SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15843 matches on Performance Comments, 5895 matches on Event Comments, 5338 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Event Comment: By Elkanah Settle. Luttrell, A Brief Relation, 29 Oct. 1692: This day the usuall show of lord mayors, where the king and queen dined, most of the nobility, &c., but the prince and princesse were not invited: the feast was at charge of lord mayor and court of alderman: the lord mayor subscribed 300#, each she rife, 150#, and the aldermen 50# apeice: the kings regiment of foot guards was all in new cloths, and the horse guards too: the militia of Middlesex were as a guard in the Strand, and the artillery, with silver and steell headpeices, lined tne streets where the mayor came

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: At the most Excellent Musick-Room of Richmond Wells. At 3 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Event Comment: At the Desire of several Persons of Quality. Benefit Mrs Rogers

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Sir Harry-Wilks; Colonel Standard-Mills; Clincher Sr-Pinkethman; Clincher Jr-Bullock; Smuggler-Johnson; Dicky-Norris; Lady Lurewell-Mrs Oldfield; Angelina-Mrs Rogers.
Cast
Role: Angelina Actor: Mrs Rogers.
Event Comment: Benefit Mrs Rogers. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Constant Couple

Performance Comment: See17100227, but Sir Harry-Wilks; Lady Lurewell-Mrs Oldfield; Angelica-Mrs Rogers.
Cast
Role: Angelica Actor: Mrs Rogers.

Afterpiece Title: The Stage Coach

Song: Dogget, Leveridge

Event Comment: Benefit Mrs Rogers. At the Desire of several Ladies of Quality. Written by Mr Otway

Performances

Mainpiece Title: Venice Preservd Or A Plot Discoverd

Performance Comment: Belvidera-Mrs Rogers.
Cast
Role: Belvidera Actor: Mrs Rogers.
Event Comment: Benefit Mrs Rogers. Written by Mr Steele. N.B. The Tickets deliver'd out for King Lear will be taken at this Play

Performances

Mainpiece Title: The Funeral

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Sable-Johnson; Trim-Penkethman; Lady Brumpton-Mrs Rogers; Lady Sharlot-Mrs Porter; Lady Harriet-Mrs Bradshaw; Mrs d'Epingle-Mrs Bicknell; Fardingale-Norris.
Cast
Role: Lady Brumpton Actor: Mrs Rogers
Event Comment: Benefit Mrs Rogers. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Wilks; Hellena-Mrs Rogers.
Cast
Role: Hellena Actor: Mrs Rogers.
Event Comment: Benefit Mrs Rogers. At the Desire of several Ladies of Quality. Not Acted these Six Years. Receipts: #130 2s

Performances

Mainpiece Title: Ibrahim The 13th Emperor Of The Turks

Performance Comment: Marina-Mrs Rogers' Daughter , who never yet appear'd upon any Stage.

Dance: As17150310 Also a Scaramouch-a Gentleman for his own Diversion

Song: The New Girl; A Dialogue-Leveridge, Pack

Event Comment: Benefit Rogers and Frisby. At the particular Desire of several Ladies of Quality. Receipts: money #18 17s. 6d. and tickets #66 1s

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: See17151004, but Torrismond-Rogers; Elvira-Mrs Cross; Teresa-a Young Gentlewoman for her Diversion.

Song:

Dance:

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Loveless-Mills; Young Loveless-Blakes; Roger-Macklin; Savil-Yates; Welford-Havard; Morecraft-Taswell; Captain-Winstone; Poet-Arthur; Traveller-I. Sparks; Tobaccoman-Gray; Abigail-Mrs Macklin; Martha-Mrs Mozeen; Widow-Mrs Cross; Scornful Lady-Mrs Woffington.
Cast
Role: Welford Actor: Havard

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: Benefit for Mrs Siddons. Mainpiece: Translated from Voltaire. Not acted these 20 years [acted l6 Nov. 1779]. Afterpiece: Not acted these 18 years [not acted since 19 Apr. 1774]. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. [Mrs Siddons's 1st appearance as Palmyra was at Manchester, 1 Apr. 1778. Adress by Samuel Rogers (European Magazine, May 1795, p. 344). Epilogue by David Garrick.] Receipts: #569 8s. 6d. (293.14.6; 59.10.6; 8.0.0; tickets:208.3.6) (charge:#204 1s.)

Performances

Mainpiece Title: Mahomet The Impostor

Performance Comment: Mahomet-Palmer; Mirvan-Barrymore; Ali-Caulfield; Zaphna-Kemble; Alcanor-Bensley; Pharon-Packer; Palmyra (1st time [in London])-Mrs Siddons.

Afterpiece Title: Edgar and Emmeline

Performance Comment: Edgar (disguised as a Woman)-Barrymore; Florimand-Bannister Jun.; Elfina (a Fairy)-Master Welsh; Grotilla (a Fairy)-Miss Menage; Emmeline (disguised as a Man)-Mrs Siddons; Agatha-Miss Tidswell.
Cast
Role: Grotilla Actor: Miss Menage
Role: Agatha Actor: Miss Tidswell.

Entertainment: Monologues. End: an Occasional Address-Mrs Siddons; Afterpiece to conclude with: the original Epilogue-Mrs Siddons

Event Comment: Benefit for Simpson, Shawford, Rogers and Miss Minors. Receipts: #200 (Cross); house charges, #63 (Powel); cash, #31 10s.; tickets #151 10s. (Clay MS)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17480212, but Jeremy-Neale; Buckram-Simpson; Mrs Foresight-Mrs Bennet; Miss Prue-Miss Minors.
Cast
Role: Mrs Foresight Actor: Mrs Bennet
Role: Miss Prue Actor: Miss Minors.
Role: Foresight Actor: Taswell

Afterpiece Title: The Anatomist

Dance: III: Peasant Dance-Mas. Shawford, Miss Shawford; V: Comic Dance-Matthews, Mrs Addison

Performance Comment: Shawford, Miss Shawford; V: Comic Dance-Matthews, Mrs Addison.
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17511128, but following parts only are listed: Lady Townly-Miss Macklinher 1st appearance in Comedy; Sir Francis-Macklin; Townly-Barry.

