SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Theodore DAuberval"/1) | (@(roleclean,performerclean) "Mme Theodore DAuberval")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 456 matches on Performance Comments, 274 matches on Performance Title, 108 matches on Event Comments, 22 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Knight; Sir William Meadows-Powel; Eustace-Clarke; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Rees; Maid-Mrs Lloyd; Rosetta-Mme Mara (1st appearance in that character).
Cast
Role: Rosetta Actor: Mme Mara

Afterpiece Title: Catherine and Petruchio

Dance: End I: The Statute Dance- [performers not listed]

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17970929, but Fernando (1st time)-Clarke; Vasquez-Abbot; Lorenza (with additional songs)-Mme Mara; Rapino-_; Calvette-_.
Cast
Role: Lorenza Actor: Mme Mara

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: Cinna

Performance Comment: [see17980224 Cast from libretto (E. Jackson [1798]): Ottavio-Rovedino; Cinna-Viganoni; Murena-DeGiovanni; Agrippa-Braghetti; Servilia-Mme Banti; Livia-Sga Pastorelli.
Cast
Role: Servilia Actor: Mme Banti

Dance: As17980210

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Mme Mara, Master Elliot, Miss Poole, Incledon, Miss Dufour, Sale, Reinhold; Leader of the Band-G. Ashley.

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: Cinna

Performance Comment: Principal Characters-Rovedino, Viganoni, Mme Banti. [And see17980220] .And see17980220] .

Dance: As17980206

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Performance Comment: As17980223, but In which Sweet Bird-Mme Mara; accompanied on the violin-G. Ashley; Mirth admit me-Reinhold; accompanied-Leander; But O sad virgin-Miss Poole; accompanied-C. Ashley.

Afterpiece Title: L'Allegro Il Pensieroso 3

Performance Comment: [i.e. oratorio in 2 parts]. Fourth Oboe Concerto-; Oh had I Jubal's Lyre-Miss Poole (Joshua); The Thanksgiving Anthem-I will give thanks unto thee (London Chronicle, 20 Dec. 1797)][, performed by Command of His Majesty, at St. Paul's, on the 19th of December [1797], in Honour of the Victory obtained by Lord Duncan [at Camperdown, 11 Oct. 1797] over the Dutch Fleet; Bravura Agitata-Mme Mara; Genius of England-; Come if you dare-; To arms-; Britons strike home-; Chorus-(Purcell).
Cast
Role: Bravura Agitata Actor: Mme Mara

Performances

Mainpiece Title: Acis And Galatea 0

Performance Comment: Acis-Incledon; Polyhemus-Reinhold; Galatea-Mme Mara; [Other] Principal Vocal Performers-Master Elliot, Sale, Miss Poole, Miss Dufour; Leader of the Band-G. Ashley.
Cast
Role: Galatea Actor: Mme Mara

Afterpiece Title: Acis and Galatea 3 [i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.
Cast
Role: The soldier tir'd Actor: Mme Mara

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Shall I in Mamre's-Sale; For all these Mercies-Chorus (Joshua); Total eclipse-Incledon; O first created beam-Chorus (Samson); Hark, it is the linnet-Miss Poole (Joshua); When storms the proud-Reinhold; O Judah-Chorus (Athalia); O worse than death, Angels ever bright-Mme Mara (Theodora); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: Angels ever bright Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Event Comment: Benefit for Dame [sic] Mara. Morning Herald, 13 Apr.: Tickets to be had of Mme Mara, at Mr Monzani's No. 2, Pall-Mall. Receipts: #236 3s. 6d. (199.1.6; 6.16.0; tickets: 30.6.0)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Polly Actor: Mme Mara

Afterpiece Title: Raymond and Agnes

Cast
Role: Theodore Actor: Simmons

Dance: In III: Hornpipe in Fetters, as17971025; Afterpiece to conclude: Spanish Fandango-; Finale- as17971009

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17970929, but Spado-Quick; Lorenza (with new Songs, in particular, Agitata)-Mme Mara; Rapino-_; Calvette-_; Oft on a plat of rising Ground-_.
Cast
Role: Lorenza Actor: Mme Mara

Afterpiece Title: Raymond and Agnes

Cast
Role: Theodore Actor: Simmons

Dance: As17971012

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Incledon; Col. Oldboy-Munden; Sir John Flowerdale-Murray; Jessamy-Betterton; Harman-Clarke; Jenkins-Townsend; Diana-Mrs Mountain; Lady Oldboy-Mrs Davenport; Jenny-Mrs Martyr; Clarissa (with new songs)-Mme Mara (1st appearance in that character).
Cast
Role: Clarissa Actor: Mme Mara

