Event Comment: At the Blue-Boar Inn, Holborn. By particular Desire. A Concert, etc. Pit 2s. Gallery 1s. (Daily Advertiser)

Event Comment: Benefit for Quin. Mainpiece: By Command of their Royal Highnesses Prince George, Prince Edward, Prince William, Prince Henry, Lady Augusta and the Lady Elizabeth. Six rows of the Pit will be laid into the Boxes. Stage will be Enclosed and form'd into an Amphitheatre. Paid Quin in full of his agreement #122; Advanced Servandoni #5 5s. [The Account Book itemizes the income this night as #93 15s. in money; #99 5s. in tickets, a total of #193 without stage (i.e., presumably without counting money to Quin gained from friends invited to sit in the Amphitheatre on stage.) This was also a "Free Benefit," i.e., clear of costumary house charges.] Receipts: #193

Event Comment: For the Benefit and Increase of a Fund established for the support of Decay's Musicians, or their Families. Pit and Boxes put together at Half a Guinea. Tickets delivered to the subscribers of this Charity will admit one Person to any Part of the House (General Advertiser, 31 March, advance notice)

Event Comment: Benefit for Geminiani. A Grand Entertainment of Sacred Music called...To conclude with the Magnificat compsoed by Conti. Mr Geminiani will conduct the Orchestra and perform a Concerto and Solo of his own Composition. Pit and Boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. To begin at half after six. Mr Geminiani has altered his day from Friday 6 April Mr Handel having agreed to have no Oratorio on Wednesday 11 April. So Tickets for 6 Apr. will be taken (General Advertiser). [Cross incorrectly dates this on Tuesday 10 April.] Receipts: #230 (Cross); charges, #21 (Treasurer's Book)

Event Comment: Benefit for Mrs Melini. Pit and Boxes 5s. Gallery 2s. 6d

Event Comment: At the New Wells, Shepherd's Market. Boxes 3s. Pit 2s. First Gallery 6d. Upper Gallery 3d. (Daily Advertiser)

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Event Comment: At Bence's Great Theatrical Booth, Bowling Green, Southwark. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. To begin each Day at 12 o'clock. [Mainpiece: An Excellent Dramatick Piece. Afterpiece: A diverting Farce.

Event Comment: For the Benefit of Gentleman who has wrote for the Stage. A Concert of Musick. The march in Judas Maccabaeus, Side-Drum-J. Woodbridge, late Kettledrummer to the Hon. Admiral Boscawen. Also a preamble on the Kettle-Drums, ending with Handel's Water Musick. A Variety of other Entertainments. Between the Parts of the Concert will be given gratis, the Tragedy of The Orphan. With an Occasional Prologue. Boxes 4s. Pit 2s. 6d. Gallery 1s. To begin at 6 p.m. [Performance had been delayed from 10 Oct. on account of illness of a principal performer.

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)