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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7109 results for: Keyword - Moll Davis</i>] (whom I never saw act be<span class=
We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

726
15 June 1722 @ Lincoln's Inn Fields

Event Comment: Acted but once these Thirty Years. As 13 June. Receipts: #15 1s. 6d

Performances

Mainpiece Title: The History And Fall Of Domitian

727
01 November 1732 @ Soho Square

Event Comment: Acted in English, according to the New Translation

Performances

Mainpiece Title: The Miser

728
26 January 1737 @ Loriner's Hall

Event Comment: Acted in Loriners Hall

Performances

Mainpiece Title: Les Precieuses Ridicules

729
04 February 1743 @ Lincoln's Inn Fields

Event Comment: Acted there but once

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Bickerstaffs Unburied Dead

730
12 September 1744 @ Haymarket Theatre

Event Comment: Acted but once these hundred Years. Played at the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Romeo And Juliet

731
19 January 1747 @ Goodman's Fields

Event Comment: Acted but once this Season

Performances

Mainpiece Title: The Tempest

732
27 December 1748 @ Haymarket Theatre

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: Acted by Gentlemen; with an Occasional Prologue-.

Afterpiece Title: The Lying Valet

Performance Comment: an Epilogue-in the Character of Sharp.
Cast
Role: an Epilogue Actor: in the Character of Sharp.

733
21 January 1752 @ Castle Tavern

Performances

Mainpiece Title: The Old Womans Oratory 1

Performance Comment: As17520114 for Act I.

Afterpiece Title: Old Womans Oratory 2

Performance Comment: For Act II. As17520114.

Afterpiece Title: Old Womans Oratory 3

Performance Comment: Act III, 1. A Voluntary on the Cymbalo-; 2. A new Dissertation-Mrs Midnight; 3. A French Horn Concerto-.

734
31 January 1752 @ Castle Tavern

Performances

Mainpiece Title: The Old Womans Oratory 1

Performance Comment: for Act I As17520107, but Occasional Prologue-Master Hallet.

Afterpiece Title: Old Womans Oratory 2

Performance Comment: Act II, 1. A Full Piece-; 2. A Piece-Signior Bombasto; 3. The Speech of Mrs Midnight in Defence of her Existence-; 4. Solo on the Viol d'Amor-; 5. Overture from Otho-; 6. An Oration on the Salt@Box-a Rationalist.

Afterpiece Title: Old Womans Oratory 3

Performance Comment: Act III, 1. An Italian Song-Sg Bombazino; 2. A New Dissertation-Mrs Midnight; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Maccabeus with the Side Drum-; Epilogue-Master Hallet.

735
04 February 1752 @ Castle Tavern

Performances

Mainpiece Title: The Old Womans Oratory 1

Performance Comment: Act I As17520107, but new Occasional Prologue by a Gentleman of the University-.

Afterpiece Title: Old Womans Oratory 2

Performance Comment: Act II, III As17520131, but Solo on Cymbals-; Solo on the Viol d'Amour-_.

Afterpiece Title: Old Womans Oratory 3

736
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Only Grand Selection 0

Afterpiece Title: Acis and Galatea

Performance Comment: [Act I only.]

Afterpiece Title: A New Grand Selection

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

737
08 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Grand Selection 0

Afterpiece Title: Acis and Galatea

Performance Comment: Act I, As17930306 .

Afterpiece Title: A New Grand Selection

738
15 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah Part I Grand Selection 0

Afterpiece Title: The Resurrection

Performance Comment: [Act I only.]

Afterpiece Title: A New Grand Selection

Song: End 2nd piece: Ye spotted Snakes-(Stevens)

739
20 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Afterpiece Title: The Resurrection

Performance Comment: [Act I only.]

Afterpiece Title: A New Grand Selection

740
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Performance Comment: Characters by Bannister Jun., Phillimore, Wewitzer, Mrs Barresford, Mrs Kemble. [Cast from text (Harrison and Co., 1788): Lucas-Bannister Jun.; Corporal-Phillimore; Duval-Wewitzer; Lawyer-Painter; Margaret-Mrs Barresford [in text: Miss Prideaux]; Lucette-Mrs Kemble.

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

741
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling Or Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck or Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

Performance Comment: End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall.
Cast
Role: Epilogue Actor: Somebody in the Character of Nobody

742
08 December 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The Bath Or The Western Lass

Song: Let the dreadful Engines-Leveridge; Since the Times are so Bad-Leveridge, Mrs Lindsey; Sing Sing All Ye Muses-Laroone, Hughs; A Scotch Song-Leveridge

Dance: Between every Act: Genteel Round-a Devonshire Girl never seen on the Stage before, to the Harp alone; an Irish Humour, The Whip of Dunboyne-Devonshire Girl, her Master; another genteel dance-Devonshire Girl; a Highland Lilt-Devonshire Girl, her Master; A Country Farmer's Daughter-Devonshire Girl all in Natural Habits

743
08 September 1711 @ Greenwich

Performances

Mainpiece Title: The Jew Of Venice Or The Female Lawyer

Song: Between the Acts: With several Songs and Dialogues-Teno, Rainton, a Gentlewoman from London, who never perform'd there before; particularly that Celebrated Dialogue of Tell Me Why My Charming Fair by the late famous Mr Henry Purcell-; Mad Dialogue by him-; Also several Opera Songs with Instruments-

744
28 February 1743 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Nonjuror

Performance Comment: As17430209, but An Epilogue in the Character of Nobody-Cibber.
Cast
Role: An Epilogue in the Character of Nobody Actor: Cibber.

Afterpiece Title: scenes from Tscenes from The Old Batchelor

Performance Comment: Instead of a Farce, will be acted the Scenes of Fondlewife and Laetitia taken from the comedy of The Old Batchelor. As17421230, but Giffard_; Mozeen_; Julian_; Dunstall_; Mrs E._ Giffard; Mrs_ Dunstall; Mrs_ Chetwood; Mrs_ Butler.

Song: Between the Acts: particularly the Songs in the Masque of Comus-a Gentleman (who never perform'd in public before), Mrs Hooper, Mrs Dunstall

Dance: WWelch Buffoon-two Masters Granier [not in Daily Advertiser]

745
23 June 1761 @ Covent Garden

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Upholsterer

Performance Comment: Quidnunc-Storer; Feeble-Hartry; Razor and Pamphlet-Cooke; Bellmour-T. Smith; Rovewell-Wignell; Brisk-Gibson; Harriet-a Young Gentlewoman (who never appeared on any stage); Termagant (by desire)-a Gentleman.

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

746
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

747
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .

748
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

749
05 November 1726 @ King's Theatre

Performances

Mainpiece Title: Dianas Madness Or Fatime A Favourite Slave In The Seraglio Mad For Love And Crownd Empress By The Grand Signior With Pantlon And Harlequin Eunuchs Elected Kaimcan And Ciguir The One Impaled And The Other Sawed Asunder The Bashas Selim And Achmet Ript Open Rabca Strangled And Chistar Beheaded

Entertainment: Carneval-after the Venetian Manner; Dancing-Masqueraders in divers Characters, Madmen, Turks Men and Women being the Invention of Mr Poictiers

750
15 March 1737 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Dance: I: Comic Dance-Nivelon, Mrs LeBrun; II: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Miss LeBrun; In III: Hornpipe-Ferguson; End Afterpiece: Glover's Dance of Sailors-

Song: V: As I saw Fair Clara-Beard, Salway