Afterpiece Title: Raymond and Agnes

Cast
Role: Theodore Actor: Simmons

Dance: As17980430

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: British Fortitude

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mme Mara (1st appearance in that character).
Cast
Role: Marian Actor: Mme Mara

Dance: In II 1st piece: As17971006

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17971115, but Justice Woodcock-Munden; new songs-Mme Mara (as Rosetta).
Cast
Role: new songs Actor: Mme Mara
Role: Rosetta Actor: Mme Mara

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Incledon, Sale, John Sale, Denman, Bartleman, Mme Mara, Miss Capper, Mrs Atkins.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; The Dettingen Te Deum-; Holy Holy Lord-Mme Mara.
Cast
Role: Holy Holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Select Parts of the Funeral Anthem-; Lord what is man?-Miss Capper (Semele); Tears such as tender-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); What though I trace-Mrs Atkins (Solomon); Angels ever bright and fair-Mme Mara (Theodora); March, The trumpet's loud clangour-Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Farewell you limpid springs-; Deeper and deeper still-; Waft her angels-Mme Mara (Jephtha); From harmony-Chorus (Dryden's Ode); Softly sweet in Lydian measure-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He layeth-Bartleman [Ezio]; O God who in-Chorus [Joseph]; O magnify the Lord-Mrs Atkins (Chandos Anthems); The Horse and his rider-Chorus (Israel in Egypt).
Cast
Role: Waft her angels Actor: Mme Mara

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; The smiling dawn-Mrs Atkins (Jephtha); Then round about the starry-Chorus (Samson); The Lord is a man of war-Bartleman, Sale (Israel in Egypt); Softly rise-Incledon; bassoon obligato-Parkinson; Ye southern breezes-Chorus (Boyce's Solomon); What tho' I trace-Mme Mara (Handel's Solomon); Gird on thy sword-Chorus (Saul).
Cast
Role: What tho' I trace Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Performance Comment: Select parts of the Water Music-; Shake the dome-Chorus (Solomon); Thou shalt bring them in-Miss Waters; Wave from wave-Bartleman (Israel in Egypt); Happy Iphis-Miss Capper; Deeper and deeper-Incledon; Waft her angels (Jephtha)-; The soldier tired-Mme Mara (Arne's Artaxerxes); Gloria Patri-Chorus (Jubilate).
Cast
Role: The soldier tired Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; With plaintive notes-Mrs Atkins (Samson); I feel the Deity-Bartleman; Arm arm ye brave, Ee come-Chorus (Judas Maccabaeus); Gentle airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Mad Bess-Mme Mara (Purcell); Rule Britannia, God save the King-Chorus.
Cast
Role: Mad Bess Actor: Mme Mara

Music: As17990213

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Principal Parts-Morelli, Rovedino, Mme Allegranti. [For cast see17990409] .For cast see17990409] .

Dance: As17990330

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 43, Gerrard-street, Soho. 2nd ballet [1st time]: Composed by Didelot, the music by Bossi. With new Scenes, Dresses and Decorations. The Public are respectfully informed that a Programme of the Ballet may be had at the doors

Performances

Mainpiece Title: I Zingari In Fiera

Dance: Between Acts: Divertisement-(1st time); End Opera: a Grand Fairy Ballet in 2 acts, Laura et Lenza; ou, Le Troubadour-all the principal Dancers see18000628

Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia

Performance Comment: Principal Performers-Master Elliot, Walker, Page, Denman, Mme Mara, Miss Jackson, Miss Holland (1st appearance).
Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Event Comment: Benefit for Mrs Smith. The Farce was much hiss'd (Hopkins Diary). The overture and Songs in it entirely new, composed by Theodore Smith. The farce by Thomas Hull. Paid 1!2 years Poor's rate to Xmas last #32 9s. 6d. Receipts: #98 6s. Charges: #70 6s. Profits to Mrs Smith: #28 (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Spanish Lady

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128, to conclude with The Emperor's Cossac (composed for the Masqued Ball [held at this theatre, 24 Jan.] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211

Performance Comment: ] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211 .

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Kemble; Priuli-Hull [of cg]; Renault-Packer; Bedamor-R. Palmer; Duke-Chaplin; Elliot-Fawcett; Spinosa-Benson; Officer-Phillimore; Pierre-Bensley; Belvidera-Mrs Siddons. [Edition of 1796 (For the Proprietors) adds: Theodore-$Alfred.]
Cast
Role: Theodore Actor: Alfred.

Afterpiece Title: The Doctor and the Apothecary