted from playbill of 12 Aug. 1786: Current-Palmer; Padlock-Gardner; Finette-Mrs Wells; Almadine-Mrs Cuyler.] hathi. hathi.

Afterpiece Title: Medea and Jason

5557
27 June 1783 @ Haymarket Theatre

Event Comment: Afterpiece: Not acted these 2 years [not acted since 30 Aug. 1780]

Performances

Mainpiece Title: The Separate Maintenance

Cast
Role: Fraction Actor: Gardner

Afterpiece Title: Comus

Song: As17830613

5558
20 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bannister. Mainpiece: Not acted these 5 years [not acted since 18 July 1777]

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Genius of Nonsense

Monologue: 1783 08 20 As 13 Aug. imitations. After the Monologue a Variety of Imitations, Vocal and Rhetorical, by Bannister Jun

5559
01 October 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 6 years [acted 18 Sept. 1778. Miss Scrase (see 19 Sept.) had become Mrs James Bates on 23 Sept.]. Receipts: #195 13s. 6d. (193/3/6; 2/10/0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Performance Comment: Trappanti-Lewis (1st appearance in that character); Don Philip-Wroughton; Don Octavio-Whitfield; Soto-Wewitzer; Diego-Thompson; Don Lewis-Booth; Alguazile-Jones; Corrigidore-Stevens; Don Manuel (ist time)-Edwin; Flora-Mrs Chalmers; Viletta-Mrs Wilson; Rosara-Mrs Lewis; Hippolita-Mrs Bates (2nd appearance on this stage) .

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford

5560
20 October 1783 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 20 years [not acted since 17 Jan. 1750]. With new Dresses and Decorations. Receipts: #193 11s. (169/7/0; 23/14/0; 0/2/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

5561
31 December 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years [acted 3 Jan. 1782]. Receipts: #130 16s. (128/6; 2/10)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Friar Bacon

5562
23 January 1784 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years [not acted since 12 May 1781. Afterpiece in place of The Positive Man, announced on playbill of 22 Jan.]. Receipts: #301 12s. 6d. 295/17/6; 5/15/0)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Cross Purposes

5563
10 February 1784 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 7 years [not acted since 17 May 1774]. "Bensley, whose Sense and Sensibility are always apparent, though not perhaps always successful, fell far short of Henderson in Old Norval" (Public Advertiser, 13 Feb.). Receipts: #274 15s. (258/5/0; 15/8/6; 1/1/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Neck or Nothing

Dance: As17831213

5564
18 March 1784 @ King's Theatre

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .

5565
03 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .

5566
07 May 1784 @ Covent Garden

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

5567
17 May 1784 @ Covent Garden

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Performance Comment: Principal Characters by Bannister, Brett, Davies; Mrs Webb, Mrs Martyr. [Text (no pub., 1784) lists the parts: Bob Perdix, Neighbour, Suckbribe, Pergameny [no women's parts]] .

5568
26 May 1784 @ Covent Garden

Event Comment: Benefit for Booth, Guard & Stevens. 3rd piece: Not acted these 12 years [not acted since 25 Apr. 1770]. Receipts: #233 1s. (73/10; tickets: 159/11) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Edwin (1st appearance in that character); Sir ThomasTesty-Thompson; Dick-Stevens; Old Hob-Booth; Puzzlepate-Bates; John-Helme; Roger-Darley; Countryman-Painter; Friendly-Davies; Betty-Mrs Chalmers; Hob's Mother-Mrs Pitt; Flora-Mrs Martyr .

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)

5569
08 July 1784 @ Haymarket Theatre

Event Comment: Afterpiece: Not acted these 7 years [acted 21 Aug. 1779]

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Citizen

5570
24 September 1784 @ Covent Garden

Event Comment: Afterpiece: Not acted these 10 years [acted 10 Feb. 1776]

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Musical Lady

5571
30 October 1784 @ Covent Garden

Event Comment: Mainpiece: Not acted these 16 years [acted 27 Apr. 1773]

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Aerostation

5572
03 November 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 8 years [acted 23 Oct. 1778]. Receipts: #232 17s. 6d. (206/18/0; 25/9/6; 0/5/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Double Disguise

5573
30 November 1784 @ Covent Garden

Event Comment: Afterpiece: Written by Garrick. Not acted these 10 years [acted 21 Nov. 1775]

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Lying Valet

Dance: As17841022

5574
14 January 1785 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 5 years [not acted since 16 Mar. 1779]. Receipts: #217 5s. (196/3/0; 20/4/6; 0/17/6)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Author

5575
04 February 1785 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 31 Mar. 1783]

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope (1st appearance in that character); Acasto-Clarke; Polydore-Farren; Chaplain-Fearon; Ernesto-Thompson; Page-Master Farley; Chamont-Holman (1st appearance in that character); Serina-Mrs Inchbald; Florella-Mrs Poussin; Monimia-Miss Younge .

Afterpiece Title: The Magic Cavern