SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss P Hopkins"/1) | (@(roleclean,performerclean) "Miss P Hopkins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14109 matches on Performance Comments, 4417 matches on Performance Title, 3652 matches on Event Comments, 195 matches on Roles/Actors, and 3 matches on Author.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performances

Mainpiece Title: A Very Good Wife

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Performances

Mainpiece Title: The Lovers Luck

Performances

Mainpiece Title: The She gallants

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Innocent Mistress

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 17-21 Feb. 1697@8, suggests that it was first given not later than January 1697@8. Downes, Roscius Anglicanus, p. 44: Heroick Love, Wrote by Mr George Greenvil, Superlatively Writ; a very good Tragedy, well Acted, and mightly pleas'd the Court and City. A Comparison Between the Two Stages (1702), p. 20: The Language is very correct: But with submission to him [Granville], his Fable is not well chosen; there's too little Business in't for so long a Representation: But if Mr G. had taken the Story at a greater length, and contriv'd the Incidents to surprize, he had made it an admirable Tragedy

Performances

Mainpiece Title: Heroick Love

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performances

Mainpiece Title: Rinaldo And Armida

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Marriage Hater Matched

Performances

Mainpiece Title: Love Betrayed Or The Agreeable Disappointment

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: Sir Solomon Single

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: duRuel, Cherrier, Mrs duRuel

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: Admetus

Performances

Mainpiece Title: Acis And Galatea