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Prices first mentioned in news notices: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. [These are new and increased rates.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Bridges; Johnson-Cross; Other-Yates, Havard, Taswell, Blakes, Turbutt, Phillips, Neale, Leigh, Winstone, Green, Woodburn, Ray, Usher, Wright, Mrs Ridout, Mrs Cross, Miss Cole, Miss Wright; With the Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: The Amorous Goddess

Cast
Role: Harlequin's Child Actor: Miss Yates

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Old Maid

Performance Comment: Harlow-Davis; Clerimont-Aickin; Cape-Palmer; Mrs Harlow-Mrs M'George; Miss Harlow-Miss Worley, her first appearance on this stage.

Dance: As17660620

Event Comment: Benefit for Dignum. Mainpiece: Never performed there. [Miss Hagley had sung in the dl oratorios this season (see 27 Feb.).] Receipts: #254 10s. (45.18; 16.6; 0.13; tickets: 191.13) (charge: #107 8s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle (with new songs by Dr Arnold)-Kelly; Sir Christopher Curry (1st time)-Aickin; Medium-Baddeley; Campley (1st time)-Dignum; Mate-Sedgwick; Sailors-Alfred, Cox; Planters-Burton, Phillimore, Benson; Trudge (1st time)-Bannister Jun.; Narcissa-Miss Hagley (pupil of Linley? Sen; 1st appearance on any stage [i.e. in a speaking part]); Wouskey (1st time)-Miss Romanzini; Patty-Mrs Edwards; Yarico (1st time)-Mrs Crouch.
Cast
Role: Narcissa Actor: Miss Hagley
Role: Wouskey Actor: Miss Romanzini

Afterpiece Title: The Divorce

Song: End: Poor Jack!; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini

Performance Comment: ; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Performance Comment: Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle .
Event Comment: Benefit Raftor and Miss Edwards. Play By Desire. Being the last time of acting this season

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17450328 but Lucy-Mrs Clive, 1st time; Jenny Diver-Miss Allen; Mrs Slammekin-Miss Hippisley; Polly-Miss Edwards, 1st time; Peachum-Macklin; Lockit-Marten; Filch-Raftor; Mrs Peachum-Mrs Macklin; Mrs Coaxer-Mrs Ferguson; With the dances-proper to the opera; particularly a Hornpipe-Vaughan.

Afterpiece Title: The Virgin Unmaskd

Event Comment: By Command of the Prince of Wales. Last time of performing till after the Easter Holidays

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Demetrius-Smith, 1st time; King-Ridout; Seleucus-Anderson; Ptolomy-Wignel; Lysimachus-Gibbs; Timon-Stoppelaer; Lieutenant-Shuter; Cerinthus-Bencraft; 1st Ambassador-R. Smith; 2d-Holtom; Physician-Redman; 1st Gentlemen-Bennet; 2d Gentlemen-Perry; Host-Marten; Leontius-Sparks; Gentleman Ushers-Collins, Dunstall; Magician-Baker; with the Incantation Song-Baker; Singing Spirits-Mrs Lampe, Miss Young; Leucippe-Mrs Pitt; Caelia-Miss Nossiter, 1st time; Old Woman-Miss Ferguson; Phoebe-Miss Allen.

Afterpiece Title: Florizel and Perdita

Dance: [Unspecified in the bill]

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Performances

Mainpiece Title: Fathers Own Son

Event Comment: CCross: Mr Garrick first play'd Jaffier very fine-G: Applause. Genest, IV, 237: Barry's figure was pleasing and commanding in Pierre beyond description; but in a critical view he was not suited to the character. Receipts: #195 (Cross); #190 11s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: As17471020, but Jaffier-Garrick 1st time.

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Barry. Pit and boxes laid together, and Front and Side Boxes built on Stage [see 7 March]. Tickets to be had at Mr Barry's, the corner of Bow St., Covent Garden. Mr Garrick first play'd Iago (Cross). [He had played it in Dublin 28 Feb. 1746.] Receipts: #289 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Othello

Performance Comment: As17490106, but Iago-Garrick 1st time; Cassio-Palmer.

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Event Comment: Benefit for Beard. Mrs Cibber first did Ophelia (Cross). Afterpiece: By particular desire. Five rows of Pit laid into Boxes and stage as on 7 March. Tickets and places of Hobson at the stage door. Receipts: #275 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17490126, but Gravediggers-_Vaughan, Ray; Polonius-James; Ophelia-Mrs Cibber 1st time; Lucianus-_; Rosencraus-_; Guildenstern-_; Marcellus-_; Player King-_; Player Queen-_.

Afterpiece Title: Tit for Tat

Song: Beard

Event Comment: New Music, Dresses, Habits and Decorations. Full Prices. [Which were maintained during run of this pantomime]. A New Pantomime. This Pant: was made by Mr Woodward & met wth great applause, Young Vernon sung for the first time very well. It is said some of the Scenes were bought from Sadler's Wells, wch is shut up by ye Law (Cross). Woodward Harlequin 1st time in three years. Pantomime a New Entertainment in Italian Grotesque Characters (General Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab