SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter, as17850111, but omitted: Lepicq, Mme Rossi, Nivelon, Mlle Dorival

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Performance Comment: The characters of which will be expressed in the Bills of the Day. [Larpent MS 926 lists the parts: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant; Miss Somerville, Miss Noel, Dorothy, Maid.] hathi.

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

Performances

Mainpiece Title: The Fair Refugee Or The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Le Jugement de Paris, as17850212; End of Opera The Deserter, as17850122

Performances

Mainpiece Title: Judas Maccabaeus

Music: Between the Acts an organ concerto (composed by Dr Arne) by [Michael] Arne

Performances

Mainpiece Title: Nitteti

Performance Comment: Principal Characters by Crescentini, Bartolini, Cremonini, Franchi; King's Sga Catenacci, Sga Ferrarese. [Cast from libretto J. Jarvis, 1785): Sammete-Crescenrini; Amenosi-Bartolini; Bubaste-Cremonini; Amasi-Franchi; Nitteti-Sga Catenacci; Beroe-Sga Ferrarese.] hathi. hathi.

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Divertissement, as17850224; End of Opera The Deserter, as17850226

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I New Divertissement, as17850303End of Opera; Convitato di Pietra, as17850312athi

Performances

Mainpiece Title: La Finta Principessa

Dance: End of Act I A La Plus Sage, as17850303End of Opera Il Convitato di Pietra, as17850312athi

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17841210, but Dick-Staunton; Corinna-Miss George (1st appearance in that character) .

Afterpiece Title: Rosina

Dance: As17850307athi

Song: Between the Acts, by Miss George

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Dignum (1st appearance in that character); Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss M. Stageldoir; Patty (with additional songs)-Miss Phillips .

Afterpiece Title: The Double Disguise

Dance: End of Act I of mainpiece Hornpipe by Mills; End of mainpiece The Sportsmen's Return, as17840916

Song: End of Act II of mainpiece The Lark, from The Spanish Rivals (composed by [Thomas] Linley [Sen.]) by Miss Phillips

Performances

Mainpiece Title: The Beaus Duel Or A Soldier For The Ladies

Afterpiece Title: The St

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barataria

Dance: As17850409

Song: In Act II of mainpiece I blush in the Dark, composed by Giordani, by Leoni

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: The Toy Shop

Performance Comment: Master of the Toyshop-Kemble; the other Characters by Suett, R. Palmer, Chaplin, Phillimore; Miss Tidswell, Miss Barnes, Mrs Wilson . the other Characters by Suett, R. Palmer, Chaplin, Phillimore; Miss Tidswell, Miss Barnes, Mrs Wilson .

Afterpiece Title: Bon Ton

Song: End of 1st piece Stand to your guns, my hearts of oak by Bannister

Monologue: 1785 04 25 End of Act IV of 1st piece, as 11 Apr

Performances

Mainpiece Title: La Finta Principessa

Dance: End of Act I New Divertissement, as17850303End of Opera The Deserter, as17850111

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi